ABOUT THE SPEAKER
Jennifer Lin - Pianist, composer
Concert pianist and composer Jennifer Lin was only 14 when she performed at TED, drawing tears with her extraordinary improvisation.

Why you should listen

A student of the Yamaha Music Education System from the age of 4, pianist Jennifer Lin has an unusual talent for improvisation. Speaking at TED, she compared her creative process to drawing a comic, and admitted that the state of "flow" -- when she is able produce beautiful music instantly -- cannot be forced.

Her virtuoso performances, particularly the improvisations, are profoundly moving, and -- even via podcast -- have been known to reduce listeners to tears. As one blogger recorded, "I was listening to a presentation by a 14-year old girl named Jennifer Lin who plays the piano like whoa ... I wasn't expecting it, and when she was a minute or two into the piece, I was literally crying in the crowded subway car." Lin was featured on ABC World News Tonight as Person of the Week and also appeared on a "Little Geniuses" segment on Oprah, where Winfrey declared her "a miracle prodigy."

More profile about the speaker
Jennifer Lin | Speaker | TED.com
TED2004

Jennifer Lin: Improvising on piano, aged 14

珍妮佛.林即興鋼琴演奏

Filmed:
1,809,378 views

珍妮佛.林是鋼琴家也是作曲家,她談到有關創作的過程,也用隨機選取的音符,用鋼琴演奏出有如魔術般的即興演出。
- Pianist, composer
Concert pianist and composer Jennifer Lin was only 14 when she performed at TED, drawing tears with her extraordinary improvisation. Full bio

Double-click the English transcript below to play the video.

04:40
(Applause掌聲)
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(掌聲)
04:58
Thank you.
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謝謝,
05:03
Thank you very much.
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非常感謝!
05:06
Like the speaker揚聲器 before me, I am -- that's the TEDTED virgin處女, I guess猜測 --
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我和前一個講者一樣,是TED的新人,
05:11
I'm also the first time here, and I don't know what to say.
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我第一次來到TED,不知道該講些什麼。
05:17
(Applause掌聲)
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(掌聲)
05:19
I'm really happy快樂 that Mr先生. Anderson安德森 invited邀請 me.
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我很高興安德生先生邀請我來,
05:23
I'm really grateful感激 that I get a chance機會 to play for everyone大家.
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也很高興有這個機會為各位演奏。
05:26
And the song歌曲 that I just played發揮 was by JózefZEF Hofmann霍夫曼.
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我剛才彈的曲子是由霍夫曼所作,
05:29
It's called "Kaleidoscope萬花筒."
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曲名為「萬花筒(Kaleidoscope)」。
05:31
And Hofmann霍夫曼 is a Polish拋光 pianist鋼琴家 and composer作曲家 of the late晚了 19th century世紀,
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霍夫曼是十九世紀末的波蘭鋼琴家兼作曲家,
05:37
and he's widely廣泛 considered考慮 one of the greatest最大 pianists鋼琴家 of all time.
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一般公認他是有史以來最偉大的鋼琴家之一。
05:42
I have another另一個 piece that I'd like to play for you.
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我想為各位演奏另一首曲子,
05:44
It's called "Abegg Variations變化," by Robert羅伯特 Schumann舒曼,
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是由舒曼這位十九世紀德國作曲家
05:48
a German德語 19th century世紀 composer作曲家.
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所作的「阿貝格變奏曲(Abegg Variations)」。
05:52
The name名稱 "Abegg" -- "Abegg" is actually其實 A-B-E-G-GABEGG,
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阿貝格的英文拼法是A-B-E-G-G,
05:57
and that's the main主要 theme主題 in the melody旋律.
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也就是這首曲子的主要旋律,
06:03
That comes from the last name名稱 of one of Schumann's舒曼 female friends朋友.
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同時也是舒曼某位女性朋友的姓氏。
06:08
(Laughter笑聲)
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(笑聲)
06:09
But he wrote that for his wife妻子.
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但舒曼的這首曲子是獻給他太太的。
06:11
(Laughter笑聲)
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(笑聲)
06:15
So, actually其實, if you listen carefully小心,
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所以,如果你仔細聽,
06:17
there's supposed應該 to be five variations變化 on this Abegg theme主題.
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裡面應該會有五個變奏的旋律。
06:20
It's written書面 around 1834, so, even though雖然 it's old,
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這首曲子是在1834年左右寫的,即使年代有點久遠,
06:25
I hope希望 you like it. (Music音樂)
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還是希望各位喜歡。
13:22
(Applause掌聲)
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(掌聲)
13:28
Now comes the part部分 that I hate討厭.
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現在是我最不喜歡的部分,
13:33
Well, because Mr先生. Anderson安德森 told me
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因為安德生先生告訴我
13:37
that this session會議 is called "Sync同步 and Flow," I was wondering想知道,
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這個單元是「和諧與流暢」,我就想:
13:40
"What do I know that these geniuses天才 don't?"
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「我知道的事情裡,有什麼是這些天才不知道的事?」
13:43
So, I'll talk about musical音樂 composition組成,
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所以,我決定來談談作曲,
13:46
even though雖然 I don't know where to start開始.
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即使我不知道要從何談起。
13:49
How do I compose撰寫?
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我怎麼作曲的?
13:51
I think Yamaha雅馬哈 does a really good job工作 of teaching教學 us how to compose撰寫.
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Yamaha針對作曲這方面的教學,做得很不錯。
13:55
What I do first is, I make a lot of little musical音樂 ideas思路 --
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我一開始會先想一些小小的曲調片段,
13:59
you can just improvise湊合 here at the piano鋼琴 --
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先在鋼琴上試彈一下,
14:01
and I choose選擇 one of those to become成為 my main主要 theme主題, my main主要 melody旋律,
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然後選定其中一個做為主旋律,
14:04
like the Abegg that you just heard聽說.
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就像你剛才聽到的阿貝格一樣。
14:07
And once一旦 I choose選擇 my main主要 theme主題 I have to decide決定,
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一旦選定了主旋律之後,我就必須決定
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out of all the styles款式 in music音樂, what kind of style樣式 do I want?
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要使用什麼樣音樂曲風來表現?
14:14
And this year I composed a Romantic浪漫 style樣式.
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今年,我選定的是浪漫曲風。
14:17
So, for inspiration靈感 I listened聽了 to Liszt李斯特 and Tchaikovsky柴可夫斯基
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為了增加靈感,我通常會聽李斯特、柴可夫斯基等
14:21
and all the great Romantic浪漫 composers作曲家.
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浪漫曲風作曲家的作品。
14:23
Next下一個, I make the structure結構體 of the entire整個 piece with my teachers教師.
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接下來,我會和老師一起描繪出整個作品的架構,
14:29
They help me plan計劃 out the whole整個 piece,
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他們會協助我規劃整個作品,
14:31
and then the hard part部分 is filling填充 it in with musical音樂 ideas思路,
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最難的部分是要填入各個曲調片段,
14:35
because then you have to think. (Laughter笑聲)
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因為這個時候就需要思考了。
14:38
And then, when the piece takes somewhat有些 of a solifiedsolified form形成 --
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最後,當雛型慢慢塑造出來後,
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solidified凝固, excuse藉口 me -- solidified凝固 form形成,
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對,是雛型,
14:44
you're supposed應該 to actually其實 polish拋光 the piece, polish拋光 the details細節,
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接下來就進入琢磨的工作,也就是細部修改,
14:49
and then polish拋光 the overall總體 performance性能 of the composition組成.
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把整首曲子仔細地琢磨一遍。
14:53
And another另一個 thing that I enjoy請享用 doing is drawing畫畫 --
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我的另一個嗜好是畫圖,
14:56
drawing畫畫, because I like to draw, you know, Japanese日本 anime動漫 art藝術.
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我喜歡畫的是日本的動漫畫,
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I think that's a craze狂熱 among其中 teens青少年 right now.
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也是目前青少年瘋狂喜愛的漫畫。
15:02
And once一旦 I realized實現 it,
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後來我發現,
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there's a parallel平行 between之間 creating創建 music音樂 and creating創建 art藝術,
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創作音樂和創作畫作有許多相似之處,
15:09
because for your motive動機 or your little initial初始 idea理念 for your drawing畫畫,
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因為這二者都需要決定創作的動機和原始構想,
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it's your character字符 -- you want to decide決定 who do you want to draw,
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而你也必須決定你畫中的角色,可以是一個你認識的人,
15:17
or if you want to draw an original原版的 character字符.
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也可以是一個你創造出來的人。
15:19
And then you want to decide決定, how are you going to draw the character字符?
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接下來你得決定怎麼表現這個角色?
15:22
Like, am I going to use one page?
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像是要用一頁來畫這個角色嗎?
15:24
Am I going to draw it on the computer電腦?
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要用電腦繪圖軟體來畫嗎?
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Am I going to use a two-page兩頁 spread傳播 like a comic滑稽 book
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還是要像漫畫書一樣,用二頁的跨頁手法,
15:29
for more grandiose雄偉 effect影響, I guess猜測?
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來表現出更雄偉的效果?
15:32
And then you have to do the initial初始 sketch草圖 of the character字符,
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然後,你就得把該角色的雛型畫出來,
15:35
which哪一個 is like your structure結構體 of a piece,
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就像是樂曲的架構一樣,
15:37
and then you add pen鋼筆 and pencil鉛筆 and whatever隨你 details細節 that you need --
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最後再用筆或鉛筆描繪一下,增加細節的描寫,
15:41
that's polishing拋光 the drawing畫畫.
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這就是畫作的琢磨工作。
15:43
And another另一個 thing that both of these have in common共同
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這二者間還有一個共通點,
15:45
is your state of mind心神, because I don't --
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就是創作者的心態,因為我不是--
15:48
I'm one of those teenagers青少年 that are really easily容易 distracted分心,
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我還是個青少年,所以很容易分心,
15:51
so if I'm trying to do homework家庭作業, (Laughter笑聲)
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如果我不想做功課,
15:54
if I'm trying to do homework家庭作業 and I don't feel like it,
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如果我沒什麼興趣做功課,
15:56
I'll try to draw or, you know, waste浪費 my time.
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我就會畫圖來打發時間。
15:59
And then what happens發生 is, sometimes有時 I absolutely絕對 can't draw
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有時我會發現,我根本畫不出來,
16:02
or I can't compose撰寫 at all, and then it's like
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或我根本無法作曲,
16:05
there's too much on your mind心神.
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就好像腦子裡塞了太多東西一樣,
16:06
You can't focus焦點 on what you're supposed應該 to do.
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無法專心在自己想要做的事情上。
16:09
And sometimes有時, if you manage管理 to use your time wisely明智 and work on it,
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有時候,當我想要好好利用時間來創作,
16:14
you'll你會 get something out of it, but it doesn't come naturally自然.
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就會有好的作品產出,但那可不是憑空得來的。
16:18
What happens發生 is, if something magical神奇 happens發生,
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如果有奇蹟的話,
16:20
if something natural自然 happens發生 to you,
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某些靈感就會自動跳出來,
16:23
you're able能夠 to produce生產 all this beautiful美麗 stuff東東 instantly即刻,
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我就可以立刻創造出美好的作品,
16:26
and then that's what I consider考慮 "flow,"
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我覺得那就是流暢的感覺,
16:29
because that's when everything clicks點擊 and you're able能夠 to do anything.
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每一個東西都到位了,可以順利創造出作品。
16:33
You feel like you're on top最佳 of your game遊戲
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你會覺得自己掌握了一切,
16:35
and you can do anything you want.
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你可以隨心所欲做任何事。
16:37
I'm not going to play my own擁有 composition組成 today今天 because,
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今天我不想彈我的創作樂曲,
16:40
although雖然 I did finish it, it's way too long.
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雖然我已經完成了,但還差得遠了。
16:43
Instead代替, I'd like to try something called "improvisation即興."
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但我今天想嚐試即興創作,
16:47
I have here seven note注意 cards,
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我這裡有七張音符卡片,
16:49
one with each note注意 of the musical音樂 alphabet字母,
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每一張卡片上都有每個音符的英文字母,
16:52
and I'd like someone有人 to come up here and choose選擇 five --
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我想請一位來賓上來選出五張卡。
16:56
anyone任何人 to come up here and choose選擇 five --
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有沒有要上來選五張卡?
16:58
and then I can make it into some sort分類 of melody旋律 and I'll improvise湊合 it.
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我會以選出來的五張卡編寫出旋律,即興彈奏。
17:03
Wow, a volunteer志願者, yay好極了!
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哇,有人自願耶!
17:07
(Applause掌聲)
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(掌聲)
17:11
Nice尼斯 to meet遇到 you.
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很高興認識你。
17:13
Goldie戈爾迪 Hawn霍恩: Thank you. Choose選擇 five?
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歌蒂韓:謝謝,選五張嗎?
17:17
Jennifer詹妮弗 Lin: Yes, five cards. Any five cards.
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珍妮佛.林:對,五張卡,隨便五張。
17:19
GHGH: OK. One. Two. Three.
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歌蒂韓:好,一,二,三...
17:24
Oh, D and F -- too familiar.
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噢,D和F,我太常用這二個字母了。
17:29
(Laughter笑聲)
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(笑聲)
17:34
JLJL: One more.
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珍妮佛.林:再一張。
17:35
GHGH: OK, E for effort功夫.
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歌蒂韓:好,就選努力的E吧!(Effort:努力)
17:37
JLJL: Would you mind心神 reading them out in the order訂購 that you chose選擇 them?
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珍妮佛.林:請你把這幾個英文字母唸出來。
17:40
GHGH: OK. C, G, B, A and E.
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歌蒂韓:好,C-G-B-A-E。
17:47
JLJL: Thank you very much.
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珍妮佛.林:非常謝謝你。
17:48
GHGH: You're welcome歡迎. And what about these?
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歌蒂韓:不客氣,那這些怎麼辦?
17:50
JLJL: I won't慣於 use them. Thank you.
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珍妮佛.林:這些就用不到了,謝謝!
17:53
(Applause掌聲)
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(掌聲)
18:00
Now, she chose選擇 C, G, B, A, E.
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好,她選了C-G-B-A-E,
18:04
I'm going to try to put that in some sort分類 of order訂購. (Plays播放 notes筆記)
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我要來把這些稍微排列組合一下,
18:12
OK, that's nice不錯.
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好,這樣很棒!
18:14
So, I'm going to have a moment時刻 to think,
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接下來,我要用一點時間來思考,
18:16
and I'll try to make something out of it. (Music音樂)
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用這幾個音符來創作一首即興演奏曲。
21:54
(Applause掌聲)
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(掌聲)
21:59
The next下一個 song歌曲, or the encore安可, that I'm going to play
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接下來,就是安可曲,我要演奏
22:02
is called "Bumble弄糟 Boogie布吉," by Jack插口 Fina菲娜.
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傑克.菲那所作的「瘋狂爵士(Bumble Boogie)」。
22:06
(Applause掌聲)
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(掌聲)
24:05
(Applause掌聲)
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(掌聲)
Translated by Marie Wu
Reviewed by Zhu Jie

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ABOUT THE SPEAKER
Jennifer Lin - Pianist, composer
Concert pianist and composer Jennifer Lin was only 14 when she performed at TED, drawing tears with her extraordinary improvisation.

Why you should listen

A student of the Yamaha Music Education System from the age of 4, pianist Jennifer Lin has an unusual talent for improvisation. Speaking at TED, she compared her creative process to drawing a comic, and admitted that the state of "flow" -- when she is able produce beautiful music instantly -- cannot be forced.

Her virtuoso performances, particularly the improvisations, are profoundly moving, and -- even via podcast -- have been known to reduce listeners to tears. As one blogger recorded, "I was listening to a presentation by a 14-year old girl named Jennifer Lin who plays the piano like whoa ... I wasn't expecting it, and when she was a minute or two into the piece, I was literally crying in the crowded subway car." Lin was featured on ABC World News Tonight as Person of the Week and also appeared on a "Little Geniuses" segment on Oprah, where Winfrey declared her "a miracle prodigy."

More profile about the speaker
Jennifer Lin | Speaker | TED.com