TEDGlobal 2012
David Binder: The arts festival revolution
David Binder: Revolucija umjetničkih festivala
Filmed:
Readability: 4.8
707,582 views
David Binder uspješan je brodvejski producent, no prošlo se ljeto našao u malom australskom susjedstvu, gdje je gledao lokalne stanovnike kako plešu i nastupaju u svojim dvorištima – i uživaju u tome. Pokazuje nam novo lice umjetničkih festivala koji brišu granicu između publike i izvođača te pomažu gradovima da se izraze.
David Binder - Theater producer
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage. Full bio
A Tony Award winner, theater producer David Binder is interested in taking performances off the stage. Full bio
Double-click the English transcript below to play the video.
00:16
Sydney. I had been waiting my whole life to get to Sydney.
0
748
3679
Sydney. Čekao sam cijeli svoj život da dođem u Sydney.
00:20
I got to the airport, to the hotel, checked in,
1
4427
3047
Stigao sam u zračnu luku, u hotel, prijavio se,
00:23
and, sitting there in the lobby, was a brochure
2
7474
2779
i u predvorju pronašao brošuru
00:26
for the Sydney Festival. I thumbed through it,
3
10253
2622
za Sidneyski festival. Prolistao sam je
00:28
and I came across a show called "Minto: Live."
4
12875
3141
i naišao na predstavu pod imenom “Minto: Uživo.”
00:31
The description read: "The suburban streets of Minto
5
16016
3632
U opisu je pisalo: "Ulice u predgrađu Minto
00:35
become the stage for performances
6
19648
2541
postale su pozornica za nastupe
00:38
created by international artists
7
22189
2206
koje su osmislili međunarodni umjetnici
00:40
in collaboration with the people of Minto."
8
24395
2800
u suradnji s ljudima iz Minta."
00:43
What was this place called Minto?
9
27195
2715
Kakvo je to mjesto koje se zove Minto?
00:45
Sydney, as I would learn, is a city of suburbs,
10
29910
2361
Sydney je, kako sam naučio, grad predgrađa.
00:48
and Minto lies southwest, about an hour away.
11
32271
3673
Minto je na jugozapadu, udaljen oko sat vremena.
00:51
I have to say, it wasn't exactly what I had in mind
12
35944
3359
Moram priznati, nisam baš tako zamišljao
00:55
for my first day down under.
13
39303
1597
da ću provesti svoj prvi dan u Australiji.
00:56
I mean, I'd thought about the Harbour Bridge or Bondi Beach,
14
40900
2939
Mislim, razmišljao sam o mostu Harbour ili plaži Bondi,
00:59
but Minto? But still, I'm a producer,
15
43839
2956
ali Minto? No, ipak sam ja producent
01:02
and the lure of a site-specific theater project
16
46795
3172
i privlačnost kazališnog projekta
specifičnog za neko mjesto
specifičnog za neko mjesto
01:05
was more than I could resist. (Laughter)
17
49967
2269
bila je velika i nisam mogao odoljeti. (Smijeh)
01:08
So, off I went into Friday afternoon traffic,
18
52236
2484
I tako, krenuo sam kroz promet
jednog petka poslijepodne,
jednog petka poslijepodne,
01:10
and I'll never forget what I saw when I got there.
19
54720
2405
i nikad neću zaboraviti što sam vidio kad sam stigao.
01:13
For the performance, the audience walked
20
57125
2654
U sklopu izvedbe, publika je hodala
01:15
around the neighborhood from house to house,
21
59779
2790
susjedstvom od kuće do kuće,
01:18
and the residents, who were the performers,
22
62569
2880
i stanovnici, koji su bili izvođači,
01:21
they came out of their houses, and they performed
23
65449
2111
izašli su iz svojih kuća i izvodili
01:23
these autobiographical dances on their lawns,
24
67560
3839
autobiografske plesove u svojim dvorištima,
01:27
on their driveways. (Laughter)
25
71399
2348
na prilazima kućama. (Smijeh)
01:29
The show is a collaboration with a U.K.-based
26
73747
2968
Predstava je suradnja s britanskom
01:32
performance company called Lone Twin.
27
76715
2659
kazališnom skupinom Lone Twin.
01:35
Lone Twin had come to Minto and worked
28
79374
1896
Lone Twin je došao u Minto
01:37
with the residents, and they had created these dances.
29
81270
3124
i radio sa stanovnicima, a oni su stvorili te plesove.
01:40
This Australian-Indian girl, she came out and started
30
84394
3838
Jedna je Australo-indijka izašla i počela
01:44
to dance on her front lawn,
31
88232
2021
plesati na travnjaku pred svojom kućom,
01:46
and her father peered out the window to see
32
90253
2938
a njezin otac izvirio je kroz prozor da vidi
01:49
what all the noise and commotion was about,
33
93191
2507
odakle sva ta buka i metež,
01:51
and he soon joined her.
34
95698
2208
te joj se uskoro pridružio.
01:53
And he was followed by her little sister.
35
97906
3127
Slijedila ga je i njezina mlađa sestra
01:56
And soon they were all dancing this joyous,
36
101033
3058
i uskoro su svi plesali taj veseli,
01:59
exuberant dance right there on their lawn. (Laughter)
37
104091
4175
razigrani ples, i to u svojem dvorištu. (Smijeh)
02:04
And as I walked through the neighborhood,
38
108266
2192
Dok sam prolazio susjedstvom,
02:06
I was amazed and I was moved by the incredible
39
110458
4221
bio sam zadivljen i dirnut tim nevjerojatnim
02:10
sense of ownership this community clearly felt
40
114679
2437
osjećajem vlasništva
koji je ova zajednica očito imala
koji je ova zajednica očito imala
02:13
about this event.
41
117116
2570
prema ovome događaju.
02:15
"Minto: Live" brought Sydneysiders into dialogue
42
119686
2959
"Minto: Uživo" doveo je stanovnike Sydneya u dijalog
02:18
with international artists, and really celebrated
43
122645
3330
s međunarodnim umjetnicima i proslavio je
02:21
the diversity of Sydney on its own terms.
44
125975
3488
raznolikost Sydneya na svoj način.
02:25
The Sydney Festival which produced "Minto: Live" I think
45
129463
3713
Sidneyski festival, koji je isproducirao "Minto: Uživo",
02:29
represents a new kind of 21st-century arts festival.
46
133176
3775
mislim da predstavlja novu vrstu
umjetničkih festivala 21. stoljeća.
umjetničkih festivala 21. stoljeća.
02:32
These festivals are radically open.
47
136951
3515
Ti su festivali radikalno otvoreni.
02:36
They can transform cities and communities.
48
140466
3712
Oni mogu transformirati gradove i zajednice.
02:40
To understand this, I think it kind of makes sense
49
144178
2680
Da biste ovo bolje razumjeli,
mislim da nekako ima smisla
mislim da nekako ima smisla
02:42
to look where we've come from.
50
146858
2326
pogledati kako je to sve počelo.
02:45
Modern arts festivals were born
51
149184
2023
Moderni umjetnički festivali rođeni su
02:47
in the rubble of World War II.
52
151207
1498
u ruševinama Drugog svjetskog rata.
02:48
Civic leaders created these annual events
53
152705
2602
Građanski vođe kreirali su te godišnje događaje
02:51
to celebrate culture as the highest
54
155307
3109
kako bi se slavila kultura kao najviši
02:54
expression of the human spirit.
55
158416
2605
izraz ljudskoga duha.
02:56
In 1947, the Edinburgh Festival was born
56
161021
3083
1947. godine rođen je Edinburški festival,
03:00
and Avignon was born and hundreds of others
57
164104
2657
kao i Avignon i stotine drugih
03:02
would follow in their wake.
58
166761
1901
koji su slijedili nakon njih.
03:04
The work they did was very, very high art,
59
168662
3252
Oni su stvarali vrlo, vrlo visoku umjetnost
03:07
and stars came along like Laurie Anderson
60
171914
2604
i iz njih su proizašle zvijezde poput Laurie Anderson,
03:10
and Merce Cunningham and Robert Lepage
61
174518
2275
Mercea Cunninghama i Roberta Lepagea
03:12
who made work for this circuit,
62
176793
1420
koji su radili za ovaj krug.
03:14
and you had these seminal shows like "The Mahabharata"
63
178213
2771
Održavale su se značajne predstave,
poput “Mahabharate”
poput “Mahabharate”
03:16
and the monumental "Einstein on the Beach."
64
180984
2985
i monumentalne “Einstein na plaži”.
03:19
But as the decades passed,
65
183969
2495
Ali, kako su desetljeća prolazila,
03:22
these festivals, they really became the establishment,
66
186464
3201
ti su festivali postali prave institucije.
03:25
and as the culture and capital accelerated,
67
189665
3393
Kako su kultura i kapital rasli,
03:28
the Internet brought us all together,
68
193058
2001
internet nas je približio jedne drugima,
03:30
high and low kind of disappeared,
69
195059
2932
nestala je razlika između visokog i niskog,
03:33
a new kind of festival emerged.
70
197991
1622
i izniknula je nova vrsta festivala.
03:35
The old festivals, they continued to thrive, but
71
199613
3139
Stari festivali i dalje su se razvijali, ali
03:38
from Brighton to Rio to Perth, something new was emerging,
72
202752
4348
od Brightona preko Rija do Pertha,
nicalo je nešto novo
nicalo je nešto novo
03:43
and these festivals were really different.
73
207100
2944
i ti su festivali bili stvarno drugačiji.
03:45
They're open, these festivals, because, like in Minto,
74
210044
2895
Ti su festivali otvoreni jer, kao u Mintu,
03:48
they understand that the dialogue
75
212939
2216
razumiju da je dijalog
03:51
between the local and the global is essential.
76
215155
3718
između lokalnog i globalnog nužan.
03:54
They're open because they ask the audience to be a player,
77
218873
4503
Otvoreni su jer traže publiku da budu glumci,
03:59
a protagonist, a partner, rather than a passive spectator,
78
223376
4410
protagonisti, partneri, a ne samo pasivni promatrači.
04:03
and they're open because they know that imagination
79
227786
3579
Otvoreni su jer znaju da se mašta
04:07
cannot be contained in buildings,
80
231365
2159
ne može držati u zgradama,
04:09
and so much of the work they do
81
233524
1853
i velik dio posla koji oni rade
04:11
is site-specific or outdoor work.
82
235377
3300
specifičan je za mjesto ili se odvija na otvorenom.
04:14
So, the new festival, it asks the audience to play
83
238677
3388
I tako novi festival traži publiku da igra
04:17
an essential role in shaping the performance.
84
242065
3118
ključnu ulogu u oblikovanju nastupa.
04:21
Companies like De La Guarda, which I produce, and Punchdrunk
85
245183
5096
Tvrtke kao što su De La Guarda,
koju ja produciram, i Punchdrunk
koju ja produciram, i Punchdrunk
04:26
create these completely immersive experiences
86
250279
2814
stvaraju ta sveobuhvatna iskustva
04:28
that put the audience at the center of the action,
87
253093
3195
koja stavljaju publiku u središte radnje,
04:32
but the German performance company Rimini Protokoll
88
256288
3102
ali njemačka kazališna skupina Rimini Protokoll
04:35
takes this all to a whole new level.
89
259390
3287
sve ovo podiže na potpuno novu razinu.
04:38
In a series of shows that includes "100 Percent Vancouver,"
90
262677
3782
U seriji nastupa koja uključuje “100 posto Vancouver” i
04:42
"100 Percent Berlin," Rimini Protokoll makes shows
91
266459
3997
“100 posto Berlin”, Rimini Protokoll pravi predstave
04:46
that actually reflect society.
92
270456
2833
koje doista odražavaju društvo.
04:49
Rimini Protokoll chooses 100 people that represent that city
93
273289
4537
Rimini Protokoll izabire 100 ljudi koji u tom trenutku
04:53
at that moment in terms of race and gender and class,
94
277826
3411
predstavljaju taj grad po rasi, spolu i društvenoj klasi,
04:57
through a careful process that begins three months before,
95
281237
3274
kroz oprezan proces koji počinje tri mjeseca ranije.
05:00
and then those 100 people share stories about
96
284511
3227
Zatim tih 100 ljudi dijeli priče
05:03
themselves and their lives, and the whole thing
97
287738
2536
o sebi i svojim životima i cijela stvar
05:06
becomes a snapshot of that city at that moment.
98
290274
4622
postaje trenutna snimka toga grada u tom trenutku.
05:10
LIFT has always been a pioneer in the use of venues.
99
294896
3435
LIFT je oduvijek bio pionir u korištenju lokacija.
05:14
They understand that theater and performance
100
298331
2411
Oni razumiju da se kazalište i predstava
05:16
can happen anywhere.
101
300742
1318
mogu dogoditi bilo gdje.
05:17
You can do a show in a schoolroom,
102
302060
3209
Možete napraviti predstavu u učionici,
05:21
in an airport, — (Laughter) —
103
305269
2385
u zračnoj luci — (Smijeh) —
05:23
in a department store window.
104
307654
2485
u izlogu robne kuće.
05:26
Artists are explorers. Who better to show us the city anew?
105
310139
4422
Umjetnici su istraživači. Tko bi nam mogao dati
bolji nov pogled na grad?
bolji nov pogled na grad?
05:30
Artists can take us to a far-flung part of the city
106
314561
3347
Umjetnici nas mogu odvesti do udaljenog dijela grada
05:33
that we haven't explored, or they can take us into
107
317908
2028
koji nismo istražili, ili nas mogu povesti
05:35
that building that we pass every day but we never went into.
108
319936
4425
u zgradu pored koje prolazimo svaki dan,
ali u koju nikad nismo ušli.
ali u koju nikad nismo ušli.
05:40
An artist, I think, can really show us people
109
324361
4163
Umjetnik, smatram, može nam zbilja pokazati ljude
05:44
that we might overlook in our lives.
110
328524
3139
koje ćemo u svojoj svakodnevici možda previdjeti.
05:47
Back to Back is an Australian company of people
111
331663
3395
Back to Back je australska skupina
05:50
with intellectual disabilities. I saw their amazing show
112
335058
4586
ljudi s intelektualnim poteškoćama.
Pogledao sam njihovu nevjerojatnu predstavu
Pogledao sam njihovu nevjerojatnu predstavu
05:55
in New York at the Staten Island Ferry Terminal
113
339644
3169
u New Yorku u trajektnom terminalu na Staten Islandu
05:58
at rush hour.
114
342813
1410
u najvećoj prometnoj gužvi.
06:00
We, the audience, were given headsets and seated
115
344223
2720
Nama, publici, dali su slušalice i posjeli nas
06:02
on one side of the terminal.
116
346943
2784
na jednu stranu terminala.
06:05
The actors were right there in front of us,
117
349727
1992
Glumci su bili ispred nas,
06:07
right there among the commuters,
118
351719
2410
među putnicima,
06:10
and we could hear them,
119
354129
1560
i mogli smo ih čuti,
06:11
but we might not have otherwise seen them.
120
355689
3095
ali inače ih možda ne bismo vidjeli.
06:14
So Back to Back takes site-specific theater and uses it
121
358784
4518
Back to Back, dakle, koristi
kazalište vezano za određenu lokaciju
kazalište vezano za određenu lokaciju
06:19
to gently remind us about who and what we choose
122
363302
3274
kako bi nam nježno svratili pažnju
na to koga i što odlučujemo
na to koga i što odlučujemo
06:22
to edit out of our daily lives.
123
366576
2891
isključiti iz svojih života.
06:25
So, the dialogue with the local and the global,
124
369467
3112
Tako dijalog s lokalnim i globalnim,
06:28
the audience as participant and player and protagonist,
125
372579
3910
publika kao sudionik, glumac i protagonist,
06:32
the innovative use of site, all of these things
126
376489
3128
inovativno korištenje lokacije -- sve te stvari
06:35
come to play in the amazing work
127
379617
2849
dolaze do izražaja u zadivljujućem radu
06:38
of the fantastic French company Royal de Luxe.
128
382466
4057
fantastične francuske skupine Royal de Luxe.
06:42
Royal de Luxe's giant puppets come into a city
129
386523
3740
Ogromne lutke Royal de Luxea dolaze u grad
06:46
and they live there for a few days.
130
390263
2753
i nekoliko dana ondje stanuju.
06:48
For "The Sultan's Elephant," Royal de Luxe
131
393016
3574
Za “Sultanovog slona”, Royal de Luxe
06:52
came to central London and brought it to a standstill
132
396590
3023
došli su u centar Londona i uzrokovali zastoj
06:55
with their story of a giant little girl and her friend,
133
399613
4389
svojom pričom o divovskoj djevojčici i njezinom prijatelju,
06:59
a time-traveling elephant.
134
404002
2512
slonu koji putuje kroz vrijeme.
07:02
For a few days, they transformed a massive city
135
406514
4669
Na nekoliko su dana preobrazili ogroman grad
07:07
into a community where endless possibility reigned.
136
411183
4903
u zajednicu u kojoj su vladale beskrajne mogućnosti.
07:11
The Guardian wrote, "If art is about transformation,
137
416086
3591
Guardian je napisao: “Ako je
transformacija smisao umjetnosti,
transformacija smisao umjetnosti,
07:15
then there can be no more transformative experience.
138
419677
3990
onda ne postoji iskustvo koje bi dovelo
do veće transformacije nego ovo.
do veće transformacije nego ovo.
07:19
What 'The Sultan's Elephant' represents is no less
139
423667
3900
“Sultanov slon” predstavlja pravu
07:23
than an artistic occupation of the city
140
427567
2846
umjetničku okupaciju grada
07:26
and a reclamation of the streets for the people."
141
430413
4877
i preuzimanje ulica za ljude."
07:31
We can talk about the economic impacts of these festivals
142
435290
3460
Možemo govoriti i o gospodarskim
utjecajima ovih festivala
utjecajima ovih festivala
07:34
on their cities, but I'm much [more] interested in many more things,
143
438750
4306
na njihove gradove, no ja sam
puno više zainteresiran za mnoge druge stvari,
puno više zainteresiran za mnoge druge stvari,
07:38
like how a festival helps a city to express itself,
144
443056
3765
poput toga kako festival pomaže gradu da se izrazi,
07:42
how it lets it come into its own.
145
446821
3271
kako mu pomaže da se oblikuje kao svoj.
07:45
Festivals promote diversity,
146
450092
2125
Festivali promoviraju raznolikost,
07:48
they bring neighbors into dialogue,
147
452217
1986
uključuju susjedstva u dijalog,
07:50
they increase creativity,
148
454203
2445
povećavaju kreativnost,
07:52
they offer opportunities for civic pride,
149
456648
3172
nude prilike običnim građanima,
07:55
they improve our general psychological well-being.
150
459820
3659
poboljšavaju naše opće psihičko zdravlje.
07:59
In short, they make cities better places to live.
151
463479
4208
Ukratko, čine gradove boljim mjestima za život.
08:03
Case in point:
152
467687
978
Konkretan slučaj:
08:04
When "The Sultan's Elephant" came to London
153
468665
3344
Kad je “Sultanov slon” stigao u London,
08:07
just nine months after 7/7, a Londoner wrote,
154
472009
4356
samo devet mjeseci nakon bombaških napada,
jedan je stanovnik Londona napisao:
jedan je stanovnik Londona napisao:
08:12
"For the first time since the London bombings,
155
476365
3633
“Prvi put od bombaških napada
08:15
my daughter called up with that sparkle back in her voice.
156
479998
3610
mojoj se kćeri vratila ona iskra u glasu.
08:19
She had gathered with others
157
483608
1742
Okupila se s ostalima
08:21
to watch 'The Sultan's Elephant,' and, you know,
158
485350
3188
kako bi pogledala “Sultanovog slona” i znate,
08:24
it just made all the difference."
159
488538
2683
to je imalo tako velik značaj."
08:27
Lyn Gardner in The Guardian has written
160
491221
2150
Lyn Garnder iz Guardiana napisala je
08:29
that a great festival can show us a map of the world,
161
493371
4463
da nam sjajan festival može pokazati kartu svijeta,
08:33
a map of the city and a map of ourselves,
162
497834
4048
kartu grada i kartu nas samih,
08:37
but there is no one fixed festival model.
163
501882
3206
ali ne postoji fiksni model festivala.
08:40
I think what's so brilliant about the festivals,
164
505088
2836
Mislim da su ti novi festivali tako fantastični
08:43
the new festivals, is that they are really fully capturing
165
507924
5066
zato što u potpunosti obuhvaćaju
08:48
the complexity and the excitement
166
512990
3188
složenost i uzbudljivost
08:52
of the way we all live today.
167
516178
2025
načina na koji danas svi živimo.
08:54
Thank you very much. (Applause)
168
518203
7945
Hvala vam puno. (Pljesak)
ABOUT THE SPEAKER
David Binder - Theater producerA Tony Award winner, theater producer David Binder is interested in taking performances off the stage.
Why you should listen
David Binder won the Tony award for producing the record-breaking smash Hedwig and the Angry Inch starring Neil Patrick Harris. Other Broadway credits include Of Mice and Men starring James Franco and Chris O'Dowd (the first Broadway show to be filmed by the National Theatre of Britain's NT Live and shown in cinemas around the world), 33 Variations starring Jane Fonda, and the first Broadway revival of A Raisin in the Sun, with Sean Combs, Phylicia Rashad and Audra McDonald.
Binder has also staged events and festivals around the globe, including The High Line Festival, which was curated by David Bowie, The New Island Festival (ten days of Dutch site-specific theater, dance and music in New York City) and IBM's 100th Anniversary: Short Ride in a Fast Machine (held at Lincoln Center). He is the Artistic Associate of London's LIFT Festival.
PHOTO CREDITS for David's 2012 TED Talk:
Minto: Live – Sydney Festival
2011
3 Courtesy of Lone Twin
4 Courtesy of Lone Twin
5 Courtesy of Lone Twin
6 © Pekka Mäkinen
7 © Amrit MacIntyre
8 Courtesy of Lone Twin
9 © Pekka Mäkinen
10 © Pekka Mäkinen
11 © Pekka Mäkinen
12 © Pekka Mäkinen
13 © Pekka Mäkinen
14 © Pekka Mäkinen
The Mahabharata
16 © Image Entertainment
Einstein on the Beach
17 Spaceship © Lesley Leslie-Spinks 2012
De La Guarda
21 Courtesy of De La Guarda
Sleep No More
22 © Alick Crossley
100% – Rimini Protokoll
23 100% Berlin, © Barbara Braun, courtesy of Rimini Protokoll
24 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
25 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
26 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
27 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
28 100% Karlsruhe, © Jochen Klenk, courtesy of Rimini Protokoll
29 100% Köln, © Sandra Then, courtesy of Rimini Protokoll
Grown-Up School (Daily Life Series Part 4)
32 LIFT Brecknock Primary School, London 1999
Photograph: Andrew Whittuck
www.dailylifeltd.co.uk
Roam – a National Theatre of Scotland and Grid Iron production
33 Photo by Richard Campbell, courtesy of National Theatre of Scotland
Urban Dream Capsule
34 Photo courtesy of Bedno.com
Small Metal Objects, Back to Back Theatre
36 Photo by Berni Sweeney, courtesy of Back to Back Theatre
37 2009 Time-Based Art Festival. Photo: Carole Zoom, courtesy of Portland Institute for Contemporary Art
38 Photo by Jeff Busby, courtesy of Back to Back Theatre
39 Photo by Prudence Upton, courtesy of Back to Back Theatre
40 © Richard Termine
Royal de Luxe
42 © Carsten Siegel, berlinsidewalk.com
43 © Flickr user Mlle Jordan
44 © Carsten Siegel, berlinsidewalk.com
45 © Carsten Siegel, berlinsidewalk.com
46 Photo by Flickr user sw77, licensed by creative commons
47 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
48 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
49 © Carsten Siegel, berlinsidewalk.com
50 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
51 Photo by Flickr user sw77, licensed by creative commons
52 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
54 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
55 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
56 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
57 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Matthew Andrews
58 The Sultan’s Elephant produced by Artichoke with funding by Arts Council England and the Mayor’s Office of London, photo by Sophie Laslett
David Binder | Speaker | TED.com