ABOUT THE SPEAKER
Ole Scheeren - Architect
Ole Scheeren designs buildings that generate both functional and social spaces.

Why you should listen

Ole Scheeren is a German architect and principal of Buro Ole Scheeren with offices in Hong Kong, Beijing, Berlin and Bangkok. He is chief designer and leading the company’s creative vision and strategic development.

Ole Scheeren’s current work includes the Guardian Art Center, a new exhibition space and headquarters for China’s oldest art auction house currently under construction near the Forbidden City in Beijing; 1500 West Georgia, a residential high-rise in downtown Vancouver; DUO, a large-scale mixed-use urban development under construction in Singapore; MahaNakhon, at 314 meters Bangkok’s tallest tower housing the Ritz-Carlton Residences; Angkasa Raya, a 268 meter tall landmark building in the center of Kuala Lumpur; and a large-scale mixed-use urban development in Shenzhen, China.

Prior to launching Buro Ole Scheeren in 2010, Ole was Director and Partner along with Rem Koolhaas at OMA and responsible for the office’s work across Asia. As partner-in-charge of one of the largest buildings in the world, he successfully led the design and realization of the CCTV and TVCC Towers in Beijing. Other projects include The Interlace, a residential complex in Singapore and the Taipei Performing Arts Center in Taiwan. He also directed OMA’s work for Prada and completed the Prada Epicenters in New York and Los Angeles.

Through Studio Ole Scheeren, he is exploring his more personal interest in non-architectural projects and interventions, such as Archipelago Cinema, a floating auditorium in the Andaman Sea for the “Film on the Rocks” Festival in Yao Noi, Thailand, and subsequently installed at the 13th Architecture Biennale in Venice. He also developed Mirage City Cinema, a cinema-architecture space commissioned by the Sharjah Art Foundation as part of the Sharjah Biennial 11 Film Programme.

Ole Scheeren has contributed to various arts and culture projects and exhibitions throughout his career, including triennials in Beijing and Milan, China Design Now in London, the exhibition Cities on the Move at London’s Hayward Gallery and in the city of Bangkok, Media City Seoul and the Rotterdam Film Festival. For the Museum of Modern Art he designed two exhibitions in New York and Beijing featuring the CCTV project.

He regularly lectures at various international institutions and conferences, serves on juries for awards and competitions, and has been awarded numerous prizes, including the CTBUH 2013 Best Tall Building award for CCTV and the 2015 inaugural Urban Habitat Award for The Interlace. 

Educated at the universities of Karlsruhe and Lausanne, Ole Scheeren graduated from the Architectural Association in London and was awarded the RIBA Silver Medal.

More profile about the speaker
Ole Scheeren | Speaker | TED.com
TEDGlobal>London

Ole Scheeren: Why great architecture should tell a story

奥雷.舍人: 為什麼偉大的建築物需要說故事

Filmed:
2,529,642 views

對建築師奥雷.舍人(Ole Scheeren)而言,住在建築物及在裡面工作的人似乎也是建物的一部分,像是混泥土,鋼筋,玻璃一樣。他問說:建築物可以有合作性、故事性,而不是僅有傳統高樓大廈的疏離感嗎?參觀他的五座建築物--從一個在中國的扭曲大樓到泰國的水上電影院--並學習它們背後的故事。
- Architect
Ole Scheeren designs buildings that generate both functional and social spaces. Full bio

Double-click the English transcript below to play the video.

00:13
For much of the past過去 century世紀,
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過去好幾個世紀,
00:14
architecture建築 was under the spell拼寫
of a famous著名 doctrine教義.
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建築物在一條著名的理論魔咒之下,
00:18
"Form形成 follows如下 function功能" had become成為
modernity's現代的 ambitious有雄心 manifesto宣言
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「型隨機能」這個理論
曾經一度成為當代的偉大宣言
00:22
and detrimental有害 straitjacket緊身衣,
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及有害的的緊箍咒,
00:24
as it liberated解放 architecture建築
from the decorative裝飾,
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因為這句話雖讓建築物
擺脫了裝飾的束縛,
00:27
but condemned譴責 it to utilitarian功利 rigor嚴格
and restrained矜持 purpose目的.
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但也同時宣判建築物
走向功利嚴謹且倍受約束的終點。
當然,建築物與機能有關,
00:32
Of course課程, architecture建築 is about function功能,
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00:35
but I want to remember記得 a rewriting重寫
of this phrase短語 by Bernard伯納德 Tschumi屈米,
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但我想向Bernard Tschumi
對這句話的重新改寫致意,
00:38
and I want to propose提出
a completely全然 different不同 quality質量.
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並同時提出一個我個人
完全不同的見解。
如果「型隨小說」,
00:43
If form形成 follows如下 fiction小說,
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00:45
we could think of architecture建築
and buildings房屋 as a space空間 of stories故事 --
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我們可以這樣想,建築設計與
建築物是一個空間的故事,
00:49
stories故事 of the people that live生活 there,
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有關居住在那裡的人的故事,
00:52
of the people that work
in these buildings房屋.
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有關在裡面工作的人的故事,
00:55
And we could start開始 to imagine想像
the experiences經驗 our buildings房屋 create創建.
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我們可以開始想像
我們的建築物創造出來的經歷。
00:59
In this sense, I'm interested有興趣 in fiction小說
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在這樣的概念下,
我對小說感興趣的原因,
01:02
not as the implausible難以置信 but as the real真實,
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不是因為它的虛幻,而是它的真實。
01:06
as the reality現實 of what architecture建築 means手段
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像是,建物風格對那些
生活在裡面的居民
01:08
for the people that live生活
in it and with it.
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有甚麼意義的那樣的真實。
我們的建築物一開始
是一些雛形、想法,
01:11
Our buildings房屋 are prototypes原型,
ideas思路 for how the space空間 of living活的
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01:15
or how the space空間 of working加工
could be different不同,
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它讓我們了解生活或
工作空間可以有甚麼不同,
01:18
and what a space空間 of culture文化
or a space空間 of media媒體 could look like today今天.
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以及文化與媒體空間
現今可以如何展現。
我們的建築物是真實的;
它們會被建造出來,
01:23
Our buildings房屋 are real真實;
they're being存在 built內置.
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01:25
They're an explicit明確的 engagement訂婚
in physical物理 reality現實
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建築物是一種實體物質與想法概念
01:28
and conceptual概念上的 possibility可能性.
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兩者之間明確的合約產物。
我認為我們的建築物是一種組織結構,
01:32
I think of our architecture建築
as organizational組織 structures結構.
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01:36
At their core核心 is indeed確實
structural結構 thinking思維, like a system系統:
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它們的核心,的確是一種
結構思想,像是一個系統:
01:39
How can we arrange安排 things
in both a functional實用
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我們要如何把事情
安排的具有機能性與經驗性 ?
01:43
and experiential體驗 way?
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01:46
How can we create創建 structures結構
that generate生成 a series系列
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我們要如何創造出可以引發
01:48
of relationships關係 and narratives敘事?
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一系列關係與故事腳本的結構 ?
而我們在建築物裡面的居民
01:51
And how can fictive虛構 stories故事
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01:53
of the inhabitants居民 and users用戶
of our buildings房屋
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及使用者的虛幻故事
01:56
script腳本 the architecture建築,
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要如何在描繪建築物的同時
01:58
while the architecture建築 scripts腳本
those stories故事 at the same相同 time?
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也能讓建築物描繪出這些故事 ?
而這當中就會產生出第二個詞彙,
02:02
And here comes the second第二 term術語 into play,
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02:04
what I call "narrative敘述 hybrids混合動力車" --
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我稱之為「故事的混合體」 --
02:06
structures結構 of multiple
simultaneous同時 stories故事
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多種不同故事的結構
02:09
that unfold展開 throughout始終
the buildings房屋 we create創建.
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完全展現了我們要創造出的建築物。
所以我們可以想像
建築物是個關係複雜的系統,
02:12
So we could think of architecture建築
as complex複雜 systems系統 of relationships關係,
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一種結合可程序化、機能性、
02:17
both in a programmatic綱領性 and functional實用 way
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02:20
and in an experiential體驗
and emotive感情的 or social社會 way.
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經驗性、情緒性或社交性的複雜系統。
這是中國國家廣播公司的總部,
02:27
This is the headquarters司令部
for China's中國的 national國民 broadcaster廣播員,
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02:29
which哪一個 I designed設計 together一起
with Rem雷姆 Koolhaas庫哈斯 at OMAOMA.
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這建物是我和Rem Koolhaas在
大都會建築事務所共同設計,
2002年,當我第一次抵達北京時,
城市規劃員向我們展示了這張圖 :
02:33
When I first arrived到達 in Beijing北京 in 2002,
the city planners規劃者 showed顯示 us this image圖片:
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除了當時少數的幾棟大樓,
02:38
a forest森林 of several一些 hundred skyscrapers摩天大樓
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02:40
to emerge出現 in the central中央
business商業 district,
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雨林般的上百棟高樓大廈,
02:42
except at that time,
only a handful少數 of them existed存在.
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將會蓋在市中心的商務區。
所以我們必須在一個除了垂直概念以外
02:45
So we had to design設計 in a context上下文
that we knew知道 almost幾乎 nothing about,
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02:48
except one thing:
it would all be about verticality垂直.
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其他都沒有的設計概念底下做設計。
當然,高樓大廈是垂直的--
它是個死板板的層次結構,
02:52
Of course課程, the skyscraper摩天大樓 is vertical垂直 --
it's a profoundly深深 hierarchical分級 structure結構體,
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02:57
the top最佳 always the best最好,
the bottom底部 the worst最差,
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頂部總是最好的,
底部總是最差的,
02:59
and the taller you are,
the better, so it seems似乎.
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所以似乎是,你蓋的越高越好。
我們質問我們自己,
03:03
And we wanted to ask ourselves我們自己,
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03:05
could a building建造 be about
a completely全然 different不同 quality質量?
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我們的建築物可不可以
有一個完全不同的概念?
03:08
Could it undo解開 this hierarchy等級制度,
and could it be about a system系統
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它可不可以擺脫層次結構體系,
它可不可以是一種
合作而不是隔離的系統 ?
03:11
that is more about collaboration合作,
rather than isolation隔離?
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03:15
So we took this needle
and bent彎曲 it back into itself本身,
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所以我們把這個針
轉了個彎回到本身,
03:18
into a loop循環 of interconnected互聯 activities活動.
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行成一種可以互相聯絡活動的環狀物。
03:21
Our idea理念 was to bring帶來 all aspects方面
of television-making電視製作
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我們的想法是,把電視製作的
所有概念融合到單一結構裡面:
03:25
into one single structure結構體: news新聞,
program程序 production生產, broadcasting廣播,
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新聞、節目製作、廣播、
03:29
research研究 and training訓練, administration行政 --
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研究、訓練、管理--
03:31
all into a circuit電路
of interconnected互聯 activities活動
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全部融合到可互相聯繫活動
的這個環形裡面,
03:35
where people would meet遇到 in a process處理
of exchange交換 and collaboration合作.
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一個人們在這裡見面
互相交流合作的地方。
我仍然很喜歡這張圖,
03:39
I still very much like this image圖片.
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03:41
It reminds提醒 one of biology生物學 classes,
if you remember記得 the human人的 body身體
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如果你還記得人體構造的話,
有自己的器官及循環系統,
03:44
with all its organs器官
and circulatory循環系統 systems系統, like at school學校.
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它像是一堂學校的生物課。
03:47
And suddenly突然 you think of architecture建築
no longer as built內置 substance物質,
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突然間,你會覺得建築物不再只是建築材料
03:51
but as an organism生物, as a life form形成.
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而像是一種有機體、生命體。
03:54
And as you start開始 to dissect解剖 this organism生物,
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而當你開始剖析這個有機體,
03:56
you can identify鑑定 a series系列
of primary technical技術 clusters集群 --
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你會辨識出一系列的主要技術群--
04:01
program程序 production生產,
broadcasting廣播 center中央 and news新聞.
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節目製作、廣播中心、新聞。
他們與一些社交設施
緊緊地纏繞在一起 :
04:04
Those are tightly緊緊 intertwined交織
with social社會 clusters集群:
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04:08
meeting會議 rooms客房, canteens食堂, chat areas --
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會議室,餐廳,交談區--
04:11
informal非正式的 spaces空間 for people
to meet遇到 and exchange交換.
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人們碰面交流的非正式場合。
所以,這個建物的組織結構
是一種混合體,
04:15
So the organizational組織 structure結構體
of this building建造 was a hybrid混合動力
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04:19
between之間 the technical技術 and the social社會,
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介於技術與社交及
04:21
the human人的 and the performative表演.
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人類與表演之間。
04:24
And of course課程, we used the loop循環
of the building建造 as a circulatory循環系統 system系統,
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當然,我們是使用類似
循環系統的環形建物
04:27
to thread everything together一起
and to allow允許 both visitors遊客 and staff員工
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來串聯每樣東西,使訪客與員工
04:31
to experience經驗 all these different不同
functions功能 in a great unity統一.
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都能在這個偉大的聯合體裡面,
體驗不同的機能。
擁有473,000平方公尺
的建築面積,
04:37
With 473,000 square廣場 meters,
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04:40
it is one of the largest最大 buildings房屋
ever built內置 in the world世界.
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使它成為全世界
最大的建築物之一,
04:43
It has a population人口 of over 10,000 people,
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裡面有10,000人口,
04:45
and of course課程, this is a scale規模
that exceeds超過 the comprehension理解
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當然,這樣的規模超出了我們
對傳統建築物的理解範圍。
04:49
of many許多 things and the scale規模
of typical典型 architecture建築.
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04:52
So we stopped停止 work for a while
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所以,我們停工了一陣子,
04:53
and satSAT down and cut 10,000 little sticks
and glued膠合 them onto a model模型,
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然後坐下來,剪出10,000張小貼紙,
然後把它們粘在一個模型上,
04:58
just simply只是 to confront面對 ourselves我們自己
with what that quantity數量 actually其實 meant意味著.
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只是單純地想挑戰我們自己,
對數量本身真正的含意。
當然,這與數字無關,
05:03
But of course課程, it's not a number,
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05:04
it is the people, it is a community社區
that inhabits棲息 the building建造,
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而是人,生活在這一棟大樓裡面的人,
05:09
and in order訂購 to both comprehend理解
this, but also script腳本 this architecture建築,
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為了同時理解並為這個
建築物寫腳本,
05:14
we identified確定 five characters人物,
hypothetical假想 characters人物,
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我們創造出五種假想的角色,
05:17
and we followed其次 them throughout始終 their day
in a life in this building建造,
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然後追蹤他們在
這棟大樓一整天的生活狀況,
他們會在哪碰面、
他們的體驗如何等。
05:21
thought of where they would meet遇到,
what they would experience經驗.
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05:24
So it was a way to script腳本 and design設計
the building建造, but of course課程,
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所以,這是一種描繪與設計
建築物的方法,但當然,
也是一種體會它的方式。
05:27
also to communicate通信 its experiences經驗.
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05:29
This was part部分 of an exhibition展覽
with the Museum博物館 of Modern現代 Art藝術
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這是紐約及北京
部分現代美術館的收藏品。
05:33
in both New York紐約 and Beijing北京.
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這是廣播主控室,
05:36
This is the main主要 broadcast廣播 control控制 room房間,
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05:39
a technical技術 installation安裝 so large,
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技術性安裝層面的要求相當大,
05:40
it can broadcast廣播 over 200
channels渠道 simultaneously同時.
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它可同時播放200個頻道,
這是它當今矗立在北京的狀況,
05:45
And this is how the building建造
stands站立 in Beijing北京 today今天.
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它的第一次現場直播是2012年
的倫敦奧林匹克運動會,
05:49
Its first broadcast廣播 live生活
was the London倫敦 Olympics奧運會 2012,
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05:53
after it had been completed完成
from the outside for the Beijing北京 Olympics奧運會.
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在這之前,它已經從外部
完成北京奧林匹克的轉播。
05:57
And you can see at the very tip小費
of this 75-meter-儀表 cantilever懸臂,
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你可以在最頂端的
75米懸臂處看風景,
06:02
those three little circles.
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這三個小圓圈,
06:03
And they're indeed確實 part部分 of a public上市 loop循環
that goes through通過 the building建造.
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它們就是貫穿整棟大樓的
開放空間環型設計。
06:07
They're a piece of glass玻璃
that you can stand on
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你可以站在玻璃上面
06:09
and watch the city pass通過 by
below下面 you in slow motion運動.
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俯瞰你腳下整個城市的慢動作。
這棟建築物已經是
北京生活的的一部分,
06:15
The building建造 has become成為
part部分 of everyday每天 life in Beijing北京.
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06:18
It is there.
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它就在那。
06:20
It has also become成為 a very popular流行 backdrop背景
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它也變成了北京一個相當受歡迎的
06:23
for wedding婚禮 photography攝影.
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婚紗攝影背景。
06:24
(Laughter笑聲)
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( 笑聲 )
但最重要的時刻也許是這個,
06:30
But its most important重要 moment時刻
is maybe sill窗台 this one.
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06:33
"That's Beijing北京" is similar類似 to "Time Out,"
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這本《城市漫步》週刊
很像倫敦的《Time Out》週刊,
06:35
a magazine雜誌 that broadcasts廣播 what
is happening事件 in town during the week,
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這本雜誌描述了當週
該城市發生了哪些事情,
06:40
and suddenly突然 you see the building建造
portrayed刻畫 no longer as physical物理 matter,
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突然間你會發現,這棟大樓
不再僅是一棟大樓而已,
同時扮演了城市一員的角色,
06:45
but actually其實 as an urban城市的 actor演員,
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06:47
as part部分 of a series系列 of personas人物角色
that define確定 the life of the city.
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它像是在北京生活的
一系列人物中的其中一員。
06:52
So architecture建築 suddenly突然
assumes假設 the quality質量 of a player播放機,
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所以,建築設計突然間像是
呈現了一位參與者的內涵品質,
06:57
of something that writes stories故事
and performs施行 stories故事.
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它像是在寫故事、呈現故事。
07:02
And I think that could be one
of its primary meanings含義
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而我認為這可以成為
我們相信的事物當中的其中一個重要意義,
07:06
that we believe in.
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07:08
But of course課程, there's another另一個
story故事 to this building建造.
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當然,這棟大樓還有另外一個故事,
07:10
It is the story故事 of the people
that made製作 it --
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就是建造它的人的故事--
07:13
400 engineers工程師 and architects建築師
that I was guiding主導
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400個合作幾乎超過10年
07:16
over almost幾乎 a decade of collaborative共同 work
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我所帶領的工程人員與建築師,
07:19
that we spent花費 together一起
in scripting腳本 this building建造,
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我們花時間一起蓋這棟大樓,
07:22
in imagining想像 its reality現實
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從想像它的真實性,
07:24
and ultimately最終 getting得到 it built內置 in China中國.
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到最終,在中國把它建造完成。
07:29
This is a residential住宅 development發展
in Singapore新加坡, large scale規模.
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這是一個在新加坡的
大型住宅開發案,
如果我們看一下新加坡、
亞洲,全世界的其他國家,
07:34
If we look at Singapore新加坡 like most of Asia亞洲
and more and more of the world世界,
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07:38
of course課程, it is dominated佔主導地位 by the tower,
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當然,他們都是以高樓大廈為主,
07:42
a typology類型學 that indeed確實 creates創建
more isolation隔離 than connectedness連通,
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這種類型的大樓確實製造了
更多的疏離感而非親近感,
07:46
and I wanted to ask, how
could we think about living活的,
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而我想質疑,我們對住家的
想法到底是甚麼 ?
07:50
not only in terms條款 of the privacy隱私
and individuality個性 of ourselves我們自己
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不是只有我們自己的私密性、個性、
07:53
and our apartment公寓,
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我們的公寓大廈而已,
07:55
but in an idea理念 of a collective集體?
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而是集體的共同意識吧 ?
07:58
How could we think about creating創建
a communal公社 environment環境
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我們要想想如何創造
一個社區交流的環境,
08:01
in which哪一個 sharing分享 things was as great
as having your own擁有?
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一個可以讓你樂於分享的環境 ?
典型的答案是--
我們必須設計1,040間公寓--
08:06
The typical典型 answer回答 to the question --
we had to design設計 1,040 apartments公寓 --
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08:11
would have looked看著 like this:
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外型會像這樣子 :
08:12
24-story-故事 height高度 limit限制 given特定
by the planning規劃 authorities當局,
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根據政府法規,會有24層的樓高限制,
08:15
12 towers with nothing
but residual剩餘的 in between之間 --
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12棟大樓,只剩下一點點開放空間
,其它甚麼都沒有--
08:19
a very tight system系統 that,
although雖然 the tower isolates分離 you,
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相當擁擠嚴密的系統,
雖然大樓隔離了你,
08:22
it doesn't even give you privacy隱私,
because you're so close to the next下一個 one,
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但這根本不能給你隱私,
因為你離隔壁鄰居相當近,
08:26
that it is very questionable可疑的
what the qualities氣質 of this would be.
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所以很容易被質疑,
蓋好這樣的數量之後會有甚麼後果。
08:30
So I proposed建議 to topple傾覆 the towers,
throw the vertical垂直 into the horizontal
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所以,我提議推掉高塔,
把垂直設計改成水平設計,
08:34
and stack them up,
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並把它們堆疊起來,
08:36
and what looks容貌 a bit random隨機 from the side,
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從側面看,它有點不規則排列,
08:39
if you look from the viewpoint觀點
of the helicopter直升機,
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如果你從直升機往下看,
08:42
you can see its organizational組織 structure結構體
is actually其實 a hexagonal六角形 grid,
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你可以看到,它的組織架構實際上是個
水平建物堆疊起來的網狀六邊形,
08:46
in which哪一個 these horizontal
building建造 blocks are stacked堆疊 up
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08:50
to create創建 huge巨大 outdoor戶外 courtyards庭院 --
central中央 spaces空間 for the community社區,
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這是為了創造出幾個大型戶外庭院--
08:55
programmed程序 with a variety品種
of amenities設施 and functions功能.
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這些中央空間為社區
規劃了多種設施與功能。
你可以看到這些庭院空間
並非是封閉不透氣的空間,
08:59
And you see that these courtyards庭院
are not hermetically密封 sealed密封 spaces空間.
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09:03
They're open打開, permeable透水;
they're interconnected互聯.
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它們是開放的、
通透的、互相連結的,
09:05
We called the project項目 "The Interlace交錯,"
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我們稱呼這個項目是
" 交錯 " ( 社區名稱: 翠城新景 )
09:07
thinking思維 that we interlace交錯
and interconnect互連
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像是我們人類
與空間彼此的交錯連結一樣。
09:10
the human人的 beings眾生 and the spaces空間 alike一樣.
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09:14
And the detailed詳細 quality質量
of everything we designed設計
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我們設計的每樣細節,
09:17
was about animating動畫 the space空間
and giving the space空間 to the inhabitants居民.
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都與「把空間賦予生命並還給社區居民」有關。
09:21
And, in fact事實, it was a system系統
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事實上,這個系統
09:22
where we would layer
primarily主要 communal公社 spaces空間,
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可以在我們佈局主要的公共空間時,
09:26
stacked堆疊 to more and more
individual個人 and private私人的 spaces空間.
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讓它層層堆疊出越來越多的
個人與私密空間。
所以,我們展開一種
09:30
So we would open打開 up a spectrum光譜
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09:32
between之間 the collective集體 and the individual個人.
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介於總體與個人之間
的設計概念,
一個小小的數學算式 :
09:36
A little piece of math數學:
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09:37
if we count計數 all the green綠色
that we left on the ground地面,
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如果我們把所有在地面上
的綠色植物面積,
09:39
minus減去 the footprint腳印 of the buildings房屋,
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扣除掉建物投影面積,
09:42
and we would add back
the green綠色 of all the terraces露台,
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然後加上所有有綠色植物的陽台面積,
09:45
we have 112 percent百分 green綠色 space空間,
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我們會得出一個112%的綠覆率,
09:47
so more nature性質 than not
having built內置 a building建造.
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比不蓋大樓還要有更多的自然空間。
當然,這個小小的數學算式
有向你說明了
09:50
And of course課程 this little piece of math數學
shows節目 you that we are multiplying乘以
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我們把有人住的空間也算進去。
09:54
the space空間 available可得到
to those who live生活 there.
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事實上,這是第13樓的其中一個陽台,
09:57
This is, in fact事實, the 13th floor地板
of one of these terraces露台.
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10:01
So you see new datum基準 planes飛機,
new grounds理由 planes飛機 for social社會 activity活動.
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所以你會看到提供給社交活動
的新基準平面、新地平面
我們在「可持續發展」上投入很多心力,
10:06
We paid支付 a lot of attention注意
to sustainability可持續性.
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10:10
In the tropics熱帶, the sun太陽 is the most
important重要 thing to pay工資 attention注意 to,
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在熱帶地區,太陽是最必須留意的重要事項,
10:13
and, in fact事實, it is seeking
protection保護 from the sun太陽.
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事實上,它們要找的是遮蔽處。
10:16
We first proved證實 that all apartments公寓
would have sufficient足夠 daylight陽光
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我們首先確認所有的公寓大樓
整年都會有足夠的日照時間。
10:20
through通過 the year.
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10:21
We then went on to optimize優化
the glazing上光 of the facades外牆
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然後我們進行外牆玻璃優化,
10:24
to minimize最小化 the energy能源
consumption消費 of the building建造.
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來減少建築物的能量消耗。
但最重要的是,我們確認我們可以
10:27
But most importantly重要的, we could prove證明
that through通過 the geometry幾何
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透過地形設計來達成這個目的。
10:31
of the building建造 design設計,
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10:33
the building建造 itself本身 would provide提供
sufficient足夠 shading陰影 to the courtyards庭院
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建物本身提供了足夠的
遮蔽給中庭花園,
10:36
so that those would be usable可用
throughout始終 the entire整個 year.
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因此這些遮蔽是一整年都可以使用的。
10:39
We further進一步 placed放置 water bodies身體
along沿 the prevailing優勢 wind corridors走廊,
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我們更進一步地沿著主風廊,
設置了水體槽,
10:42
so that evaporative蒸發 cooling冷卻
would create創建 microclimates小氣候
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讓它蒸發冷卻後
形成一個微型氣候,
10:46
that, again, would enhance提高
the quality質量 of those spaces空間
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進而有效地改善居民
10:50
available可得到 for the inhabitants居民.
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居住的空間品質。
10:53
And it was the idea理念 of creating創建
this variety品種 of choices選擇,
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這個想法創造了多樣性的選擇、
10:57
of freedom自由 to think
where you would want to be,
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一種你想去哪就去哪、
11:01
where you would want to escape逃逸, maybe,
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想躲哪就躲哪的自由,
11:03
within the own擁有 complexity複雜
of the complex複雜 in which哪一個 you live生活.
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在一個多樣性的生活地方
產生個人的生活多樣性。
從亞洲來到歐洲 :
11:09
But coming未來 from Asia亞洲 to Europe歐洲:
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11:11
a building建造 for a German德語
media媒體 company公司 based基於 in Berlin柏林,
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一棟座落在德國柏林的媒體公司,
11:14
transitioning過渡 from the traditional傳統
print打印 media媒體 to the digital數字 media媒體.
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正從傳統印刷媒體轉型到數位媒體,
11:19
And its CEOCEO asked a few少數
very pertinent相關 questions問題:
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而公司的執行長問了一個很中肯的問題 :
11:23
Why would anyone任何人 today今天
still want to go to the office辦公室,
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為什麼現今每個人仍希望到辦公室上班,
11:25
because you can actually其實 work anywhere隨地?
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即使他們可以在任何地方辦公 ?
11:27
And how could a digital數字 identity身分
of a company公司 be embodied體現
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一個公司的數位辨識形象
要如何在建築物上體現出來 ?
11:31
in a building建造?
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11:34
We created創建 not only an object目的,
but at the center中央 of this object目的
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我們創作的不只是一個物體,
我們還在物體的中心
11:37
we created創建 a giant巨人 space空間,
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創造了一個大空間,
11:39
and this space空間 was about
the experience經驗 of a collective集體,
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一個有關於共同合作、
11:43
the experience經驗 of collaboration合作
and of togetherness和睦.
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一起團結奮鬥的空間。
11:47
Communication通訊, interaction相互作用
as the center中央 of a space空間
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溝通、互動是空間的核心思想,
11:50
that in itself本身 would float浮動,
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它會自己浮上來,
11:53
like what we call the collaborative共同 cloud,
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像是我們所說的" 合作雲 ",
11:55
in the middle中間 of the building建造,
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它就在建物中間,
11:56
surrounded包圍 by an envelope信封
of standard標準 modular模塊化 offices辦事處.
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被一個標準模組的辦公室
所圍繞包裹著。
12:00
So with only a few少數 steps腳步
from your quiet安靜 work desk,
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從你的辦公桌,只要走幾步,
12:04
you could participate參加
in the giant巨人 collective集體 experience經驗
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你就可以參與
核心空間裡的龐大共同體驗。
12:07
of the central中央 space空間.
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最後,我們來到倫敦,
12:12
Finally最後, we come to London倫敦,
a project項目 commissioned委託
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一個倫敦市長的
12:15
by the London倫敦 Legacy遺產
Development發展 Corporation公司
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傳承開發公司的項目任務。
12:18
of the Mayor市長 of London倫敦.
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12:20
We were asked to undertake承擔 a study研究
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我們被要求要負責研究、
12:22
and investigate調查 the potential潛在 of a site現場
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調查奧林匹克公園
12:25
out in Stratford斯特拉特福 in the Olympic奧林匹克 Park公園.
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基地的開發潛力。
12:28
In the 19th century世紀, Prince王子 Albert阿爾伯特
had created創建 AlbertopolisAlbertopolis.
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在19世紀,Albert王子
當時建立了Albert城。
12:32
And Boris鮑里斯 Johnson約翰遜 thought
of creating創建 OlympicopolisOlympicopolis.
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而Boris Johnson想建立奧林匹克城。
12:37
The idea理念 was to bring帶來 together一起
some of Britain's英國的 greatest最大 institutions機構,
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想法是把一些英國最偉大的機構、
12:41
some international國際 ones那些,
and to create創建 a new system系統 of synergies協同效應.
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一些國際機構擺在一起,
來創造出一個新的協同效益系統。
12:45
Prince王子 Albert阿爾伯特, as yet然而, created創建
AlbertopolisAlbertopolis in the 19th century世紀,
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當時Albert王子在
19世紀建立的Albert城,
12:50
thought of showcasing陳列宣傳
all achievements成就 of mankind人類,
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是想用來展示人類的所有成就,
12:52
bringing使 arts藝術 and science科學 closer接近 together一起.
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讓藝術和科學緊密地結合在一起。
12:56
And he built內置 Exhibition展覽 Road,
a linear線性 sequence序列 of those institutions機構.
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而且他還打造了會展路,
這區有一系列這樣的機構,
當然,現今社會已經比當時進步許多,
13:01
But of course課程, today's今天的 society社會
has moved移動 on from there.
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13:05
We no longer live生活 in a world世界
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我們不再是活在一種每樣東西都被
界定分開很清楚的世界。
13:07
in which哪一個 everything
is as clearly明確地 delineated劃定
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13:10
or separated分離 from each other.
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我們活在一種不同領域
之間開始模糊的世界,
13:11
We live生活 in a world世界 in which哪一個
boundaries邊界 start開始 to blur模糊
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13:15
between之間 the different不同 domains,
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13:16
and in which哪一個 collaboration合作 and interaction相互作用
becomes far more important重要
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一個彼此合作互動遠比
保持疏離還要重要的世界。
13:20
than keeping保持 separations分離.
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13:23
So we wanted to think
of a giant巨人 culture文化 machine,
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所以我們想建立一個大型的文化機器,
13:26
a building建造 that would orchestrate編排
and animate活躍 the various各個 domains,
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一個會協調並賦予不同
領域生命的建築物,
13:31
but allow允許 them to interact相互作用
and collaborate合作.
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但同時也可以讓它們
彼此互動與合作。
而它的基礎是個非常簡單的模組,
13:35
At the base基礎 of it is a very simple簡單 module,
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13:37
a ring module.
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一個環形模組。
13:38
It can function功能 as a double-loaded雙裝
corridor走廊, has daylight陽光, has ventilation通風.
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它有雙走道、日照、通風佳的功能
13:42
It can be glazed有光 over
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它可以被透視,
13:43
and turned轉身 into a giant巨人
exhibitionalexhibitional performance性能 space空間.
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也可以變成一個大型展覽表演空間。
13:46
These modules模塊 were stacked堆疊 together一起
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這些模組被堆疊起來,
13:48
with the idea理念 that almost幾乎 any
function功能 could, over time,
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隨著時間流逝,任何機能
彼此都可能會佔用到其他機能上,
13:52
occupy佔據 any of these modules模塊.
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所以機構可能縮小或濃縮,
13:53
So institutions機構 could shrink收縮 or contract合同,
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13:57
as, of course課程, the future未來 of culture文化
is, in a way, the most uncertain不確定 of all.
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因為,文化的未來,在某種程度上,
是最無法預測的。
這棟建築將坐落在鄰近的水上運動中心旁,
14:02
This is how the building建造 sits坐鎮,
adjacent to the Aquatics水上運動 Centre中央,
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14:05
opposite對面 the Olympic奧林匹克 Stadium體育場.
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正對奧林匹克運動場,
14:08
And you can see how
its cantilevering懸臂 volumes
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你可以看到它的懸臂式空間如何
14:10
project項目 out and engage從事 the public上市 space空間
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伸出並融入開放空間,
14:13
and how its courtyards庭院
animate活躍 the public上市 inside.
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和它的中庭如何在
公共空間裡賦予生命,
當時的想法是創造一個
多樣性複雜的系統,
14:19
The idea理念 was to create創建 a complex複雜 system系統
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14:22
in which哪一個 institutional制度 entities實體
could maintain保持 their own擁有 identity身分,
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讓裡面的機構實體可以維持
它們本身的辨識性,
14:27
in which哪一個 they would not
be subsumed歸入 in a singular單數 volume.
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使它們不會被歸類為
單一個體空間,
14:30
Here's這裡的 a scale規模 comparison對照
to the Centre中央 Pompidou蓬皮杜 in Paris巴黎.
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這個它是與法國巴黎龐畢藝術中心
的比例對照圖,
14:33
It both shows節目 the enormous巨大 scale規模
and potential潛在 of the project項目,
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兩者都顯示出其項目的龐大規模與潛力,
14:37
but also the difference區別:
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但也有不一樣的地方 :
14:38
here, it is a multiplicity多重
of a heterogeneous異質 structure結構體,
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這裡,它是一個多重異質建物,
14:42
in which哪一個 different不同 entities實體 can interact相互作用
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裡面不同的機構彼此間可以互動,
14:45
without losing失去 their own擁有 identity身分.
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而不失它們的辨識度。
想法是這樣的 :創造一個組織結構
14:48
And it was this thought: to create創建
an organizational組織 structure結構體
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14:52
that would allow允許 for multiple
narratives敘事 to be scripted腳本 --
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可以讓不同的故事
可以被描述出來--
14:55
for those in the educational教育性 parts部分
that create創建 and think culture文化;
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包含文創教育部分 ;
視覺藝術、舞蹈、
15:00
for those that present當下
the visual視覺 arts藝術, the dance舞蹈;
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15:04
and for the public上市 to be
admitted承認 into all of this
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讓大眾可以獲准進入這個
15:07
with a series系列 of possible可能 trajectories軌跡,
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一系列可能的軌跡動向,
15:09
to script腳本 their own擁有 reading
of these narratives敘事
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來闡述他們個人
15:12
and their own擁有 experience經驗.
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對這些故事敘述的理解與經歷。
15:16
And I want to end結束 on a project項目
that is very small,
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我想用一個很小的項目來做結束,
15:19
in a way, very different不同:
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在某種程度上,相當不同 :
15:21
a floating漂浮的 cinema電影
in the ocean海洋 of Thailand泰國.
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一個在泰國的海上漂浮電影院。
15:23
Friends of mine had founded成立
a film電影 festival,
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我的其中一個朋友
已經投資一部片子,
15:27
and I thought,
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而我當時在想,
15:29
if we think of the stories故事
and narratives敘事 of movies電影,
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如果,我們來思考電影的故事及腳本
15:32
we should also think of the narratives敘事
of the people that watch them.
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我們也需要思考
觀看這部電影的觀眾的腳本,
15:36
So I designed設計 a small
modular模塊化 floating漂浮的 platform平台,
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所以,我設計了一個小型的飄浮平台模組,
15:39
based基於 on the techniques技術
of local本地 fishermen漁民,
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主要技術來自當地漁民
15:41
how they built內置 their lobster龍蝦
and fish farms農場.
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的龍蝦田及魚田的技術,
15:43
We collaborated合作 with the local本地 community社區
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我們與當地社團合作、建造
15:46
and built內置, out of recycled回收
materials物料 of their own擁有,
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全部是他們的回收材料,
15:49
this fantastical荒誕 floating漂浮的 platform平台
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這個令人驚豔的漂浮平台,
15:52
that gently平緩 moved移動 in the ocean海洋
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慢慢地移往海裡,
15:54
as we watched看著 films影片
from the British英國的 film電影 archive檔案,
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例如,當我們觀看來自英國電影資料館
15:56
[1903] "Alice愛麗絲 in Wonderland仙境," for example.
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1904年的「愛麗絲夢遊仙境」時,
15:59
The most primordial原始
experiences經驗 of the audience聽眾
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觀眾最原始的經歷會與
電影的故事情節相結合。
16:03
merged合併的 with the stories故事 of the movies電影.
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所以我相信,建築設計
不僅超越了實體物質、
16:07
So I believe that architecture建築 exceeds超過
the domain of physical物理 matter,
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16:12
of the built內置 environment環境,
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建築環境的範籌,
16:14
but is really about how
we want to live生活 our lives生活,
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且真的與我們想如何生活、
16:17
how we script腳本 our own擁有 stories故事
and those of others其他.
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如何闡述我們的故事及
其他人的故事息息相關。
16:20
Thank you.
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謝謝各位。
16:22
(Applause掌聲)
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(掌聲)
Translated by Yi-Fan Yu
Reviewed by WANWAN DUN

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ABOUT THE SPEAKER
Ole Scheeren - Architect
Ole Scheeren designs buildings that generate both functional and social spaces.

Why you should listen

Ole Scheeren is a German architect and principal of Buro Ole Scheeren with offices in Hong Kong, Beijing, Berlin and Bangkok. He is chief designer and leading the company’s creative vision and strategic development.

Ole Scheeren’s current work includes the Guardian Art Center, a new exhibition space and headquarters for China’s oldest art auction house currently under construction near the Forbidden City in Beijing; 1500 West Georgia, a residential high-rise in downtown Vancouver; DUO, a large-scale mixed-use urban development under construction in Singapore; MahaNakhon, at 314 meters Bangkok’s tallest tower housing the Ritz-Carlton Residences; Angkasa Raya, a 268 meter tall landmark building in the center of Kuala Lumpur; and a large-scale mixed-use urban development in Shenzhen, China.

Prior to launching Buro Ole Scheeren in 2010, Ole was Director and Partner along with Rem Koolhaas at OMA and responsible for the office’s work across Asia. As partner-in-charge of one of the largest buildings in the world, he successfully led the design and realization of the CCTV and TVCC Towers in Beijing. Other projects include The Interlace, a residential complex in Singapore and the Taipei Performing Arts Center in Taiwan. He also directed OMA’s work for Prada and completed the Prada Epicenters in New York and Los Angeles.

Through Studio Ole Scheeren, he is exploring his more personal interest in non-architectural projects and interventions, such as Archipelago Cinema, a floating auditorium in the Andaman Sea for the “Film on the Rocks” Festival in Yao Noi, Thailand, and subsequently installed at the 13th Architecture Biennale in Venice. He also developed Mirage City Cinema, a cinema-architecture space commissioned by the Sharjah Art Foundation as part of the Sharjah Biennial 11 Film Programme.

Ole Scheeren has contributed to various arts and culture projects and exhibitions throughout his career, including triennials in Beijing and Milan, China Design Now in London, the exhibition Cities on the Move at London’s Hayward Gallery and in the city of Bangkok, Media City Seoul and the Rotterdam Film Festival. For the Museum of Modern Art he designed two exhibitions in New York and Beijing featuring the CCTV project.

He regularly lectures at various international institutions and conferences, serves on juries for awards and competitions, and has been awarded numerous prizes, including the CTBUH 2013 Best Tall Building award for CCTV and the 2015 inaugural Urban Habitat Award for The Interlace. 

Educated at the universities of Karlsruhe and Lausanne, Ole Scheeren graduated from the Architectural Association in London and was awarded the RIBA Silver Medal.

More profile about the speaker
Ole Scheeren | Speaker | TED.com