ABOUT THE SPEAKER
Thandiswa Mazwai - Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation.

Why you should listen

The Guardian has referred to Thandiswa Mazwai as "South Africa's finest female contemporary singer." Her influence in the post-millennial South African sound can be heard far and wide -- new groups idolize and emulate her work, while globally, she effortlessly channels the legends such as Mariam Makeba, Busi Mhlongo, Fela and Hugh Masekela.

Mazwai's debut album, Zabalaza (2004), reached double platinum status, and her critically acclaimed second album, Ibokwe (2009), reached gold status within weeks of release. Her third solo studio album is Belede (2016), a collection of reinterpretations of legendary South African jazz and protest anthems from the 1950s and 1960s golden era. Mazwai's selection is inspired by the music she listened to whilst growing up, and the title, Belede, is named after and dedicated to her late mother, a major influence in her music and political stance.

More profile about the speaker
Thandiswa Mazwai | Speaker | TED.com
TEDGlobal 2017

Thandiswa Mazwai: "Iyeza" / "Zabalaza"

Thandiswa Mazwai: Remède et révolte

Filmed:
204,387 views

La chanteuse sud-africaine engagée, Thandiswa Mazwai, émerveille le public Ted avec une performance électrique grâce aux deux chansons « Iyeza » et « Zabalaza ».
- Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation. Full bio

Double-click the English transcript below to play the video.

00:12
(MusicMusique)
0
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2600
(Musique)
00:20
(VocalizingBêle)
1
8160
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(Chanson en Xhosa,
langue africaine)
00:41
NdicelaNdicela iyezaiyeza
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Ndicela iyeza
00:44
lokuhlambalokuhlamba
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Lokuhlamba
00:46
ndisusendisuse iinkathazoiinkathazo.
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Ndisuse iinkathazo
00:51
NdicelaNdicela iyezaiyeza
5
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Ndicela iyeza
00:54
lokuhlambalokuhlamba
6
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2336
Lokuhlamba
00:56
ndikhuphendikhuphe iinkathazoiinkathazo.
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Ndikhuphe Iinkathazo
01:00
(VocalizingBêle)
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4120
(Vocalisation)
01:05
(ImprovisingImproviser)
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(Improvisation)
01:19
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
01:24
ThongoThongo lamLam vumaVuma,
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4696
Thongo lam vuma
01:29
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
01:33
ThongoThongo lamLam vumaVuma.
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Thongo lam vuma
01:38
NdicelaNdicela iyezaiyeza
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Ndicela iyeza
01:41
lokuhlambalokuhlamba
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Lokuhlamba
01:43
ndisusendisuse iinkathazoiinkathazo
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Ndisuse iinkathazo
01:47
ndicelandicela iyezaiyeza
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Ndicela Iyeza
01:49
iyezaiyeza lokughabhalokughabha
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Iyeza Lokughabha
01:52
ndisusendisuse iinkathazoiinkathazo
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Ndisuse iinkathazo
01:56
ndicelandicela iyezaiyeza
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Ndicela Iyeza
01:59
lokuhlambalokuhlamba
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Lokuhlamba
02:02
ndisusendisuse iinkathazoiinkathazo.
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Ndisuse Iinkathazo
02:06
(VocalizingBêle)
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(Vocalisation)
02:15
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
02:19
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
02:24
ThongoThongo lamLam vumaVuma,
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Thongo lam vum
02:28
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
02:32
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
02:35
LamLam vumaVuma,
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Lam vuma
02:37
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
02:40
LamLam vumaVuma,
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Lam vuma
02:41
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
02:44
LamLam vumaVuma,
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Lam vuma
02:46
ThongoThongo lamLam vumaVuma,
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Thongo lam vuma
02:48
LamLam vumaVuma, lamLam vumaVuma.
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Lam vuma, lam vuma
02:50
(ImprovisingImproviser)
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(Improvisation)
04:04
(MusicMusique endsprend fin)
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(Fin de la chanson)
04:06
(ApplauseApplaudissements)
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(Applaudissements)
04:16
ThandiswaMane MazwaiMazwai: HelloSalut everybodyTout le monde.
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Bonjour à tous !
04:18
Thank you so much for havingayant us here.
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Merci beaucoup de nous recevoir ici.
04:21
My nameprénom is ThandiswaMane MazwaiMazwai.
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Je m'appelle Thandiswa Mazwai.
04:24
I am a wildsauvage womanfemme,
a rebelrebelle singerchanteur, a conduitconduit.
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Je suis une femme sauvage,
une chanteuse rebelle, une messagère.
04:31
My musicla musique is about memoryMémoire
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Ma musique traite des mémoires
04:33
and strugglingluttant betweenentre
oppresionoppresion and freedomliberté.
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et du combat entre l'oppression
et la liberté.
04:40
After over 20 yearsannées in SouthSud AfricaL’Afrique
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Après plus de 20 ans
en Afrique du Sud,
04:43
we find ourselvesnous-mêmes as the blacknoir massesmasses
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nous, toute la communauté noire,
04:48
still sufferingSouffrance and fightingcombat
for our freedomliberté and humanityhumanité.
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souffrons et combattons encore
pour notre liberté et humanité.
04:53
This first songchant was calledappelé "IyezaIyeza"
whichlequel meansveux dire "medicinemédicament."
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La première chanson s’appelait « Iyeza »
qui signifie « remède ».
04:59
MedicineMédecine for our madnessfolie,
medicinemédicament for our ragerage.
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Remède contre notre folie,
Remède contre notre colère
05:04
This songchant we're doing now
is calledappelé "ZabalazaZabalaza,"
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Celle que nous allons chanter
maintenant s'appelle « Zabalaza »
05:08
and it meansveux dire "rebelrebelle."
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qui signifie « Révolté ».
05:11
I'd like to dedicateconsacrer this to the valiantValiant
studentétudiant movementmouvement in SouthSud AfricaL’Afrique
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J'aimerais la dédier au brave
mouvement étudiant d'Afrique du Sud
05:16
who camevenu up with the #FeesMustFallFeesMustFall.
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qui est à l'origine de #FeesMustFall
05:18
(ApplauseApplaudissements)
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(Applaudissements)
05:19
RhodesRhodes MustDoit FallAutomne.
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#RhodesMustFall
05:21
(ApplauseApplaudissements)
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(Applaudissements)
05:23
But more importantlyimportant,
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Mais plus important,
05:24
the newNouveau vigorVigor that has been broughtapporté
into the feministféministe movementmouvement
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la nouvelle détermination
dans le mouvement féministe,
05:28
so patriarchyPatriarcat mustdoit falltomber.
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donc la patriarchie doit tomber.
05:32
(ApplauseApplaudissements)
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(Applaudissements)
05:36
(MusicMusique)
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(Musique)
05:44
GogoGogo bek'bek' umthwaloumthwalo
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Gogo bek' umthwalo
05:50
Kunin'Kunin' uhluphekauhlupheka?
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Kunin' uhlupheka ?
05:56
Little ghettoghetto childenfant
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Little ghetto child
(Petit enfant du ghetto)
06:01
UngazibulaliUngazibulali sanasana
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Ungazibulali sana
06:09
Oh ...
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Oh ...
06:17
If you take my handmain,
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Si tu prends ma main,
06:23
I'll showmontrer you
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Je te montrerais
06:26
how to be freegratuit.
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comment être libre.
06:30
Ayifanelang'Ayifanelang' ub'UB' iyenzekaiyenzeka lentoLento
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Ayifanelang' ub' iyenzeka lento
06:37
EmziniEmzini kabawokabawo
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Emzini kabawo
06:43
kungekunge kudalakudala
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kunge kudala
06:49
SizozabalazaSizozabalaza.
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Sizozabalaza.
06:52
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
06:54
ZabalazaZabalaza.
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Zabalaza.
06:58
SizozabalazaSizozabalaza.
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Sizozabalaza.
07:01
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
07:06
ZabalazaZabalaza.
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Zabalaza.
07:11
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
07:14
ZabalazaZabalaza.
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Zabalaza.
07:18
ZabalazaZabalaza.
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Zabalaza.
07:20
ZabalazaZabalaza.
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Zabalaza.
07:24
ZabalazaZabalaza.
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Zabalaza.
07:28
(VocalizingBêle)
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(Vocalisation)
08:07
(ImprovisingImproviser)
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(Improvisation)
08:53
It's my people in SowetoSoweto,
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C'est mon peuple à Soweto,
08:58
my people in MozambiqueMozambique,
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C'est mon peuple en Mozambique,
09:03
my people in SenegalSénégal.
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mon peuple au Sénégal.
09:07
These are my people in the ghettosghettos.
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C'est mon peuple dans les ghettos.
10:12
ZabalazaZabalaza, zabalazazabalaza.
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Zabalaza, zabalaza.
10:15
ZabalazaZabalaza.
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Zabalaza.
10:20
ZabalazaZabalaza.
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Zabalaza.
10:36
(MusicMusique endsprend fin)
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(Fin de la chanson)
10:37
(ApplauseApplaudissements)
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(Applaudissements)
10:40
(CheeringAcclamations)
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(Acclamations)
10:43
Thank you very much.
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Merci infiniment.
10:44
(ApplauseApplaudissements)
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(Applaudissements)
Translated by Houzefa Onaly
Reviewed by eric vautier

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ABOUT THE SPEAKER
Thandiswa Mazwai - Singer
Thandiswa Mazwai is one of the most influential South African musicians of this generation.

Why you should listen

The Guardian has referred to Thandiswa Mazwai as "South Africa's finest female contemporary singer." Her influence in the post-millennial South African sound can be heard far and wide -- new groups idolize and emulate her work, while globally, she effortlessly channels the legends such as Mariam Makeba, Busi Mhlongo, Fela and Hugh Masekela.

Mazwai's debut album, Zabalaza (2004), reached double platinum status, and her critically acclaimed second album, Ibokwe (2009), reached gold status within weeks of release. Her third solo studio album is Belede (2016), a collection of reinterpretations of legendary South African jazz and protest anthems from the 1950s and 1960s golden era. Mazwai's selection is inspired by the music she listened to whilst growing up, and the title, Belede, is named after and dedicated to her late mother, a major influence in her music and political stance.

More profile about the speaker
Thandiswa Mazwai | Speaker | TED.com