ABOUT THE SPEAKER
James Nachtwey - Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries.

Why you should listen

For the past three decades, James Nachtwey has devoted himself to documenting wars, conflicts and critical social issues, working in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States.

Nachtwey has been a contract photographer with Time since 1984. However, when certain stories he wanted to cover -- such as Romanian orphanages and famine in Somalia -- garnered no interest from magazines, he self-financed trips there. He is known for getting up close to his subjects, or as he says, "in the same intimate space that the subjects inhabit," and he passes that sense of closeness on to the viewer.

In putting himself in the middle of conflict, his intention is to record the truth, to document the struggles of humanity, and with this, to wake people up and stir them to action.

More profile about the speaker
James Nachtwey | Speaker | TED.com
TED Prize Wish

James Nachtwey: Moving photos of extreme drug-resistant TB

James Nacthwey berjuang melawan XDR-TB (Extremely Drug Resistance Tuberculosis)

Filmed:
470,998 views

Jurnalis foto James Nachtwey melihat harapan TED Prizenya menjadi nyata, saat dia memperlihatkan foto fotonya mengenai XDR-TB, jenis tuberkolosis yang kebal terhadap obat yang mengakibatkan krisis medis global. Pelajari cara memberikan bantuan di http://www/dxrtb.org
- Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries. Full bio

Double-click the English transcript below to play the video.

00:19
I was a studentmahasiswa in the '60s, a time of socialsosial upheavalpergolakan and questioningmempertanyakan,
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Saya adalah seorang siswa di tahun 1960-an, di mana perubahan dan pertanyaan sosial muncul,
00:24
and -- on a personalpribadi leveltingkat -- an awakeningkebangkitan sensemerasakan of idealismidealisme.
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dan secara pribadi, ada rasa kebangkitan ideliasme.
00:28
The warperang in VietnamVietnam was raginghebat, the CivilSipil RightsHak movementgerakan was underdibawah way
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Perang Vietnam sedang berlangsung, gerakan Hak-Hak Sipil tengah berjalan
00:33
and picturesfoto-foto had a powerfulkuat influencemempengaruhi on me.
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dan gambar memiliki pengaruh yang kuat pada diri saya.
00:36
Our politicalpolitik and militarymiliter leaderspemimpin were tellingpemberitaan us one thing
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Pemimpin politik dan militer kita mengatakan satu hal
00:39
and photographersfotografer were tellingpemberitaan us anotherlain.
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dan fotographer mengatakan satu hal yang lainnya.
00:42
I believedpercaya the photographersfotografer and so did millionsjutaan of other AmericansAmerika.
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Saya percaya pada fotografer dan jutaan penduduk Amerika lainnya.
00:47
TheirMereka imagesgambar fuelledberbahan bakar resistanceperlawanan to the warperang and to racismrasisme.
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Gambar-gambar mereka menggelorakan penentangan terhadap perang dan rasisme.
00:51
They not only recordedtercatat historysejarah -- they helpedmembantu changeperubahan the courseTentu saja of historysejarah.
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Mereka tidak hanya merekam sejarah, mereka membantu mengganti alur sejarah.
00:55
TheirMereka picturesfoto-foto becamemenjadi partbagian of our collectivekolektif consciousnesskesadaran
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Gambar mereka menjadi bagian dari kesadaran kita bersama
00:59
and, as consciousnesskesadaran evolvedberevolusi into a sharedbersama sensemerasakan of consciencehati nurani,
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dan, seiring dengan berkembangnya kesadaran menjadi nilai moral bersama,
01:03
changeperubahan becamemenjadi not only possiblemungkin, but inevitabletak terelakkan.
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perubahan tidak hanya suatu kemungkinan, tapi kepastian.
01:06
It putsmenempatkan a humanmanusia facemenghadapi on issuesMasalah whichyang, from afarjauh,
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Hal ini meletakkan martabat manusia pada isu yang dari jauh
01:10
can appearmuncul abstractabstrak or ideologicalideologi or monumentalmonumental in theirmereka globalglobal impactdampak.
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terlihat abstrak atau ideologikal, atau memiliki dampak global yang monumental.
01:15
What happensterjadi at groundtanah leveltingkat, farjauh from the hallsaula of powerkekuasaan,
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Apa yang terjadi pada tingkat bawah, yang jauh dari kekuasaan,
01:20
happensterjadi to ordinarybiasa citizenswarga one by one.
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yang terjadi pada rakyat biasa satu persatu.
01:23
And I understooddipahami that documentarydokumenter photographyfotografi
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Dan saya mengerti bahwa dokumentasi fotografi
01:26
has the abilitykemampuan to interpretmenafsirkan eventsacara from theirmereka pointtitik of viewmelihat.
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memiliki kemampuan untuk menafsirkan peristiwa dari sudut pandang mereka.
01:30
It givesmemberi a voicesuara to those who otherwisejika tidak would not have a voicesuara.
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Memberikan suara pada mereka yang tidak punya suara.
01:34
My TEDTED wishingin. There’s a vitalvital storycerita that needskebutuhan to be told
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Harapan TED saya. Ada cerita penting yang perlu diceritakan
01:40
and I wishingin for TEDTED to help me gainmendapatkan accessmengakses to it
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dan saya berharap agar TED dapat menolong saya mendapatkan aksesnya
01:43
and then to help me come up with innovativeinovatif and excitingseru wayscara
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dan membantu saya untuk membuat berita fotografi di era digital ini
01:47
to use newsberita photographyfotografi in the digitaldigital eraera.
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dengan cara yang inovatif dan menarik.
01:50
Thank you very much.
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Terima kasih banyak.
01:57
[ 10.3.08 -- The storycerita breaksistirahat. ]
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[ 10.3.08 -- Kisah ini dimulai ]
02:03
[ "I have been a witnesssaksi, and these picturesfoto-foto are my testimonykesaksian." ]
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[ "Saya menjadi saksi, dan gambar gambar ini adalah pengakuan saya" ]
02:09
[ SouthSelatan AfricaAfrika ]
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[ Afrika Selatan ]
02:27
[ This is happeningkejadian now. ]
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[ Peristiwa ini sedang terjadi ]
02:31
[ CambodiaKamboja ]
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[ Kamboja ]
02:46
[ SwazilandSwaziland ]
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[ Swaziland ]
02:59
[ One personorang diesmati everysetiap 20 secondsdetik. ]
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[ Satu orang meninggal setiap 20 detik ]
03:03
[ ThailandThailand ]
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[ Thailand ]
03:16
[ An ancientkuno diseasepenyakit is takingpengambilan on a deadlymematikan newbaru formbentuk. ]
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[ Penyakit kuno dalam bentuk baru yang mematikan ]
03:21
[ SiberiaSiberia ]
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[ Siberia ]
03:32
[ LesothoLesotho ]
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[ Lesotho ]
03:45
[ TuberculosisTuberkulosis: the nextberikutnya pandemicpandemi? ]
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[ Tuberkolosis: Pandemi selanjutnya? ]
03:49
[ IndiaIndia ]
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[ India ]
04:02
[ TBTB is preventabledicegah and curabledapat disembuhkan, ]
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[ TB dapat dicegah dan disembuhkan ]
04:09
[ but it is mutatingbermutasi duekarena to inadequatetidak memadai treatmentpengobatan. ]
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[ Tapi penyakit ini bermutasi karena pengobatan yang tidak memadai ]
04:18
[ XDR-TBXDR-TB: ]
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[ XDR-TB ]
04:21
[ extremeekstrim drugobat resistanttahan tuberculosistuberkulosis. ]
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[ Tuberkolosis yang sangat kebal terhadap obat ]
04:25
[ There is no reliabledapat diandalkan curemenyembuhkan. ]
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[ Tidak ada penyembuh yang pasti ]
04:33
[ PatientsPasien oftensering diemati withindalam weeksminggu of diagnosisdiagnosis. ]
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[ Pasien pada umumnya meninggal dalam htungan minggu ]
04:40
[ 49 countriesnegara have reporteddilaporkan XDR-TBXDR-TB. ]
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[ 49 negara telah melaporkan kasus XDR-TB]
04:48
[ XDR-TBXDR-TB is a criticalkritis threatancaman to globalglobal healthkesehatan. ]
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[ XDR-TB adalah ancaman kritis bagi kesehatan global ]
04:56
[ ExtremeEkstrim outbreakpecahnya, sufferingpenderitaan, afflictionpenderitaan ]
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[ Wabah yang ekstrim ]
04:57
[ ExtremeEkstrim losskerugian, painrasa sakit, pandemicpandemi ]
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[ Penderitaan yang ekstrim ]
05:05
[ ExtremelySangat preventabledicegah. ]
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[ Benar-benar bisa dicegah ]
05:08
[ XDR-TBXDR-TB. ]
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[ XDR-TB ]
05:14
[ We can stop this now. ]
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[ Kita bisa menghentikan penyakit ini sekarang ]
05:22
[ SpreadPenyebaran the storycerita. Stop the diseasepenyakit. ]
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[ Sebarkan kisahnya. Hentikan penyakitnya ]
05:27
[ Go to XDRTBXDRTB.orgorg now. ]
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[ Kunjungi XDRTB.org sekarang ]
05:31
[ XDRTBXDRTB.orgorg: we are the treatmentpengobatan. ]
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[ XDRTB.org: Kamilah obatnya ]
05:35
[ We are the treatmentpengobatan. ]
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[ Kamilah obatnya ]
05:40
[ MadeMembuat possiblemungkin throughmelalui the kindjenis supportmendukung of BDBD. ]
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[ Terwujud berkat dukungan dari BD ]
Translated by handarmin -
Reviewed by Antonius Yudi Sendjaja

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ABOUT THE SPEAKER
James Nachtwey - Photojournalist
Photojournalist James Nachtwey is considered by many to be the greatest war photographer of recent decades. He has covered conflicts and major social issues in more than 30 countries.

Why you should listen

For the past three decades, James Nachtwey has devoted himself to documenting wars, conflicts and critical social issues, working in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States.

Nachtwey has been a contract photographer with Time since 1984. However, when certain stories he wanted to cover -- such as Romanian orphanages and famine in Somalia -- garnered no interest from magazines, he self-financed trips there. He is known for getting up close to his subjects, or as he says, "in the same intimate space that the subjects inhabit," and he passes that sense of closeness on to the viewer.

In putting himself in the middle of conflict, his intention is to record the truth, to document the struggles of humanity, and with this, to wake people up and stir them to action.

More profile about the speaker
James Nachtwey | Speaker | TED.com