ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Πώλ Ράκερ: Πώς η μητέρα μου ενέπνευσε την προσέγγισή μου στο τσέλο

Filmed:
387,890 views

Ο διεπιστημονικός καλλιτέχνης και Υπότροφος του TED Πώλ Ράκερ, έχει αναπτύξει το δικό του στυλ στο τσέλο, βάζει ξυλαράκια ανάμεσα στις χορδές, χρησιμοποιεί το όργανο σαν ντραμ και πειραματίζεται με τα ηλεκτρονικά όπως οι πεταλιέρες. Μεταφερόμενος ανάμεσα σε στοχαστική αφήγηση και παράσταση, ο Ράκερ μοιράζεται την έμπνευσή του -- και σίγουρα δεν παίζει τον ίδιο συνηθισμένο Μπαχ.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(CelloΒιολοντσέλο musicΜΟΥΣΙΚΗ)
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(Μουσική με τσέλο)
01:03
(MusicΜουσική endsτελειώνει)
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(Τέλος μουσικής)
01:09
On the flightπτήση here,
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Στην πτήση μου για εδώ,
01:13
I was remindedΥπενθύμισε about my momμαμά.
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θυμήθηκα τη μητέρα μου.
Είμαι αυτοδίδακτος τσελίστας,
δεν έχω κάνει ούτε ένα μάθημα.
01:15
I'm a self-taughtαυτοδίδακτος cellistβιολοντσελίστας,
I've never had a lessonμάθημα.
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01:18
I studiedμελετημένος doubleδιπλό bassμπάσο, but I just
pickedεκλεκτός up the celloβιολοντσέλο and startedξεκίνησε playingπαιχνίδι
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Σπούδασα διπλό μπάσο αλλά
ξεκίνησα το τσέλο και άρχισα να παίζω
01:21
because I love doing it.
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επειδή μου άρεσε.
01:22
But my momμαμά was an inspirationέμπνευση to me.
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Όμως η μαμά μου ήταν
η έμπνευση για μένα.
01:24
I did not realizeσυνειδητοποιώ she was an inspirationέμπνευση,
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Δεν αντιλήφθηκα ότι ήταν η έμπνευση,
01:26
because she got her musicΜΟΥΣΙΚΗ degreeβαθμός
throughδιά μέσου a mail-orderταχυδρομική παραγγελία courseσειρά μαθημάτων,
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επειδή είχε πάρει το πτυχίο της μουσικής
μέσω μαθημάτων αλληλογραφίας,
01:30
the US SchoolΣχολείο of MusicΜουσική.
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από το Σχολείο Μουσικής των ΗΠΑ.
01:32
While raisingαύξηση two kidsπαιδιά,
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Ενώ μεγάλωνε δύο παιδιά,
01:34
she receivedέλαβε a lessonμάθημα a weekεβδομάδα in the mailταχυδρομείο,
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λάμβανε ταχυδρομικά
ένα μάθημα την εβδομάδα
01:37
and practicedασκείται.
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και έκανε εξάσκηση.
01:39
And at the endτέλος of a coupleζευγάρι of yearsχρόνια,
she put on a recitalΑιτιολογική σκέψη.
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Όταν τελείωσε μετά από μερικά χρόνια,
ανέβασε ένα ρεσιτάλ.
01:42
And I'll be 50 this monthμήνας,
and it tookπήρε me that long to realizeσυνειδητοποιώ
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Θα κλείσω τα πενήντα αυτόν τον μήνα,
αλλά μου πήρε τόσο καιρό για να καταλάβω,
01:46
that she was that bigμεγάλο of an inspirationέμπνευση.
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πόσο μεγάλη έμπνευση ήταν για μένα.
01:49
I'm just going to keep --
yeah, thanksευχαριστώ, momμαμά.
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Απλά θέλω να κρατήσω --
ναι, ευχαριστώ μαμά.
01:52
(ApplauseΧειροκροτήματα)
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(Χειροκρότημα)
01:58
She's alsoεπίσης one of the mostπλέον
extraordinaryέκτακτος people I know,
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Επίσης είναι μία από τις πιο
εκπληκτικούς ανθρώπους που γνωρίζω,
02:01
beyondπέρα beingνα εισαι a wonderfulεκπληκτικός musicianμουσικός.
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καθώς και μια θαυμάσια μουσικός.
02:03
I want to playπαίζω a little bitκομμάτι for momμαμά
and your momsmoms as well, actuallyπράγματι.
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Θέλω να παίξω λίγο για τη μαμά μου
καθώς και για τις δικές σας μητέρες.
02:07
(CelloΒιολοντσέλο musicΜΟΥΣΙΚΗ)
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(Μουσική τσέλο)
02:22
(MusicΜουσική endsτελειώνει)
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(Τέλος μουσικής)
02:24
You know, when you normallyκανονικά
hearακούω a celloβιολοντσέλο, you think of this.
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Ξέρετε, όταν ακούτε ένα τσέλο,
κανονικά σκέφτεστε αυτό.
02:27
(PlaysΘεατρικά έργα BachBach CelloΒιολοντσέλο SuiteΣουίτα No.1)
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(Παίζει Μπαχ Τσέλο Σουίτα Νούμερο 1)
02:29
We're not going to do that todayσήμερα.
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Δεν πρόκειται να το κάνουμε αυτό σήμερα.
02:31
(LaughterΤο γέλιο and applauseχειροκροτήματα)
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(Γέλια και χειροκρότημα)
02:35
(DrumsΤύμπανα)
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(Ντραμς)
02:41
(CelloΒιολοντσέλο)
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(Τσέλο)
02:46
Hey!
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Χει!
02:48
(LoopedLooped samplesδείγματα of onstageστη σκηνή soundsήχους)
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(Επαναλαμβάνομενα δείγματα
ήχων στην σκηνή)
03:05
(CelloΒιολοντσέλο musicΜΟΥΣΙΚΗ and loopedlooped samplesδείγματα)
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(Μουσική Τσέλο
και επαναλαμβανομενα δείγματα)
03:54
(MusicΜουσική endsτελειώνει)
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(Τέλος μουσικής)
03:57
(ApplauseΧειροκροτήματα and cheersΓεια)
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(Χειροκροτήματα και ζητωκραυγές)
Translated by Tania Ioannou
Reviewed by Chryssa Rapessi

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ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com