ABOUT THE SPEAKER
Steven Addis - Brand strategist
Steven Addis is a father and photography buff who, by day, harnesses the power of branding for social change.

Why you should listen

In the late ‘80s, Steven Addis imagined a creative agency that merged strategy and design, breaking down the walls between strategists, copywriters and designers. That vision evolved into Addis Creson, a brand strategy firm set on creating positive change by working with clients to market meaningful products and to improve their social benefit. The firm is behind the rapid rise of Kashi, the naming of Shutterfly and the launching of the sustainably raised salmon brand, Verlasso.

A photographer, film buff and writer, Addis began documenting the evolution of branding as the online world took shape. An avid traveler and supporter of the arts, he also advises businesses and non-profits through board work for the UC Berkeley Art Museum & Pacific Film Archive and MapLight.

More profile about the speaker
Steven Addis | Speaker | TED.com
TED2012

Steven Addis: A father-daughter bond, one photo at a time

Steven Addis: 'n Pa-dogter band, een foto op 'n slag

Filmed:
1,553,695 views

Lank gelede het Steven Addis op 'n straathoek in New York gestaan met sy 1-jarige dogter in sy arms; sy vrou het 'n foto van hulle geneem. Die afbeelding het 'n vader-dogter ritueel inspireer, waartydens Addis en sy dogter vir dieselfde foto poseer, op dieselfde straathoek, elke jaar. Addis deel 15 kosbare foto's uit die reeks en verken hoekom hierdie klein, herhaalde ritueel van soveel betekenis is.
- Brand strategist
Steven Addis is a father and photography buff who, by day, harnesses the power of branding for social change. Full bio

Double-click the English transcript below to play the video.

00:16
PhotographyFotografie has been my passionpassie
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Fotografie is my passie
00:17
ever sinceaangesien I was oldou enoughgenoeg to pickaf te haal up a camerakamera,
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vandat ek 'n kamera kon optel,
00:20
but todayvandag I want to shareaandeel with you
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maar vandag wil ek
00:23
the 15 mostdie meeste treasuredkosbare photosfoto's of minemyn,
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my 15 kosbaarste foto's met julle deel,
00:26
and I didn't take any of them.
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waarvan ek niks geneem het nie.
00:27
There were no artkuns directorsdirekteure, no stylistsstiliste,
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Daar was geen kunsregisseurs,
geen stiliste,
00:30
no chancekans for reshootsreshoots, not even any regardverband for lightingbeligting.
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geen kanse vir oorskiet nie,
geen ag is geslaan op beligting nie.
00:35
In factfeit, mostdie meeste of them were takengeneem by randomewekansige touriststoeriste.
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Om die waarheid te sê,
die meeste is deur toeriste geneem.
00:39
My storystorie beginsbegin
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My storie begin
00:41
when I was in NewNuwe YorkYork CityStad for a speakingpraat engagementbetrokkenheid,
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toe ek in New York was
om 'n toespraak te gee,
00:43
and my wifevrou tookgeneem this pictureprent of me holdinghou my daughterdogter
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en my vrou dié foto van my met ons dogter
op haar eerste verjaarsdag geneem het.
00:46
on her first birthdayverjaarsdag. We're on the cornerhoek of 57thste and 5thste.
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Ons is op die hoek van 57ste en 5de.
00:50
We happenedgebeur to be back in NewNuwe YorkYork exactlypresies a yearjaar laterlater,
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Ons was toevallig terug in New York
presies 'n jaar later,
00:54
so we decidedbesluit to take the samedieselfde pictureprent.
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so ons besluit toe
om dieselfde foto te neem.
00:57
Well you can see where this is going.
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Julle kan sien waarop hierdie afstuur.
00:59
ApproachingNadering my daughter'sdogter se thirdderde birthdayverjaarsdag,
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Naby my dogter se derde verjaarsdag,
sê my vrou:
01:01
my wifevrou said, "Hey, why don't you take SabinaSabina back to NewNuwe YorkYork
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"Hoekom vat jy nie vir Sabina
terug New York toe nie,
01:04
and make it a father-daughterpa-dogter triptrip, and continueaanhou the ritualritueel?"
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dan maak julle dit 'n pa-dogter uitstappie
en sit die ritueel voort."
01:08
This is when we startedbegin askingvra passingverbygaan touriststoeriste to take the pictureprent.
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Dis toe dat ons toeriste
begin vra het om die foto te neem.
01:11
You know, it's remarkablemerkwaardige how universaluniversele
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Dis opvallend hoe universeel
die gebaar is
01:14
the gesturegebaar is of handingoorhandiging your camerakamera to a totaltotale strangervreemdeling.
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om jou kamera vir 'n vreemdeling te gee.
01:17
No one'seen is ever refusedgeweier, and luckilygelukkig no one'seen is ever runrun off with our camerakamera.
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Niemand het ooit geweier of, gelukkig,
met ons kamera die hasepad gekies nie.
01:22
Back then, we had no ideaidee how much this triptrip would changeverandering our liveslewens.
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Toé het ons geen idee gehad
hoeveel die reis ons lewens sou verander nie.
01:26
It's really becomeword sacredheilige to us.
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Dit het werklik heilig geraak vir ons.
01:28
This one was takengeneem just weeksweke after 9/11,
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Hierdie een is net weke na 9/11 geneem,
01:30
and I foundgevind myselfmyself tryingprobeer to explainverduidelik what had happenedgebeur that day
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en ek moes probeer verduidelik
wat op daardie dag gebeur het
01:35
in waysmaniere a five-year-oldvyf-jaar-oue could understandverstaan.
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op maniere wat 'n 5-jarige kon verstaan.
01:37
So these photosfoto's are farver more than proxiesgevolmagtigdes
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Hierdie foto's is dus
meer as plaasvervangers
01:40
for a singleenkele momentoomblik, or even a specificspesifieke triptrip.
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vir 'n enkele oomblik of spesifieke besoek.
01:43
They're alsoook waysmaniere for us to freezevries time
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Met hulle kan ons ook tyd vries
01:46
for one weekweek in OctoberOktober
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vir een week in Oktober
01:50
and reflectreflekteer on our timeskeer
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en terugkyk op ons tye
01:53
and how we changeverandering from yearjaar to yearjaar,
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en hoe ons verander van jaar tot jaar,
01:55
and not just physicallyfisies, but in everyelke way.
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nie net fisies nie, maar in elke opsig.
01:58
Because while we take the samedieselfde photofoto,
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Want, alhoewel ons dieselfde foto neem,
02:00
our perspectivesperspektiewe changeverandering,
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verander ons perspektiewe,
02:02
and she reachesuithoeke newnuwe milestonesmylpale,
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en sy bereik nuwe mylpale,
02:06
and I get to see life throughdeur her eyes,
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en ek sien die lewe deur haar oë,
02:08
and how she interactswisselwerking with and seessien everything.
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en hoe sy op alles reageer en daarna kyk.
02:13
This very focusedgefokus time we get to spendspandeer togethersaam
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Dié gefokusde tyd wat ons saam spandeer
02:16
is something we cherishKoester and anticipateantisipeer the entirehele yearjaar.
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is iets wat ons koester
en die hele jaar voor wag.
02:21
RecentlyOnlangs, on one triptrip, we were walkingloop,
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Onlangs, op een besoek, stap ons,
02:24
and she stopsstop deaddood in her tracksspore,
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en sy steek in haar vier spore vas
02:26
and she pointspunte to a redrooi awningafdak of the dollpop storewinkel
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en wys na die rooi sonskerm
van die popwinkel
02:30
that she lovedlief when she was little
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waaroor sy mal was as kind
02:32
on our earliervroeër tripsreise.
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op ons vroeër besoeke.
02:35
And she describesbeskryf to me the feelinggevoel she feltgevoel
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En sy beskryf aan my haar gevoel
02:37
as a five-year-oldvyf-jaar-oue standingstaande in that exactpresiese spotspot.
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as 5-jarige op presies dieselfde plek.
02:41
She said she remembersOnthou her hearthart burstingbars out of her chestbors
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Sy kon onthou hoe haar hart
uit haar bors wou bars
02:44
when she saw that placeplek for the very first time
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toe sy die plek die eerste keer gesien het
02:46
ninenege yearsjaar earliervroeër.
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nege jaar tevore.
02:49
And now what she's looking at in NewNuwe YorkYork
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En wat sy nou na kyk in New York
02:51
are collegeskolleges,
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is universiteite,
02:53
because she's determinedbepaal to go to schoolskool in NewNuwe YorkYork.
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want sy's vasbeslote
om daar te gaan studeer.
02:56
And it hitgetref me: One of the mostdie meeste importantbelangrik things
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En dit het my getref:
Een van die belangrikste dinge
wat ons maak, is herinneringe.
02:59
we all make are memoriesherinneringe.
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03:03
So I want to shareaandeel the ideaidee of takingneem an activeaktiewe rolerol
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Ek wil dus die idee deel
om aktief en opsetlik
herinneringe te skep.
03:07
in consciouslybewustelik creatingskep memoriesherinneringe.
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03:10
I don't know about you, but asideter syde from these 15 shotsskote,
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Ek weet nie van julle nie,
maar buiten hierdie 15,
is ek in min familie foto's.
03:13
I'm not in manybaie of the familygesin photosfoto's.
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03:15
I'm always the one takingneem the pictureprent.
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Ek's altyd die een wat hulle neem.
03:17
So I want to encouragemoedig everyonealmal todayvandag
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Ek wil dus almal vandag aanmoedig:
03:20
to get in the shotskoot,
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kom in die foto in
03:22
and don't hesitatehuiwer to go up to someoneiemand and askvra,
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en moenie huiwer om iemand te vra nie:
03:25
"Will you take our pictureprent?"
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"Sal jy dalk ons foto neem?"
03:27
Thank you. (ApplauseApplous)
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Dankie. (Applous)
Translated by Christiaan Crafford
Reviewed by Ingrid Lezar

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ABOUT THE SPEAKER
Steven Addis - Brand strategist
Steven Addis is a father and photography buff who, by day, harnesses the power of branding for social change.

Why you should listen

In the late ‘80s, Steven Addis imagined a creative agency that merged strategy and design, breaking down the walls between strategists, copywriters and designers. That vision evolved into Addis Creson, a brand strategy firm set on creating positive change by working with clients to market meaningful products and to improve their social benefit. The firm is behind the rapid rise of Kashi, the naming of Shutterfly and the launching of the sustainably raised salmon brand, Verlasso.

A photographer, film buff and writer, Addis began documenting the evolution of branding as the online world took shape. An avid traveler and supporter of the arts, he also advises businesses and non-profits through board work for the UC Berkeley Art Museum & Pacific Film Archive and MapLight.

More profile about the speaker
Steven Addis | Speaker | TED.com