ABOUT THE SPEAKERS
Aja Monet - Poet, educator, cultural worker
Aja Monet is a Caribbean American poet, performer and educator born in Brooklyn, New York.

Why you should listen

Aja Monet started actively reading and reciting poetry in the New York City youth poetry/slam community in high school with an organization called Urban Word NYC. Her poems are lyrical, wise and courageous. She received her BA in liberal arts from Sarah Lawrence College in 2009 and her MFA in creative writing from the School of the Art Institute of Chicago in 2011. While at Sarah Lawrence College, Monet was awarded the legendary Nuyorican Poet's Café Grand Slam title in 2007. She has been internationally recognized for combining her spellbound voice and vivid poetic imagery on stage. While in college, she used music and poetry to help organize urgent responses to natural disasters in New Orleans and later on in Haiti as well as local community issues. In 2015, she was invited by the Dream Defenders to be a part of a movement delegation to Palestine, and she has continued to work in collaboration with cultural workers and organizers to demonstrate radical solidarity. 

In 2018, Monet’s first full collection of poetry, my mother was a freedom fighter, was nominated for an NAACP Image Award for Outstanding Literary Work. She read the title poem of her collection at the national Women’s March on Washington DC in 2017 to commemorate women of the Diaspora. In 2012, she collaborated with poet/musician Saul Williams on the book Chorus, an anthem of a new generation of poets.

Monet currently lives in Little Haiti, Miami, where she is cofounder of Smoke Signals Studio, a collective dedicated to music, art, culture and organizing. In collaboration with Community Justice Project and inspired by poet June Jordan's revolutionary blueprint, Monet facilitates "Voices: Poetry for the People," a grassroots workshop for organizers and community leaders. In 2018, the workshop created the first annual Maroon Poetry Festival in Liberty City, Miami, to honor artists and cultural workers for their commitment to radical truth-telling. A lover of art, music, and poetry, Monet has continued to collaborate with artists across all genres including musicians Vijay Iyer, Samora Pinderhughes, Gerald Clayton and visual artists Carrie Mae Weems, Mike Schreiber and countless more. She volunteers at Dade Correctional Facility teaching "Poetry for the People" with an organization called Exchange for Change.

More profile about the speaker
Aja Monet | Speaker | TED.com
phillip agnew - Organizer, artist, cultural critic
The cofounder of Smoke Signals Studio, phillip agnew is a nationally recognized educator, strategist, trainer, speaker and cultural critic.

Why you should listen

phillip agnew cofounded the Dream Defenders in 2012 after the murder of Trayvon Martin and has been dubbed "one of this generation’s leading voices" and recognized by both EBONY magazine and The Root as one of the 100 most influential African Americans in the nation. He emerged as a national activist when he helped to organize students from FAMU, Florida State University and Tallahassee Community College in the creation of the Student Coalition for Justice, which was formed in response to the Martin Lee Anderson case. 

agnew is the cofounder of Miami's Smoke Signals Studio -- a community based radical artistic space -- with his partner, poet Aja Monet. Smoke Signals Studio is a space where those invested in using art, sound and music as a meeting place for transformation and liberation can come to create together.

In 2018, agnew transitioned from his role as codirector of the Dream Defenders and now travels the country teaching and organizing outside of the movement bubble. He has spoken at colleges and conferences around the country and was a featured speaker at TEDWomen 2018 and SXSW in 2019. agnew is member of Alpha Phi Alpha Fraternity, Inc. and a Board Member for Planned Parenthood Action Fund.

More profile about the speaker
phillip agnew | Speaker | TED.com
TEDWomen 2018

Aja Monet and phillip agnew: A love story about the power of art as organizing

Filmed:
2,183,482 views

In a lyrical talk full of radical imagination, poet Aja Monet and community organizer phillip agnew share the story of how they fell in love and what they've learned about the powerful connection between great social movements and meaningful art. Journey to Smoke Signals Studio in Miami, their home and community art space where they're creating a refuge for neighbors and creators -- and imagining a new answer to distraction, anger and anxiety.
- Poet, educator, cultural worker
Aja Monet is a Caribbean American poet, performer and educator born in Brooklyn, New York. Full bio - Organizer, artist, cultural critic
The cofounder of Smoke Signals Studio, phillip agnew is a nationally recognized educator, strategist, trainer, speaker and cultural critic. Full bio

Double-click the English transcript below to play the video.

00:13
Aja Monet: Our story begins
like all great, young love stories.
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Phillip Agnew: She slid in my DMs ...
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AM: He liked about 50 of my photos,
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back-to-back,
in the middle of the night --
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PA: What I saw was an artist
committed to truth and justice --
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and she's beautiful, but I digress.
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AM: Our story actually begins
across many worlds,
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over maqluba and red wine in Palestine.
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But how did we get there?
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PA: Well, I was born in Chicago,
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the son of a preacher and a teacher.
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My ears first rung with church songs
sung by my mother on Saturday mornings.
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My father's South Side
sermons summoned me.
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My first words
were more notes than quotes.
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It was music that molded me.
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Later on, it was Florida A&M University
that first introduced me to organizing.
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In 2012, a young black male
named Trayvon Martin was murdered,
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and it changed my life
and millions of others'.
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We were a ragtag group
of college kids and not-quite adults
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who had decided enough was enough.
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Art and organizing became our answer
to anger and anxiety.
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We built a movement
and it traveled around the world
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and to Palestine, in 2015.
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AM: I was born to a single mother
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in the Pink House projects
of Brooklyn, New York.
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Maddened by survival,
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I gravitated inwards towards books, poems
and my brother's hand-me-down Walkman.
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I saw train-station theater,
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subwoofing streets and hood murals.
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In high school, I found a community
of metaphor magicians
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and truth-telling poets
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in an organization called Urban Word NYC.
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Adopted by the Black Arts movement,
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I won the legendary
Nuyorican Poets Cafe Grand Slam title.
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(Applause and cheers)
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At Sarah Lawrence College,
I worked with artists
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to respond to Hurricane Katrina
and the earthquake;
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I discovered the impact of poetry
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and the ability to not just
articulate our feelings,
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but to get us to work
towards changing things
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and doing something about it,
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when a friend, Maytha Alhassen,
invited me to Palestine ...
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PA: We were a delegation
of artists and organizers,
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and we immersed ourselves
in Palestinian culture,
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music, their stories.
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Late into the night,
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we would have discussions
about the role of art in politics
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and the role of politics in art.
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Aja and I disagree.
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AM: Oh, we disagree.
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PA: But we quite quickly
and unsurprisingly fell in love.
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Exhibit A:
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me working my magic.
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(Laughter)
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AM: Obvious, isn't it?
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Four months later, this artist --
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PA: and this organizer --
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AM: moved into a little home
with a big backyard, in Miami.
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PA: (Sighs)
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Listen, five months
before this ever happened,
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I predicted it all.
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I'm going to tell you --
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a friend sat me down and said,
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"You've done so much for organizing,
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when are you going to settle down?"
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I looked him straight in the face
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and I said, "The only way
that it would ever happen
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is if it is a collision.
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This woman would have to knock me
completely off course."
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I didn't know how right I was.
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(Laughter)
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Our first few months
were like any between young lovers:
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filled with hot, passionate, all-night ...
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AM: nonstop ...
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PA: discussions.
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(Laughter)
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PA: Aja challenged everything
I knew and understood about the world.
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She forced me --
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AM: lovingly --
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PA: to see our organizing
work with new eyes.
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She helped me see the unseen things
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and how artists illuminate
our interior worlds.
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AM: There were many days
I did not want to get up out of bed
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and face the exterior world.
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I was discouraged.
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There was so much loss and death
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and artists were being used
to numb, lull and exploit.
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While winning awards, accolades
and grants soothed so many egos,
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people were still dying
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and I was seeking community.
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Meeting Phillip brought so much joy,
love, truth into my life,
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and it pulled me out of isolation.
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He showed me that community
and relationships
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wasn't just about building
great movements.
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It was integral in creating
powerful, meaningful art,
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and neither could be done in solitude.
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PA: Yeah, we realized many of our artist
and organizer friends were also lost
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in these cycles of sadness,
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and we were in movements
that often found themselves at funerals.
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We asked ourselves
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what becomes of a generation
all too familiar
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with the untimely ends of lives
streamed daily on our Timelines?
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It was during one
of our late-night discussions
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that we saw beyond art and organizing
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and began to see that art was organizing.
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AM: The idea was set:
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art was an anchor,
not an accessory to movement.
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Our home was a home
of radical imagination;
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an instrument of our nurturing hearts;
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a place of risk where were dared
to laugh, love, cry, debate.
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Art, books, records and all this stuff
decorated our walls,
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and there was lizards --
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walls of palm trees that guided
our guests into our backyard,
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where our neighbors would come
and feel right at home.
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The wind --
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the wind was an affirmation
for the people who walked into the space.
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And we learned that in a world --
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a bewildering world
of so much distraction --
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we were able to cultivate a space
where people could come and be present,
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and artists and organizers
could find refuge.
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PA: This became Smoke Signals Studio.
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AM: As we struggle to clothe, house,
feed and educate our communities;
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our spirits hunger for connection,
joy and purpose;
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and as our bodies
are out on the front lines,
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our souls still need to be fed,
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or else we succumb
to despair and depression.
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Our art possesses rhythmic communication,
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coded emotional cues,
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improvised feelings of critical thought.
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Our social movements should be like jazz:
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encouraging active participation,
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listening,
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spontaneity and freedom.
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What people see as a party ...
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PA: is actually a movement meeting.
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See, we aren't all protest and pain.
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Here's a place to be loved,
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to be felt, to be heard,
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and where we prepare
for the most pressing political issues
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in our neighborhoods.
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See, laws never change culture,
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but culture always changes laws.
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Art --
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(Applause)
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Art as organizing is even changing
and opening doors
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in places seen as the opposite of freedom.
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Our weekly poetry series
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is transforming the lives of men
incarcerated at Dade Correctional,
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and we're so excited to bring you all
the published work of one of those men,
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Echo Martinez.
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In the intro, he says ...
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AM: "Poetry for the people
is a sick pen's penicillin.
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It's a cuff key to a prisoner's dreams.
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The Molotov in the ink.
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It is knowledge, it is overstanding,
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it is tasting ingredients
in everything you've been force-fed,
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but most of all, it's a reminder
that we all have voices,
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we all can be heard
even if we have to scream."
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In 2018, we created our first annual
Maroon Poetry Festival
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at the TACOLCY Center in Liberty City.
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There, the Last Poets,
Sonia Sanchez, Emory Douglas
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and the late, great Ntozake Shange,
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performed and met
with local artists and organizers.
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We were able to honor them
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for their commitment
to radical truth-telling.
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And in addition to that,
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we transformed a public park
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into the physical manifestation
of the world we are organizing for.
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Everything that we put into poetry,
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we put into the art, into the creativity,
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into the curated kids' games
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and into the stunning stage design.
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PA: Our work is in a long line
of cultural organizers
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that understood to use art
to animate a radical future.
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Artists like June Jordan,
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Emory Douglas
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and Nina Simone.
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They understood what many of us
are just now realizing --
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that to get people to build the ship,
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you've got to get
them to long for the sea;
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that data rarely moves people,
but great art always does.
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This understanding --
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(Applause)
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This understanding informed the thinking
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behind the Dream Defenders'
"Freedom Papers,"
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a radical political vision
for the future of Florida
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that talked about people over profits.
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Now, we could have done a policy paper.
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Instead, artists and organizers
came together in their poetry
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to create incredible murals
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and did the video that we see behind us.
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We joined the political precision
of the Black Panther Party
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and the beautiful poetry
of Puerto Rican poet Martín Espada
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to bring our political vision to life.
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AM: Now thousands of Floridians
across age, race, gender and class
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see the "Freedom Papers"
as a vision for the future of their lives.
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For decades, our artists and our art
has been used to exploit,
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lull, numb,
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sell things to us
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and to displace our communities,
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but we believe
that the personal is political
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and the heart is measured by what is done,
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not what one feels.
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And so art as organizing is not
just concerned with artists' intentions,
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but their actual impact.
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Great art is not a monologue.
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Great art is a dialogue
between the artist and the people.
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PA: Four years ago, this artist ...
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AM: and this organizer ...
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PA: found that we were not just a match.
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AM: We were a mirror.
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PA: Our worlds truly did collide,
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and in many ways ...
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AM: they combined.
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PA: We learned so much about movement,
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about love and about art
at its most impactful:
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when it articulates the impossible
and when it erodes individualism,
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when it plays into the gray places
of our black and white worlds,
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when it does what our democracy does not,
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when it reminds us
that we are not islands,
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when it adorns every street
but Wall Street and Madison Avenue,
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when it reminds us that we are not islands
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and refuses to succumb to the numbness,
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when it indicts empire
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and inspires each
and every one of us to love,
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tell the truth
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and make revolution irresistible.
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AM: For the wizards --
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(Applause)
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AM: For the wizards
and ways of our defiance,
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love-riot visions of our rising,
risen, raised selves.
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The overcoming grace --
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fires, bitter tongues,
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wise as rickety rocking chairs,
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suffering salt and sand skies.
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Memories unshackled and shining stitches
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on a stretch-marked heart.
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For the flowers that bloom
in midnight scars.
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How we suffered and sought a North Star.
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When there was no light, we glowed.
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We sparked this rejoice,
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this righteous delight.
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We have a cause to take joy in.
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How we weathered and persisted,
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tenacious,
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no stone unturned.
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How we witnessed the horror of mankind
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and did not become
that which horrified us.
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PA: Thank you.
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AM: Thank you.
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ABOUT THE SPEAKERS
Aja Monet - Poet, educator, cultural worker
Aja Monet is a Caribbean American poet, performer and educator born in Brooklyn, New York.

Why you should listen

Aja Monet started actively reading and reciting poetry in the New York City youth poetry/slam community in high school with an organization called Urban Word NYC. Her poems are lyrical, wise and courageous. She received her BA in liberal arts from Sarah Lawrence College in 2009 and her MFA in creative writing from the School of the Art Institute of Chicago in 2011. While at Sarah Lawrence College, Monet was awarded the legendary Nuyorican Poet's Café Grand Slam title in 2007. She has been internationally recognized for combining her spellbound voice and vivid poetic imagery on stage. While in college, she used music and poetry to help organize urgent responses to natural disasters in New Orleans and later on in Haiti as well as local community issues. In 2015, she was invited by the Dream Defenders to be a part of a movement delegation to Palestine, and she has continued to work in collaboration with cultural workers and organizers to demonstrate radical solidarity. 

In 2018, Monet’s first full collection of poetry, my mother was a freedom fighter, was nominated for an NAACP Image Award for Outstanding Literary Work. She read the title poem of her collection at the national Women’s March on Washington DC in 2017 to commemorate women of the Diaspora. In 2012, she collaborated with poet/musician Saul Williams on the book Chorus, an anthem of a new generation of poets.

Monet currently lives in Little Haiti, Miami, where she is cofounder of Smoke Signals Studio, a collective dedicated to music, art, culture and organizing. In collaboration with Community Justice Project and inspired by poet June Jordan's revolutionary blueprint, Monet facilitates "Voices: Poetry for the People," a grassroots workshop for organizers and community leaders. In 2018, the workshop created the first annual Maroon Poetry Festival in Liberty City, Miami, to honor artists and cultural workers for their commitment to radical truth-telling. A lover of art, music, and poetry, Monet has continued to collaborate with artists across all genres including musicians Vijay Iyer, Samora Pinderhughes, Gerald Clayton and visual artists Carrie Mae Weems, Mike Schreiber and countless more. She volunteers at Dade Correctional Facility teaching "Poetry for the People" with an organization called Exchange for Change.

More profile about the speaker
Aja Monet | Speaker | TED.com
phillip agnew - Organizer, artist, cultural critic
The cofounder of Smoke Signals Studio, phillip agnew is a nationally recognized educator, strategist, trainer, speaker and cultural critic.

Why you should listen

phillip agnew cofounded the Dream Defenders in 2012 after the murder of Trayvon Martin and has been dubbed "one of this generation’s leading voices" and recognized by both EBONY magazine and The Root as one of the 100 most influential African Americans in the nation. He emerged as a national activist when he helped to organize students from FAMU, Florida State University and Tallahassee Community College in the creation of the Student Coalition for Justice, which was formed in response to the Martin Lee Anderson case. 

agnew is the cofounder of Miami's Smoke Signals Studio -- a community based radical artistic space -- with his partner, poet Aja Monet. Smoke Signals Studio is a space where those invested in using art, sound and music as a meeting place for transformation and liberation can come to create together.

In 2018, agnew transitioned from his role as codirector of the Dream Defenders and now travels the country teaching and organizing outside of the movement bubble. He has spoken at colleges and conferences around the country and was a featured speaker at TEDWomen 2018 and SXSW in 2019. agnew is member of Alpha Phi Alpha Fraternity, Inc. and a Board Member for Planned Parenthood Action Fund.

More profile about the speaker
phillip agnew | Speaker | TED.com