ABOUT THE SPEAKER
Marco Tempest - Techno-illusionist
Marco Tempest is a cyber illusionist, combining magic and technology to produce astonishing illusions.

Why you should listen

The Swiss magician began his performing career as a stage magician and manipulator, winning awards and establishing an international reputation. His interest in computer-generated imageryled him to incorporate video and digital technology in his work — and eventually to the development of a new form of contemporary illusion. The expansion of the Internet and social media provided more opportunities for digital illusions and ways of interacting with audiences and creating magically augmented realities. Tempest is a keen advocate of the open source community, working with artists, writers and technologists to create new experiences and research the practical uses of the technology of illusion. He is a Director’s Fellow at the MIT Media Lab.

More profile about the speaker
Marco Tempest | Speaker | TED.com
TED2012

Marco Tempest: A magical tale (with augmented reality)

Filmed:
1,467,228 views

Marco Tempest spins a beautiful story of what magic is, how it entertains us and how it highlights our humanity -- all while working extraordinary illusions with his hands and an augmented reality machine.
- Techno-illusionist
Marco Tempest is a cyber illusionist, combining magic and technology to produce astonishing illusions. Full bio

Double-click the English transcript below to play the video.

00:15
Marco Tempest: What I'd like to show you today
0
0
2000
00:17
is something in the way of an experiment.
1
2000
3000
00:20
Today's its debut.
2
5000
2000
00:22
It's a demonstration of augmented reality.
3
7000
3000
00:25
And the visuals you're about to see are not prerecorded.
4
10000
3000
00:28
They are live
5
13000
2000
00:30
and reacting to me in real time.
6
15000
2000
00:32
I like to think of it as a kind of technological magic.
7
17000
5000
00:37
So fingers crossed.
8
22000
3000
00:40
And keep your eyes on the big screen.
9
25000
4000
00:44
Augmented reality
10
29000
2000
00:46
is the melding of the real world
11
31000
3000
00:49
with computer-generated imagery.
12
34000
3000
00:52
It seems the perfect medium
13
37000
2000
00:54
to investigate magic
14
39000
2000
00:56
and ask, why, in a technological age,
15
41000
3000
00:59
we continue to have
16
44000
2000
01:01
this magical sense of wonder.
17
46000
3000
01:04
Magic is deception,
18
49000
3000
01:07
but it is a deception we enjoy.
19
52000
3000
01:10
To enjoy being deceived,
20
55000
2000
01:12
an audience must first
21
57000
2000
01:14
suspend its disbelief.
22
59000
2000
01:16
It was the poet Samuel Taylor Coleridge
23
61000
3000
01:19
who first suggested this receptive state of mind.
24
64000
3000
01:22
Samuel Taylor Coleridge: I try to convey a semblance of truth in my writing
25
67000
4000
01:26
to produce for these shadows of the imagination
26
71000
3000
01:29
a willing suspension of disbelief
27
74000
3000
01:32
that, for a moment,
28
77000
2000
01:34
constitutes poetic faith.
29
79000
2000
01:36
MT: This faith in the fictional is essential
30
81000
3000
01:39
for any kind of theatrical experience.
31
84000
3000
01:42
Without it,
32
87000
2000
01:44
a script is just words.
33
89000
2000
01:46
Augmented reality
34
91000
2000
01:48
is just the latest technology.
35
93000
2000
01:50
And sleight of hand
36
95000
2000
01:52
is just an artful demonstration
37
97000
2000
01:54
of dexterity.
38
99000
2000
01:56
We are all very good at suspending our disbelief.
39
101000
2000
01:58
We do it every day,
40
103000
2000
02:00
while reading novels,
41
105000
2000
02:02
watching television
42
107000
2000
02:04
or going to the movies.
43
109000
2000
02:06
We willingly enter fictional worlds
44
111000
2000
02:08
where we cheer our heroes
45
113000
2000
02:10
and cry for friends we never had.
46
115000
3000
02:13
Without this ability
47
118000
2000
02:15
there is no magic.
48
120000
2000
02:17
It was Jean Robert-Houdin,
49
122000
2000
02:19
France's greatest illusionist,
50
124000
2000
02:21
who first recognized the role of the magician
51
126000
2000
02:23
as a storyteller.
52
128000
2000
02:25
He said something that I've posted on the wall of my studio.
53
130000
3000
02:28
Jean Robert-Houdin: A conjurer is not a juggler.
54
133000
2000
02:30
He is an actor playing the part of a magician.
55
135000
4000
02:34
MT: Which means magic is theater
56
139000
2000
02:36
and every trick
57
141000
2000
02:38
is a story.
58
143000
2000
02:40
The tricks of magic
59
145000
2000
02:42
follow the archetypes of narrative fiction.
60
147000
2000
02:44
There are tales of creation and loss,
61
149000
4000
02:48
death and resurrection,
62
153000
3000
02:51
and obstacles that must be overcome.
63
156000
4000
02:55
Now many of them are intensely dramatic.
64
160000
3000
02:58
Magicians play with fire and steel,
65
163000
2000
03:00
defy the fury of the buzzsaw,
66
165000
2000
03:02
dare to catch a bullet
67
167000
2000
03:04
or attempt a deadly escape.
68
169000
4000
03:08
But audiences don't come to see the magician die,
69
173000
3000
03:11
they come to see him live.
70
176000
2000
03:13
Because the best stories
71
178000
2000
03:15
always have a happy ending.
72
180000
2000
03:17
The tricks of magic have one special element.
73
182000
3000
03:20
They are stories with a twist.
74
185000
3000
03:23
Now Edward de Bono argued
75
188000
2000
03:25
that our brains are pattern matching machines.
76
190000
3000
03:28
He said that magicians deliberately exploit
77
193000
3000
03:31
the way their audiences think.
78
196000
3000
03:34
Edward de Bono: Stage magic relies almost wholly
79
199000
2000
03:36
on the momentum error.
80
201000
2000
03:38
The audience is led to make assumptions or elaborations
81
203000
3000
03:41
that are perfectly reasonable,
82
206000
2000
03:43
but do not, in fact, match
83
208000
2000
03:45
what is being done in front of them.
84
210000
2000
03:47
MT: In that respect,
85
212000
2000
03:49
magic tricks are like jokes.
86
214000
2000
03:51
Jokes lead us down a path
87
216000
3000
03:54
to an expected destination.
88
219000
2000
03:56
But when the scenario we have imagined suddenly flips
89
221000
3000
03:59
into something entirely unexpected,
90
224000
2000
04:01
we laugh.
91
226000
2000
04:03
The same thing happens
92
228000
2000
04:05
when people watch magic tricks.
93
230000
2000
04:07
The finale
94
232000
3000
04:10
defies logic,
95
235000
2000
04:12
gives new insight into the problem,
96
237000
2000
04:14
and audiences express their amazement
97
239000
3000
04:17
with laughter.
98
242000
2000
04:19
It's fun to be fooled.
99
244000
2000
04:21
One of the key qualities of all stories
100
246000
2000
04:23
is that they're made to be shared.
101
248000
2000
04:25
We feel compelled to tell them.
102
250000
2000
04:27
When I do a trick at a party --
103
252000
3000
04:30
(Laughter)
104
255000
2000
04:32
that person will immediately pull their friend over
105
257000
2000
04:34
and ask me to do it again.
106
259000
2000
04:36
They want to share the experience.
107
261000
2000
04:38
That makes my job more difficult,
108
263000
2000
04:40
because, if I want to surprise them,
109
265000
2000
04:42
I need to tell a story that starts the same,
110
267000
2000
04:44
but ends differently --
111
269000
2000
04:46
a trick with a twist
112
271000
2000
04:48
on a twist.
113
273000
2000
04:50
It keeps me busy.
114
275000
2000
04:52
Now experts believe
115
277000
2000
04:54
that stories go beyond our capacity for keeping us entertained.
116
279000
4000
04:58
We think in narrative structures.
117
283000
2000
05:00
We connect events and emotions
118
285000
4000
05:04
and instinctively transform them
119
289000
3000
05:07
into a sequence that can be easily understood.
120
292000
3000
05:10
It's a uniquely human achievement.
121
295000
2000
05:12
We all want to share our stories,
122
297000
2000
05:14
whether it is the trick we saw at the party,
123
299000
3000
05:17
the bad day at the office
124
302000
2000
05:19
or the beautiful sunset we saw on vacation.
125
304000
3000
05:22
Today, thanks to technology,
126
307000
3000
05:25
we can share those stories as never before,
127
310000
3000
05:28
by email, Facebook,
128
313000
3000
05:31
blogs, tweets,
129
316000
2000
05:33
on TED.com.
130
318000
2000
05:35
The tools of social networking,
131
320000
3000
05:38
these are the digital campfires
132
323000
2000
05:40
around which the audience gathers
133
325000
2000
05:42
to hear our story.
134
327000
2000
05:44
We turn facts into similes and metaphors,
135
329000
3000
05:47
and even fantasies.
136
332000
2000
05:49
We polish the rough edges of our lives
137
334000
2000
05:51
so that they feel whole.
138
336000
2000
05:53
Our stories make us the people we are
139
338000
3000
05:56
and, sometimes, the people we want to be.
140
341000
3000
05:59
They give us our identity
141
344000
2000
06:01
and a sense of community.
142
346000
3000
06:04
And if the story is a good one,
143
349000
3000
06:07
it might even make us smile.
144
352000
6000
06:13
Thank you.
145
358000
2000
06:15
(Applause)
146
360000
4000
06:19
Thank you.
147
364000
2000
06:21
(Applause)
148
366000
4000

▲Back to top

ABOUT THE SPEAKER
Marco Tempest - Techno-illusionist
Marco Tempest is a cyber illusionist, combining magic and technology to produce astonishing illusions.

Why you should listen

The Swiss magician began his performing career as a stage magician and manipulator, winning awards and establishing an international reputation. His interest in computer-generated imageryled him to incorporate video and digital technology in his work — and eventually to the development of a new form of contemporary illusion. The expansion of the Internet and social media provided more opportunities for digital illusions and ways of interacting with audiences and creating magically augmented realities. Tempest is a keen advocate of the open source community, working with artists, writers and technologists to create new experiences and research the practical uses of the technology of illusion. He is a Director’s Fellow at the MIT Media Lab.

More profile about the speaker
Marco Tempest | Speaker | TED.com