ABOUT THE SPEAKER
Jer Thorp - Data artist
Jer Thorp’s work focuses on adding meaning and narrative to huge amounts of data as a way to help people take control of the information that surrounds them.

Why you should listen

Currently the data artist in residence at the New York Times, Jer’s software-based art has been featured all over the world. His former career as a data artist explains why his art often brings big data sets to life and is deeply influenced by science. Originally from Vancouver, he lives in New York City, where, along with his work at the New York Times, he teaches in NYU’s ITP program.

More profile about the speaker
Jer Thorp | Speaker | TED.com
TEDxVancouver

Jer Thorp: Make data more human

Filmed:
300,699 views

Jer Thorp creates beautiful data visualizations to put abstract data into a human context. At TEDxVancouver, he shares his moving projects, from graphing an entire year’s news cycle, to mapping the way people share articles across the internet. (Filmed at TEDxVancouver.)
- Data artist
Jer Thorp’s work focuses on adding meaning and narrative to huge amounts of data as a way to help people take control of the information that surrounds them. Full bio

Double-click the English transcript below to play the video.

我想告诉你们两件非常振奋人心的事,
00:10
I want to talk to you about two
of the most exciting扣人心弦 possible可能 things.
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你们可能已经猜到是什么了,
00:16
You've probably大概 guessed what they are --
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数据和历史。
00:18
data数据 and history历史.
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不是吗?
00:21
Right?
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00:24
So, I'm not a historian历史学家.
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我不是个历史学家。
00:26
I'm not going to give you
a definition定义 of history历史.
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我不是来跟你们讲历史定义的。
00:29
But let's think instead代替
of history历史 within a framework骨架.
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而是想让你们通过一个框架看待历史。
当我们创造历史
00:32
So, when we're making制造 history历史,
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或是撰写历史文献时,
00:33
or when we're creating创建
historical历史的 documents文件,
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00:36
we're taking服用 things
that have happened发生 in the past过去,
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我们是在把过去发生的事
衔接在一起变成一个故事。
00:39
and we're stitching拼接 them
together一起 into a story故事.
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让我先来讲一个我自己的故事。
00:41
So let me start开始 with a little bit
of my own拥有 story故事.
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和大多数年龄相仿的
计算机工作者一样,
00:44
Like anybody任何人 my age年龄
who works作品 creatively创造性 with computers电脑,
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00:48
I was a popular流行, socially社交上
well-adjusted调整良好 young年轻 man --
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我曾是个善于社交、受欢迎的年轻人,
00:52
(Laughter笑声)
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(笑声)
00:53
And sporty运动型!
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而且擅长运动!
擅长运动的年轻人。
00:56
Sporty运动 young年轻 man.
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00:58
And like a lot of people my age年龄
in the type类型 of business商业 that I'm in,
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和大多数年龄差不多的同行一样,
01:03
I was influenced影响 tremendously异常 by Apple苹果.
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我深受苹果公司的影响,
01:07
But notice注意 my choice选择 of logo商标 here, right?
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但是注意看我选的这个商标,
01:10
The Apple苹果 on the left,
not the Apple苹果 on the right.
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左边那个苹果,不是右边那个。
01:15
I'm influenced影响 as much
by the Apple苹果 on the right
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我深受右边那个苹果的影响,
01:17
as the next下一个 person,
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就像每个人一样,
01:19
but the Apple苹果 on the left --
I mean, look at that logo商标!
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但是左边那个苹果,看看这标志,
是个彩虹,但是顺序是错的!
01:22
It's a rainbow彩虹.
It's not even in the right order订购!
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01:24
(Laughter笑声)
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(笑声)
01:25
That's how crazy Apple苹果 was.
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真不知道苹果公司在搞什么鬼。
01:28
(Laughter笑声)
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(笑声)
01:29
But I don't want to talk too much
about the company公司.
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但对苹果公司我不想说太多。
01:32
I'll start开始 talking about
a machine, though虽然.
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我想跟你们说一个机器的事儿。
01:34
How amazing惊人 it is to think about this.
I go back and I think about this.
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我现在回过头来想,真是不可思议啊。
01:38
Wednesday星期三 -- one Wednesday星期三,
when I was about 12 years年份 old,
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那是个周三,是我大概12岁的时候,
我还没有电脑。
01:41
I didn't have a computer电脑.
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01:44
On Thursday星期四, I had a computer电脑.
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到了周四,我就有了一台电脑。
你能想象这变化吗?
01:48
Can you imagine想像 that change更改?
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01:50
It's so drastic激烈.
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翻天覆地的变化。
01:52
I can't even think about anything
that could change更改 our lives生活 that way.
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没有事物可以像电脑
那样改变我们的生活。
但我其实也不想聊电脑的事儿。
01:56
But I'm actually其实 not even going
to talk about the computer电脑.
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我想聊聊电脑上的一个程序。
01:58
I'm going to talk about a program程序
that came来了 loaded on that computer电脑.
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程序的创始人是……不是左边那个,
02:02
And it was build建立 by,
not the guy on the left,
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右边那个才是。
02:04
but the guy on the right.
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大家知道右边那人是谁吗?
02:05
Does anybody任何人 know
who the guy on the right is?
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从来都没人知道。
02:09
Nobody没有人 ever knows知道 the answer回答
to this question.
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这是比尔·阿特肯森。
02:12
This is Bill法案 Atkinson阿特金森.
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02:13
And Bill法案 Atkinson阿特金森 was responsible主管
for tons of things
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多亏比尔·阿特肯森做的很多事,
才有了我们现在
02:16
that you see on your computer电脑 every一切 day.
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每天在电脑上看到的东西。
但是我想重点说说比尔写的一个程序,
02:19
But I want to talk about one program程序
that Bill法案 Atkinson阿特金森 wrote,
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02:22
called HyperCardHyperCard的.
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叫做 HyperCard。
02:25
Someone's别人的 cheering欢呼 over there.
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我听到那边有观众在欢呼。
02:27
(Laughter笑声)
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(笑声)
02:28
HyperCardHyperCard的 was a program程序
that shipped with the Mac苹果电脑,
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HyperCard 曾是苹果电脑的附赠品。
02:31
and it was designed设计
for users用户 of the computer电脑
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为苹果电脑使用者设计的,
在电脑上编程时用。
02:34
to make programs程式 on their computers电脑.
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如今听起来很疯狂。
02:38
Crazy idea理念 today今天.
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02:39
And these programs程式 were not the apps应用
that we think about today今天,
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这些程序不是我们如今使用的app,
02:42
with their large budgets预算
and their big distribution分配.
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app是有很大的预算和传播度的。
而这些程序只是很小的程序,
02:45
These were small things,
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有人用它来记录当地篮球赛的比分,
02:46
people making制造 applications应用 to keep track跟踪
of their local本地 basketball篮球 team球队 scores分数
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02:50
or to organize组织 their research研究
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有人用来整理论文,
有人用来做古典音乐的教学
02:53
or to teach people about classical古典 music音乐
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02:56
or to calculate计算 weird奇怪的 astronomical天文 dates日期.
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或者计算奇怪的天文日期。
03:00
And then, of course课程,
there were some art艺术 projects项目.
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当然还有一些是艺术项目。
这是我最喜欢的一个。
03:02
This is my favorite喜爱 one.
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叫做“If Monks Had Macs,”
03:03
It's called "If Monks僧侣 Had Macs苹果电脑,"
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03:05
and it's a nonlinear非线性
kind of exploratory探索 environment环境.
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是个非线性探索环境。
因为HyperCard,我感谢上苍。
03:10
I thank the stars明星 for HyperCardHyperCard的
all of the time.
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03:16
And I thank the stars明星
for putting me in this era时代
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感谢上苍让我生在这个时代,
03:18
where I got to use HyperCardHyperCard的.
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让我有机会使用HyperCard。
03:20
HyperCardHyperCard的 was the last program程序 to ship
on a public上市 computer电脑
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Hypercard是最后一个
和公共电脑一起寄出
03:25
that was designed设计 for the users用户
of the computer电脑 to make programs程式 with it.
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设计给用户编程的附赠品。
03:30
If you talked to the people
who invented发明 the computer电脑
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如果你告诉电脑的发明者们,
03:33
and you told them there would be
a day, a magical神奇 day,
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有那么一日,
03:36
when everybody每个人 had a computer电脑
but none没有 of them knew知道 how to program程序,
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所有人都有了电脑,
却没人知道如何编程,
03:41
they would think you were crazy.
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他们一定会觉得你疯了。
03:43
So let's skip跳跃 forward前锋 a few少数 years年份.
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让我们快进几年。
03:45
I'm starting开始 my career事业 as an artist艺术家,
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我最初的职业是艺术家,
03:48
and I'm building建造 things
with my computer电脑, small-scale小型 things,
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我用电脑创作一些小玩意儿,
03:52
investigating调查 things like
the growth发展 systems系统 of plants植物.
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比如研究植物的生长系统。
还有,在这个例子中,
03:55
Or, in this example, I'm building建造
a simulated模拟 economy经济
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03:58
in which哪一个 pixels像素 are trading贸易 color颜色
with one another另一个,
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我用像素间的颜色互换
来模拟经济模式,
调查这些系统是如何运作的,
04:02
trying to investigate调查 how
these types类型 of systems系统 work,
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04:05
and just kind of having fun开玩笑.
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我乐在其中。
04:06
And then this project项目 led me
to start开始 working加工 with data数据.
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这个项目使我开始从事
数据相关的工作。
04:09
So I'm building建造 graphics图像 like this,
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我建立这样的图表,
04:12
which哪一个 compare比较 "communism共产主义" --
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把纽约时代周刊里
“共产主义”和“恐怖主义”
这两个词的使用频率
04:15
the frequency频率 of usage用法 of the word
"communism共产主义" in the New York纽约 Times --
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进行对比。
04:18
to "terrorism恐怖主义," at the top最佳.
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04:20
You see "terrorism恐怖主义" kind of appears出现
as "communism共产主义" is going away.
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我们可以发现“恐怖主义“
逐渐出现,“共产主义“渐渐消失。
04:25
And with these graphics图像, I was really
interested有兴趣 in the aesthetic审美 of the graphs.
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我对这些图像的美观性也很感兴趣。
这是伊朗和伊拉克。
04:29
This is Iran伊朗 and Iraq伊拉克.
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04:30
It reads like a clock时钟. It's called
a "timepiece graph图形."
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看起来像个钟表,叫做“钟表图。”
04:34
This is another另一个 timepiece graph图形,
overlaying覆盖 "despair绝望" over "hope希望."
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这是另一个钟表图的例子:
在“希望”上叠加“绝望。”
04:39
And there's only three times -- actually其实,
it's "crisis危机" over "hope希望" --
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实际上,是在“希望”上叠加”危机“——
“希望”只有三次被”危机“覆盖,
04:43
there's only three times
when "crisis危机" eclipses日食 "hope希望."
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我们目前正身处其中一次。
04:45
We're in the middle中间
of one of them right now.
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但这事你们还是别多想了。
04:48
But don't think about that too much.
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(笑声)
04:49
(Laughter笑声)
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04:51
And finally最后, the culmination大成 of this work
with the New York纽约 Times data数据
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这一系列纽约时报作品的巅峰是
几年前,
04:55
a few少数 years年份 ago
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04:56
was the attempt尝试 to combine结合
an entire整个 year's年份 news新闻 cycle周期
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我尝试把一整年的新闻
整合到一张图中。
05:00
into a single graphic图像.
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05:01
So these graphics图像 actually其实 show显示 us
a full充分 year of news新闻, all the people,
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于是这一整年的新闻、人物,
以及他们之间的关系,
05:05
and how they're connected连接的
into a single graphic图像.
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都在这一张图里了。
05:08
And from there, I started开始 to be
interested有兴趣 again in more active活性 systems系统.
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由此,我对更活跃的系统产生了兴趣。
05:12
Here's这里的 a project项目 called "Just Landed降落,"
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这个项目叫“Just Landed,”
05:14
where I'm looking at people
tweeting啁啾 on Twitter推特.
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我看人们发推特。
05:17
"Hey! I just landed登陆
in Hawaii夏威夷!" -- you know,
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“我刚飞到夏威夷!”
——你们懂的,
05:19
how people just casually胡乱 try to sneak潜行
that into their Twitter推特 conversation会话.
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人们总是不经意地在推特上谈到这些。
“我真的不是在炫耀,但我刚到夏威夷。“
05:23
"I'm not showing展示 off. Really.
But I did just land土地 in Hawaii夏威夷."
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05:26
And then I'm plotting绘制
those people's人们 trips旅行,
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然后我开始描绘人们的旅程,
05:29
in the hopes希望 that maybe
we can use social社会 network网络
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希望可以利用社交网络
和背后的数据
05:32
and the data数据 that it leaves树叶 behind背后
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建立一个模型来跟踪人们的动向,
05:34
to provide提供 a model模型 of how people move移动,
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对流行病学家来说,
这将是十分宝贵的信息。
05:36
which哪一个 would be valuable有价值
to epidemiologists流行病学家, among其中 other people.
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05:39
And, more fun开玩笑 -- this
is a similar类似 project项目,
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这是个类似的项目——它更有趣,
05:42
looking at people
saying "Good morning早上" to each other
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在推特上看世界各地的人们
互道早安。
05:44
all around the world世界.
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顺便说一句,我才知道,
05:45
Which哪一个 taught me, by the way,
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在温哥华西岸的人真的比东岸的人
05:47
that it is true真正 that people in Vancouver温哥华
on the West西 Coast wake唤醒 up much later后来
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起床晚,
05:51
and say "Good morning早上" much later后来
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互相道早安也晚,
05:53
than the people on the East Coast,
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05:55
who are more adventurous爱冒险的.
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东岸的人也更有冒险精神。
05:57
Here's这里的 a more useful有用 -- maybe -- project项目,
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再给你们看一个项目
——这个可能更实用,
05:59
where I took all the information信息
from the Kepler开普勒 Project项目
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我试图把开普勒项目的数据
06:02
and tried试着 to put it into some visual视觉 form形成
that made制作 sense to me.
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做成更易懂的图像。
我刚才给你们看的所有作品
06:05
And I should say that everything
I've shown显示 you up to now --
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都是做着玩的。
06:08
these are all things
that I just did for fun开玩笑.
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听起来有点奇怪,
但这就像HyperCard。
06:10
It may可能 seem似乎 weird奇怪的,
but this comes back from HyperCardHyperCard的.
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06:13
I'm building建造 tools工具 for myself.
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我自己创造一些工具,
然后我可以和一些人分享,
06:15
I may可能 share分享 them with a few少数 other people,
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但都是为了自己开心,做着玩的。
06:17
but they're for fun开玩笑, they're for me.
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所以其实很难给这些工具明确的定位。
06:21
So, all these tools工具 I show显示 you
kind of occupy占据 this weird奇怪的 space空间
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06:25
somewhere某处 between之间 science科学, art艺术 and design设计.
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我的创作介于
科学,艺术和设计之间。
06:28
That's where my practice实践 lies.
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06:30
And still today今天,
from my experience经验 with HyperCardHyperCard的,
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从HyperCard开始直到今天,
我都在建立可视化工具
来帮助我理解各种系统。
06:33
what I'm doing is building建造 visual视觉 tools工具
to help me understand理解 systems系统.
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我今天在纽约时报工作,
06:38
So today今天, I work at the New York纽约 Times.
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06:40
I'm the data数据 artist艺术家 in residence住宅
at the New York纽约 Times.
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我是个数据艺术家。
06:43
And I've had an opportunity机会 at the Times
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工作期间,
我接触到很多有趣的项目,
06:45
to work on a variety品种
of really interesting有趣 projects项目,
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今天会给你们看其中两个。
06:48
two of which哪一个 I'm going
to share分享 with you today今天.
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第一个是和马克·汉森一起做的。
06:50
The first one, I've been working加工 on
in conjunction连词 with Mark标记 Hansen汉森.
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06:53
Mark标记 Hansen汉森 is a professor教授 of statistics统计
at UCLA加州大学洛杉矶分校. He's also a media媒体 artist艺术家.
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马克是加州洛杉矶的
统计学教授和传媒艺术家。
马克来时报时提过一个有趣
06:58
And Mark标记 came来了 to the Times
with a very interesting有趣 question
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07:01
to what may可能 seem似乎 like an obvious明显 problem问题:
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而又似乎显而易见的问题:
当人们在网上传播信息时,
07:04
When people share分享 content内容 on the internet互联网,
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07:07
how does that content内容 get
from person A to person B?
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信息是如何从甲传到乙,
或从甲传到乙、丙、丁的?
07:11
Or maybe, person A to person B
to person C to person D?
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07:16
We know that people share分享 content内容
in the internet互联网,
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我们都知道人们在网络上分享信息,
却不知道传播过程中
07:18
but what we don't know
is what happens发生 in that gap间隙
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发生了什么。
07:21
between之间 one person to the other.
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所以我们决定创造工具来探索这个问题,
07:23
So we decided决定 to build建立
the tool工具 to explore探索 that,
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这个工具叫做Cascade。
07:25
and this tool工具 is called Cascade级 联.
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我们看这些系统时,
07:27
If we look at these systems系统
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07:30
that start开始 with one event事件
that leads引线 to other events事件,
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一件事导致另一些事,
我们称之为建立cascade。
07:35
we call that structure结构体 a cascade级联.
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07:37
And these cascades级联
actually其实 happen发生 over time.
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这些cascade是逐渐发生的,
07:39
So we can model模型 these things over time.
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所以我们的跟踪建模也需要一段时间。
07:41
Now, the New York纽约 Times has
a lot of people who share分享 our content内容,
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很多人都在传播纽约时报上的信息,
07:45
so the cascades级联 do not look like that one,
they look more like this.
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所以Cascade看起来其实是这样的。
这是个常见的Cascade。
07:49
Here's这里的 a typical典型 cascade级联.
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07:50
At the bottom底部 left, the very first event事件.
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最左下方是第一个事件。
07:54
And then as people are sharing分享
the content内容 from one person to another另一个,
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当信息从一个人传播到另一个人时,
这个点向上沿y轴延伸,
y轴是分离程度,
07:59
we go up in the Y axis,
degrees of separation分割,
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08:02
and over on the X axis, for time.
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同时向x轴延伸,x轴是时间。
08:05
So we're able能够 to look at that conversation会话
in a couple一对 of different不同 views意见:
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现在我们可以从很多角度
看这个问题:
这是线型角度,
08:09
this one, which哪一个 shows节目 us
the threads线程 of conversation会话,
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这个是把线型堆叠,
08:11
and this one, which哪一个 combines联合收割机
that stacked堆叠 view视图
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08:15
with a view视图 that lets让我们 us see the threads线程.
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成为这样的立体角度。
08:18
Now, the Times publishes发布
about 7,000 pieces of content内容
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今天,时报每个月发表
约7000篇文章。
08:21
every一切 month.
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所以建立这个工具时很重要的一点是,
08:23
So it was important重要 for us,
when we were building建造 this tool工具,
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把它建成一个可探索的模型,
08:25
to make it an exploratory探索 one,
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这样人们可以在大量数据中
挖掘他们需要的信息。
08:27
so that people could dig through通过
this vast广大 terrain地形 of data数据.
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08:31
I think of it as a vehicle车辆
that we're giving people
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就像是给人们提供了一辆车,
08:34
to traverse横过 this really big
terrain地形 of data数据.
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在这大量的数据中畅通无阻。
实况中的cascade,
08:37
So here's这里的 what it really looks容貌 like,
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看起来是这样的。
08:39
and here's这里的 the cascade级联
playing播放 in real真实 time.
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08:42
I have to say, this was
a tremendous巨大 moment时刻.
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不得不说,这是一个重要的时刻。
那么久以来,我们应付了太多假新闻,
08:44
We had been working加工 with canned听装
data数据, fake data数据, for so long,
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08:48
that when we saw this
for the first moment时刻,
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所以当我们第一次看到这一幕时,
08:51
it was like an archaeologist考古学家 who had
just dusted off these dinosaur恐龙 bones骨头.
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就好像考古学家把灰尘
从恐龙骨架上抖落一样。
我们发现了并第一次看到,
08:56
We discovered发现 this thing,
and we were seeing眼看 it for the first time,
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这些网络共享信息的结构。
09:00
these sharing分享 structures结构
that underlie背后 the internet互联网.
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拿恐龙来打比方好像挺合适的,
09:04
And maybe the dinosaur恐龙
analogy比喻 is a good one,
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因为我们是在对这些事之间的关联
09:07
because we're actually其实 making制造
some probabilistic概率 guesses猜测
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09:10
about how these things link链接.
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做概率性的推测。
09:11
We're looking at some of these
pieces and making制造 some guesses猜测,
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当我们看着这些碎片信息做出假设时,
09:14
but we try to make sure that those
are as statistically统计学 rigorous严格 as possible可能.
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我们尽力确保它们的严谨性。
推特是故事的一部分,
09:19
Now tweets微博, in this case案件,
they become成为 parts部分 of stories故事.
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09:23
They become成为 parts部分 of narratives叙事.
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叙事的一部分。
09:25
So we are building建造 histories历史 here,
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我们在创建历史,
09:28
but they're very short-term短期 histories历史.
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但它们不过是短暂的历史。
09:30
And sometimes有时 these very large cascades级联
are the most interesting有趣 ones那些,
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这些大型的cascades
往往是最有趣的,
09:34
but sometimes有时 the small ones那些
are also interesting有趣.
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当然有些小型的cascades
也是很有意思的。
这是我很喜欢的一个,
叫“rabbi cascade”,
09:37
This is one of my favorites最爱.
We call this the "Rabbi拉比 Cascade级 联."
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是拉比们(犹太教学者)围绕
纽约时报中的一篇文章的对话,
09:41
It's a conversation会话 amongst其中包括 rabbis拉比
about this article文章 in the New York纽约 Times,
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09:46
about the fact事实 that religious宗教 workers工人
don't get a lot of time off.
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实际上,宗教工作者
休息时间非常有限。
09:49
I guess猜测 Saturdays星期六 and Sundays周日 are bad days
for them to take off.
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周六和周日他们好像不太能放假。
于是在这个cascade里,
有一群拉比在谈论
09:54
So, in this cascade级联, there's a group
of rabbis拉比 having a conversation会话
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一个纽约时报发表的故事。
09:57
about a New York纽约 Times story故事.
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其中一个拉比给自己取的
推特用户名很厉害——
09:59
One of them has the best最好
Twitter推特 name名称 ever --
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叫“ The Velveteen Rabbi”
(注:Velve teen Rabbit/绒布小兔子
是一本英国儿童读物,此处取名去掉了t)
10:01
he's called "The Velveteen平绒 Rabbi拉比."
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10:03
(Laughter笑声)
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(笑声)
10:05
But we would have never found发现 this
if it weren't for this exploratory探索 tool工具.
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如果没有这个初步工具,
我们永远不会找到这些信息。
10:10
This would just be sitting坐在 somewhere某处,
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这些信息只会停留在某些角落,
永不得见天日。
10:11
and we would have never
been able能够 to see that.
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把信息整合,
10:14
But this exercise行使 of taking服用
single pieces of information信息
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然后建立叙事性结构,创作历史,
10:18
and building建造 narrative叙述 structures结构,
building建造 histories历史 out of them,
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10:22
I find tremendously异常 interesting有趣.
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我发现了无穷的乐趣。
我两年前搬到纽约,
10:24
You know, I moved移动 to New York纽约
about two years年份 ago.
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在纽约,人人都有一个故事
10:27
And in New York纽约, everybody每个人 has a story故事
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是关于
10:29
that surrounds围绕着 this
tremendously异常 impactful影响力 event事件
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发生在2001年9月11日
的那个重大事件。
10:32
that happened发生 on September九月 11 of 2001.
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我自己的那个故事有些复杂,
10:35
And my own拥有 story故事 with September九月 11
has really become成为 a more intricate错综复杂 one,
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10:42
because I spent花费 a great deal合同 of time
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因为我花了很多时间
10:44
working加工 on a piece
of the 9/11 Memorial纪念馆 in Manhattan曼哈顿.
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在曼哈顿的9/11事件纪念碑。
10:49
The central中央 idea理念 about the 9/11 Memorial纪念馆
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9/11事件纪念碑的核心理念
10:51
is that the names in the memorial纪念馆
are not laid铺设 out in alphabetical拼音 order订购
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在于那些纪念碑上的名字
不是按字母顺序排列,
也不是按年份排列,
10:56
or chronological实足 order订购,
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而是通过
10:57
but instead代替, they're laid铺设 out in a way
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10:59
in which哪一个 the relationships关系
between之间 the people who were killed杀害
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可以体现遇难者之间的关系
的方式排列的。
11:03
are embodied体现 in the memorial纪念馆.
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弟兄和弟兄一起,
11:05
Brothers兄弟 are placed放置 next下一个 to brothers兄弟,
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同事和同事一起,
11:08
coworkers合作伙伴 are placed放置 together一起.
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11:10
So this memorial纪念馆 actually其实 considers考虑
all of these myriad无数的 connections连接
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所以这个纪念碑考虑了种种连接,
11:15
that were part部分 of these people's人们 lives生活.
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这些人曾经在生活中的连接。
我和一个叫做Local Projects
的公司合作
11:18
I worked工作 with a company公司
called Local本地 Projects项目
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11:22
to work on an algorithm算法
and a software软件 tool工具
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做了一个算法软件
来帮助建筑师们决定这个
纪念碑的排列方式:
11:24
to help the architects建筑师 build建立
the layout布局 for the memorial纪念馆:
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11:28
almost几乎 3,000 names
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一共有将近3000个名字,
11:30
and almost几乎 1,500 of these
adjacency邻接 requests要求,
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将近1500个邻接的请求,
11:34
these requests要求 for connection连接 --
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这些连接的请求——
11:35
so a very dense稠密 story故事,
a very dense稠密 narrative叙述,
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所以这是一个很密集的故事和叙事,
11:39
that becomes an embodied体现 part部分
of this memorial纪念馆.
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需要在一个纪念碑上呈现。
11:42
Working加工 with Jake可靠的人 Barton巴顿,
we produce生产 the software软件 tool工具,
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我和Jake Barton一起制作了这个软件
让建筑师可以首先制作一个
11:46
which哪一个 allows允许 the architects建筑师 to,
first of all, generate生成 a layout布局
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可以满足所有请求的布局。
11:50
that satisfied满意 all of those
adjacency邻接 requests要求,
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11:53
but then second第二, make little adjustments调整
where they needed需要 to
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然后在某些地方做改动,
11:56
to tell the stories故事
that they wanted to tell.
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从而可以表达他们想要的故事。
我想在我们这个社交网络统领的时代,
11:59
So this memorial纪念馆, I think,
has an incredibly令人难以置信 timely及时 concept概念
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这个纪念碑是个与时俱进的概念,
12:03
in our era时代 of social社会 networks网络,
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12:06
because these networks网络 -- these real-life现实生活
networks网络 that make up people's人们 lives生活 --
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因为这些现实中的社交网络
12:10
are actually其实 embodied体现
inside of the memorial纪念馆.
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在纪念碑中能够得以呈现。
12:13
And one of the most tremendously异常
moving移动 experiences经验
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最令人感动的
12:17
is to go to the memorial纪念馆
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就是前去纪念碑
看到这些人的名字是如何彼此相邻
12:18
and see how these people
are placed放置 next下一个 to each other,
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来呈现他们在世时的生活的。
12:23
so that this memorial纪念馆
is representing代表 their own拥有 lives生活.
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那么,这些对于我们的
生活有什么影响呢?
12:27
How does this affect影响 our lives生活?
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12:29
Well, I don't know if you remember记得,
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我不知道你们还记不记得,
12:31
but in the spring弹簧,
there was a controversy争议,
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今年春天出了
这么一件事,饱受争议,
12:34
because it was discovered发现
that on the iPhone苹果手机
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人们发现在iphone上,
12:36
and, actually其实, on your computer电脑,
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还有在电脑上,
12:37
we were storing存储 a tremendous巨大 amount
of the location位置 data数据.
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有大量定位信息被储存。
苹果公司回应说,
这些定位信息跟你们无关,
12:41
So Apple苹果 responded回应, saying,
this was not location位置 data数据 about you,
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12:45
it was location位置 data数据
about wireless无线 networks网络
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而跟你们居所的
12:48
that were in the area where you are.
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无线网络有关。
所以这跟你们无关。
12:50
So it's not about you,
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而是跟你们在哪有关。
12:52
but it's about where you are.
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12:53
(Laughter笑声)
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(笑声)
12:55
This is very valuable有价值 data数据.
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这是很宝贵的数据。
12:58
It's like gold to researchers研究人员,
this human-mobility人的行动能力 data数据.
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对研究者来说,这些移动数据
像金子一样宝贵。
13:02
So we thought, "Man!
How many许多 people have iPhonesiPhone手机?"
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于是我们想到:有多少人
都在用iPhone啊?
13:06
How many许多 of you have iPhonesiPhone手机?
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在座的有多少人用iPhone?
所以在这个房间里,就有研究者们
13:09
So in this room房间, we have this tremendous巨大
database数据库 of location位置 data数据
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13:14
that researchers研究人员
would really, really like.
265
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很喜欢的大量的定位信息。
13:18
So we built内置 this system系统 called Open打开 Paths路径,
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于是我们创造了一个叫做
Open Paths的系统,
13:20
which哪一个 lets让我们 people upload上载 their iPhone苹果手机 data数据
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它可以让人们上传iPhone的数据
13:23
and broker经纪人 relationships关系
with researchers研究人员 to share分享 that data数据,
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并与研究人员建立代理关系
来共享这些数据,
把这些信息贡献给有需要的人。
13:26
to donate that data数据 to people
that can actually其实 put it to use.
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3387
13:30
Open打开 Paths路径 was a great
success成功 as a prototype原型.
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Open Paths的初步模型很成功。
13:33
We received收到 thousands数千 of data数据 sets,
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我们收到了成千套的数据,
我们制作了一个界面
13:36
and we built内置 this interface接口
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让人们可以看到自己的
生活是如何展开的,
13:37
which哪一个 allows允许 people to actually其实
see their lives生活 unfolding展开
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13:41
from these traces痕迹
that are left behind背后 on your devices设备.
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从这些被你忽视在手机里
的蛛丝马迹中。
13:45
Now, what we didn't expect期望
was how moving移动 this experience经验 would be.
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我们没有想到这个体验
会是这样感人。
我上传数据的时候心想:
“没什么大不了的,
13:50
When I uploaded上传 my data数据,
I thought, "Big deal合同.
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2227
我知道我住在哪,我知道我在哪上班,
通过这个我能看到什么?”
13:52
I know where I live生活. I know where I work.
What am I going to see here?"
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3416
13:56
Well, it turns out, what I saw
was that moment时刻 I got off the plane平面
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结果我看到了我来到纽约
走下飞机的那一刻;
13:59
to start开始 my new life in New York纽约;
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14:02
the restaurant餐厅 where I had Thai泰国 food餐饮
that first night,
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那一晚去吃泰餐的餐馆,
想象着纽约新生活的开始;
14:04
thinking思维 about this new experience经验
of being存在 in New York纽约;
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14:07
the day that I met会见 my girlfriend女朋友.
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我遇到女友的那一天。
14:11
This is LaGuardia拉瓜迪亚 airport飞机场.
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这是拉瓜迪亚机场。
14:13
(Laughter笑声)
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(笑声)
14:14
This is this Thai泰国 restaurant餐厅
on Amsterdam阿姆斯特丹 Avenue大街.
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这是在阿姆斯特丹大道上的泰国餐厅。
这是我遇到我女友的时候。
14:19
This is the moment时刻 I met会见 my girlfriend女朋友.
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14:22
See how that changes变化 the first time
I told you about those stories故事
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你们看到了吗,我第一次讲这些故事
和我第二次讲的时候,有什么区别?
14:26
and the second第二 time I told
you about those stories故事?
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14:28
Because what we do
in the tool工具, inadvertently不经意间,
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我们不经意间
把这些信息放在了人类语境中。
14:31
is we put these pieces of data数据
into a human人的 context上下文.
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通过把信息放在生活语境中,
14:35
And by placing配售 data数据 into a human人的 context上下文,
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14:37
it gains收益 meaning含义.
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信息就产生了意义。
14:39
And I think this is tremendously异常,
tremendously异常 important重要,
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这非常非常重要,
14:42
because these are our histories历史
that are being存在 stored存储 on these devices设备.
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因为我们的历史被保存
在这些手机里。
14:49
And by thinking思维 about them that way,
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从这个角度来看,
14:52
putting them in a human人的 context上下文 --
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这个人类语境的角度——
14:53
first of all, what we do with our own拥有 data数据
is get a better understanding理解
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首先,我们可以更好理解我们
14:57
of the type类型 of information信息
that we're sharing分享.
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分享的是哪一类的信息。
15:00
But if we can do this with other data数据,
if we can put data数据 into a human人的 context上下文,
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但如果我们可以把其他信息
也放在人类语境中,
15:04
I think we can change更改 a lot of things,
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我想很多事情都会被改变,
因为它能自动让在这些系统
的人们身临其境。
15:07
because it builds建立, automatically自动, empathy同情
for the people involved参与 in these systems系统.
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15:14
And that, in turn, results结果
in a fundamental基本的 respect尊重,
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这会导致最基本的尊重,
在我看来这一点在
技术行业中往往是缺失的,
15:17
which哪一个, I believe, is missing失踪
in a large part部分 of technology技术,
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15:20
when we start开始 to deal合同
with issues问题 like privacy隐私,
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当我们在处理一些事情,比如隐私时,
如果我们明白数字不仅仅是数字,
15:25
by understanding理解 that these numbers数字
are not just numbers数字,
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而是与现实连接在一起的。
15:28
but instead代替 they're attached, tethered to,
pieces of the real真实 world世界.
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它们就变得举足轻重。
15:31
They carry携带 weight重量.
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15:33
By understanding理解 that,
the dialog对话 becomes a lot different不同.
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有了这一层理解,
对话就可以变得不同。
15:38
How many许多 of you have ever clicked点击 a button按键
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你们中多少人曾点过按钮
许可第三方公司获取
你的定位信息的?
15:40
that enables使 a third第三 party派对 to access访问
your location位置 data数据 on your phone电话?
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15:46
Lots of you.
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很多人吧。
15:47
So the third第三 party派对 is the developer开发人员,
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第三方公司是开发商,
第二方公司是苹果。
15:49
the second第二 party派对 is Apple苹果.
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可是第一方却从没有获得这些信息!
15:52
The only party派对 that never gets得到 access访问
to this information信息 is the first party派对!
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15:58
And I think that's because we think
about these pieces of data数据
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我想这是因为我们把这些信息
看作是抽象的,可以被搁置不顾的。
16:01
in this stranded搁浅, abstract抽象 way.
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16:03
We don't put them into a context上下文
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我们没有把它们放入人类语境中
16:05
which哪一个, I think, makes品牌 them
a lot more important重要.
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使它们的价值变得更重要。
16:08
So what I'm asking you
to do is really simple简单:
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我请求你们做的事很简单:
从更人类语境的角度看待数据。
16:10
start开始 to think about data数据
in a human人的 context上下文.
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这真的不难。
16:13
It doesn't really take anything.
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16:15
When you read stock股票 prices价格,
think about them in a human人的 context上下文.
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当你看到股价时,
想一下背后的人类语境。
当你看到贷款报告时,
想一下背后的人类语境。
16:18
When you think about mortgage抵押 reports报告,
think about them in a human人的 context上下文.
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很显然,大数据是巨大的商业。
16:22
There's no doubt怀疑 that big data数据
is big business商业.
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一个产业巨头在崛起。
16:26
There's an industry行业 being存在 developed发达 here.
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16:30
Think about how well we've我们已经 doneDONE
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想一想我们在之前的资源产业中
16:31
in previous以前 industries行业
that we've我们已经 developed发达 involving涉及 resources资源.
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做得如何。
我们做得不好。
16:34
Not very well at all.
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16:36
I think part部分 of that problem问题 is, we've我们已经 had
a lack缺乏 of participation参与 in these dialogues对话
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我想一部分问题在于,
我们没有积极参与到
16:40
from multiple pieces of human人的 society社会.
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有关人文语境的各方面对话中。
16:45
So the other thing that I'm asking for
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我要请求你们做的另一件事是
16:48
is an inclusion包容 in this dialogue对话
from artists艺术家, from poets诗人, from writers作家 --
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让更多人参与到这个对话中,
艺术家,诗人,作家,
让有人文学科背景的人们
加入到讨论中。
16:52
from people who can bring带来 a human人的 element元件
into this discussion讨论.
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因为我相信数据世界
16:57
Because I believe that this world世界 of data数据
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16:59
is going to be transformative变革 for us.
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可以革新我们的生活。
17:03
And unlike不像 our attempts尝试
with the resource资源 industry行业
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这和我们在资源产业,
财政产业的尝试不同,
17:06
and our attempts尝试
with the financial金融 industry行业,
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让我们把人文元素带到故事中,
17:08
by bringing使 the human人的
element元件 into this story故事,
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我相信我们一定能带着它
走向无限潜能的地方。
17:11
I think we can take it
to tremendous巨大 places地方.
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17:14
Thank you.
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谢谢。
(掌声)
17:15
(Applause掌声)
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Translated by 功伟 邢
Reviewed by psjmz mz

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ABOUT THE SPEAKER
Jer Thorp - Data artist
Jer Thorp’s work focuses on adding meaning and narrative to huge amounts of data as a way to help people take control of the information that surrounds them.

Why you should listen

Currently the data artist in residence at the New York Times, Jer’s software-based art has been featured all over the world. His former career as a data artist explains why his art often brings big data sets to life and is deeply influenced by science. Originally from Vancouver, he lives in New York City, where, along with his work at the New York Times, he teaches in NYU’s ITP program.

More profile about the speaker
Jer Thorp | Speaker | TED.com