TEDSalon London Fall 2011
Erik Johansson: Impossible photography
Erik Johansson: Nemoguća fotografija
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Erik Johansson pravi realistične fotografije nemogućih scena -- zarobljavajući ideje, a ne trenutke. U ovom duhovitom vodiču, čarobnjak Photoshopa opisuje načela kojima se vodi kako bi oživio fantastične scenarije, a i dalje ih čineći vizualno vjerodostojnima.
Erik Johansson - Photographer and retoucher
Photographer Erik Johansson creates impossible but photorealistic images that capture an idea, not a moment. Full bio
Photographer Erik Johansson creates impossible but photorealistic images that capture an idea, not a moment. Full bio
Double-click the English transcript below to play the video.
00:15
I'm here to share my photography.
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Ovdje sam kako bih podijelio s vama svoje fotografije.
00:19
Or is it photography?
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Jesu li to fotografije?
00:22
Because, of course, this is a photograph
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Jer, naravno, ovo je fotografija
00:24
that you can't take with your camera.
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koju ne možete napraviti svojim fotoaparatom.
00:26
Yet, my interest in photography started
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Moj interes za fotografiranje počeo je
00:28
as I got my first digital camera
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kad sam s 15 godina
00:30
at the age of 15.
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dobio prvi digitalni fotoaparat.
00:33
It mixed with my earlier passion for drawing,
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Pomiješao se s mojom ranijom strašću -- crtanjem
00:35
but it was a bit different,
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-- ali ovo je bilo malo drugačije,
00:37
because using the camera,
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jer koristeći kameru,
00:39
the process was in the planning instead.
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proces je bio posvećen planiranju.
00:42
And when you take a photograph with a camera,
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Kada uslikate fotografiju,
00:45
the process ends when you press the trigger.
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proces prestaje pritiskom na okidač.
00:49
So to me it felt like photography was more about
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Meni se činilo da je fotografiranje više o tome
00:51
being at the right place and the right time.
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da se nađete na pravom mjestu u pravo vrijeme.
00:54
I felt like anyone could do that.
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Osjećao sam da to može raditi bilo tko.
00:57
So I wanted to create something different,
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Stoga sam želio stvoriti nešto drugačije,
01:00
something where the process starts
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nešto gdje proces počne
01:02
when you press the trigger.
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kad pritisnete okidač.
01:05
Photos like this:
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Fotografije poput ove:
01:07
construction going on along a busy road.
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konstrukcijski radovi koji se odvijaju uz prometnu cestu.
01:09
But it has an unexpected twist.
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Ali postoji neočekivani zaplet.
01:12
And despite that,
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I unatoč tome,
01:14
it retains a level of realism.
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zadržava stupanj realizma.
01:17
Or photos like these --
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Ili fotografije poput ove --
01:20
both dark and colorful,
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istodobno tamne i pune boja,
01:23
but all with a common goal
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ali sve sa zajedničkim ciljem
01:25
of retaining the level of realism.
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zadržavanja stupnja realizma.
01:27
When I say realism,
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Kad kažem realizam,
01:29
I mean photo-realism.
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mislim foto-realizam.
01:31
Because, of course,
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Jer, naravno,
01:33
it's not something you can capture really,
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to nije nešto što uistinu možete uhvatiti,
01:36
but I always want it to look like it could have been captured somehow
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ali uvijek želim da izgleda kao da se nekako može uhvatiti
01:39
as a photograph.
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fotografijom.
01:41
Photos where you will need a brief moment to think
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Fotografije za koje ćete trebati zastati na trenutak da biste otkrili
01:44
to figure out the trick.
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u čemu je trik.
01:46
So it's more about capturing an idea
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Stoga se tu više radi o hvatanju ideje
01:48
than about capturing a moment really.
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nego o hvatanju trenutka.
01:51
But what's the trick
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Ali koji je to trik
01:53
that makes it look realistic?
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koji ih čini realističnima?
01:55
Is it something about the details
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Je li to nešto u detaljima
01:57
or the colors?
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ili bojama?
01:59
Is it something about the light?
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Je li stvar u svijetlu?
02:02
What creates the illusion?
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Što stvara iluziju?
02:06
Sometimes the perspective is the illusion.
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Ponekad je perspektiva iluzija.
02:09
But in the end, it comes down to how we interpret the world
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No na kraju, sve se svodi na to kako mi interpretiramo svijet
02:12
and how it can be realized on a two-dimensional surface.
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i kako ga možemo realizirati na dvodimenzionalnoj površini.
02:15
It's not really what is realistic,
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Ne radi se o tome što je realistično,
02:17
it's what we think looks realistic really.
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nego o tome što mi mislimo da izgleda realistično.
02:21
So I think the basics
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Mislim da su osnove
02:23
are quite simple.
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vrlo jednostavne.
02:25
I just see it as a puzzle of reality
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Ja to vidim kao slagalicu realnosti
02:28
where you can take different pieces of reality and put it together
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gdje možete uzeti različite dijelove realnosti
02:31
to create alternate reality.
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i spojiti ih kako biste stvorili alternativnu realnost.
02:34
And let me show you a simple example.
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Dopustite da vam pokažem jednostavan primjer.
02:37
Here we have three perfectly imaginable physical objects,
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Ovdje imamo 3 savršeno zamisliva fizička objekta,
02:41
something we all can relate to living in a three-dimensional world.
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nešto što svi možemo povezati sa životom u trodimenzionalnom svijetu.
02:44
But combined in a certain way,
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Ali kombinirani na određeni način,
02:47
they can create something that still looks three-dimensional,
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oni mogu stvoriti nešto što i dalje izgleda trodimenzionalno,
02:51
like it could exist.
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kao da bi moglo postojati.
02:53
But at the same time, we know it can't.
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Istodobno, znamo da ne može postojati.
02:56
So we trick our brains,
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Stoga varamo svoje mozgove,
02:58
because our brain simply doesn't accept the fact
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jer naš mozak jednostavno ne prihvaća činjenicu
03:00
that it doesn't really make sense.
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da to zapravo nema smisla.
03:02
And I see the same process
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Isti je proces
03:05
with combining photographs.
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s kombiniranjem fotografija.
03:08
It's just really about combining different realities.
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To je jednostavno kombiniranje različitih realnosti.
03:12
So the things that make a photograph look realistic,
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Stvari koje fotografiju čine realističnom,
03:16
I think it's the things that we don't even think about,
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mislim da su to stvari o kojima ni ne razmišljamo,
03:19
the things all around us in our daily lives.
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stvari oko nas u našim svakodnevnim životima.
03:23
But when combining photographs,
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Ali kod kombiniranja fotografija,
03:25
this is really important to consider,
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treba ih razmotriti,
03:27
because otherwise it just looks wrong somehow.
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inače sve to izgleda nekako pogrešno.
03:31
So I would like to say that there are three simple rules to follow
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Stoga bih htio reći da postoje tri jednostavna pravila koja treba slijediti
03:34
to achieve a realistic result.
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kako bi se postigli realistični rezultati.
03:37
As you can see, these images aren't really special.
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Kao što možete vidjeti, ovi prizori nisu ništa posebno,
03:40
But combined, they can create something like this.
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ali zajedno, mogu stvoriti nešto poput ovoga.
03:47
So the first rule is that photos combined
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Prvo je pravilo da kombinirane fotografije
03:49
should have the same perspective.
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trebaju imati istu perspektivu.
03:51
Secondly, photos combined
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Drugo, također
03:53
should have the same type of light.
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trebaju imati isto osvjetljenje.
03:56
And these two images both fulfill these two requirements --
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Obje ove slike ispunjavaju ova dva preduvjeta --
03:59
shot at the same height and in the same type of light.
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slikane s iste visine i pri istom osvjetljenju.
04:03
The third one is about making it impossible to distinguish
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Treće je učiniti nemogućim razlučivanje
04:06
where the different images begin and end
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gdje različite slike počinju i završavaju
04:09
by making it seamless.
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čineći ih savršeno ujednačenima.
04:12
Make it impossible to say
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Učiniti nemogućim reći
04:14
how the image actually was composed.
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kako je fotografija uopće sastavljena.
04:16
So by matching color, contrast and brightness
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Usklađujući boje, kontrast i svjetlinu
04:20
in the borders between the different images,
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na granicama između različitih slika,
04:22
adding photographic defects
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dodajući fotografske greške
04:24
like depth of field,
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kao što su dubina polja,
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desaturated colors and noise,
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prigušene boje i buka,
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we erase the borders between the different images
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brišemo granice između različitih slika
04:31
and make it look like one single image,
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i činimo da izgleda kao jedna jedina slika,
04:34
despite the fact that one image
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iako ta jedna slika
04:36
can contain hundreds of layers basically.
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može u stvarnosti imati i stotine slojeva.
04:40
So here's another example.
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Još jedan primjer.
04:43
(Laughter)
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(Smijeh)
04:45
One might think that this is just an image of a landscape
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Netko bi možda pomislio da je ovo samo slika krajolika,
04:48
and the lower part is what's manipulated.
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a da je donji dio izmanipuliran.
04:51
But this image is actually entirely composed
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Ali ova slika je zapravo posve sastavljena
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of photographs from different locations.
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od fotografija različitih lokacija.
04:57
I personally think that it's easier to actually create a place
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Osobno mislim da je lakše stvoriti mjesto
05:00
than to find a place,
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nego ga pronaći,
05:02
because then you don't need to compromise
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jer onda ne morate stvarati kompromise
05:04
with the ideas in your head.
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sa svojim idejama.
05:06
But it does require a lot of planning.
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No, to zahtijeva puno planiranja.
05:09
And getting this idea during winter,
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Dobivši ideju tijekom zime,
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I knew that I had several months to plan it,
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znao sam da imam nekoliko mjeseci da je isplaniram,
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to find the different locations
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nađem različite lokacije
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for the pieces of the puzzle basically.
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za dijelove slagalice.
05:18
So for example,
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Na primjer,
05:20
the fish was captured on a fishing trip.
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riba je uslikana tijekom pecanja.
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The shores are from a different location.
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Obale su s druge lokacije.
05:25
The underwater part was captured in a stone pit.
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Dio pod vodom je uslikan u kamenoj jami.
05:28
And yeah, I even turned the house on top of the island red
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I da, čak sam obojao kuću na vrhu otoka crveno
05:31
to make it look more Swedish.
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kako bi izgledalo više švedski.
05:34
So to achieve a realistic result,
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Stoga, za postizanje realističnog rezultata,
05:36
I think it comes down to planning.
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mislim da je sve u planiranju.
05:39
It always starts with a sketch, an idea.
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Uvijek počinje sa skicom, idejom.
05:43
Then it's about combining the different photographs.
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Zatim slijedi kombiniranje različitih fotografija.
05:46
And here every piece is very well planned.
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A ovdje je svaki dio dobro isplaniran.
05:49
And if you do a good job capturing the photos,
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I ako napravite dobar posao slikajući,
05:52
the result can be quite beautiful
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rezultat može biti vrlo lijep
05:54
and also quite realistic.
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i također prilično realističan.
05:58
So all the tools are out there,
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Svi alati su nam na raspolaganju,
06:02
and the only thing that limits us
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jedino što nas ograničava
06:05
is our imagination.
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je naša mašta.
06:09
Thank you.
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Hvala.
06:11
(Applause)
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(Pljesak)
ABOUT THE SPEAKER
Erik Johansson - Photographer and retoucherPhotographer Erik Johansson creates impossible but photorealistic images that capture an idea, not a moment.
Why you should listen
Erik Johansson is a self-taught photograher who learned how to retouch photos to make impossible and extraordinary images. Growing up with a grandmother who painted and a penchant for escaping into the other worlds of video games, he naturally blended the two into a technique using computers to generate images that couldn't be captured by a camera.
Erik Johansson | Speaker | TED.com