ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Paul Rucker: Hogyan ösztönözte édesanyám a csellóhoz való közeledésemet?

Filmed:
387,890 views

Paul Rucker polihisztor művész és TED Fellow saját csellóstílusát fejlesztette ki: evőpálcikákat helyez a húrok közé, dobként használja a hangszert, és olyan elektronikai eszközökkel kísérletezik, mint az ismétlőpedál. Visszaemlékezései és csellójátéka között váltogatva Rucker megosztja velünk az ösztönzését, és egyáltalán nem a jó öreg Bachot játssza.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(CelloCselló musiczene)
0
1568
3033
(Csellózene)
01:03
(MusicZene endsvéget ér)
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51012
4880
(Zene vége)
01:09
On the flightrepülési here,
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Idefelé a repülőn
édesanyámra gondoltam.
01:13
I was remindedemlékeztette about my momanya.
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1722
01:15
I'm a self-taughtautodidakta cellistcsellista,
I've never had a lessonlecke.
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Önállóan tanultam meg csellózni,
sosem vettem órákat.
Nagybőgőzni tanultam, a csellót
csak felkaptam, és elkezdtem játszani,
01:18
I studiedtanult doublekettős bassbasszus, but I just
pickedválogatott up the cellocselló and startedindult playingjátszik
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mert szeretem ezt csinálni.
01:21
because I love doing it.
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01:22
But my momanya was an inspirationihlet to me.
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Édesanyám volt az ösztönzőm.
01:24
I did not realizemegvalósítani she was an inspirationihlet,
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Nem vettem észre, hogy ösztönzött,
01:26
because she got her musiczene degreefokozat
throughkeresztül a mail-orderlevelezési sorrend coursetanfolyam,
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mert a zenei képesítését
levélpostai kurzuson szerezte,
01:30
the US SchoolIskola of MusicZene.
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az Amerikai Zeneiskolában.
01:32
While raisingemelés two kidsgyerekek,
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Miközben két gyermeket nevelt,
01:34
she receivedkapott a lessonlecke a weekhét in the maillevél,
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hetente kapta a leckéket postán
01:37
and practicedgyakorlott.
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és gyakorolt.
01:39
And at the endvég of a couplepárosít of yearsévek,
she put on a recital) preambulumbekezdés.
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Néhány év múlva pedig koncertet adott.
01:42
And I'll be 50 this monthhónap,
and it tookvett me that long to realizemegvalósítani
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Ebben a hónapban leszek 50 éves,
és ennyi időbe telt rájönnöm arra,
01:46
that she was that bignagy of an inspirationihlet.
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hogy ő mekkora nagy ösztönzés volt.
01:49
I'm just going to keep --
yeah, thanksKösz, momanya.
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Folyamatosan mondom majd:
igen, köszönöm, anya.
01:52
(ApplauseTaps)
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(Taps)
01:58
She's alsois one of the mosta legtöbb
extraordinaryrendkívüli people I know,
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A legkülönlegesebbek
egyike, akiket ismerek,
02:01
beyondtúl beinglény a wonderfulcsodálatos musicianzenész.
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azon túl, hogy csodálatos zenész.
02:03
I want to playjáték a little bitbit for momanya
and your momsanya as well, actuallytulajdonképpen.
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Szeretnék egy kicsit az anyukámnak
és az önök anyukájának is játszani.
02:07
(CelloCselló musiczene)
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(Csellózene)
02:22
(MusicZene endsvéget ér)
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(Zene vége)
Tudják, amikor csellót hallanak,
általában erre gondolhatnak.
02:24
You know, when you normallynormális esetben
hearhall a cellocselló, you think of this.
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(Bach Csellószvit No.1)
02:27
(PlaysJátszik BachBach CelloCselló SuiteSuite No.1)
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02:29
We're not going to do that todayMa.
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Ma nem ez lesz.
(Nevetés és taps)
02:31
(LaughterNevetés and applausetaps)
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02:35
(DrumsDobok)
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(Dobolás)
02:41
(CelloCselló)
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(Cselló)
02:46
Hey!
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Hej!
02:48
(LoopedVégtelenített samplesminták of onstageszínpadra soundshangok)
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(Színpadi hangok ismétlődése)
03:05
(CelloCselló musiczene and loopedvégtelenített samplesminták)
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(Csellózene és ismétlődések)
03:54
(MusicZene endsvéget ér)
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(Zene vége)
03:57
(ApplauseTaps and cheersÜdv)
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(Taps és ujjongás)
Translated by Boglárka Timea Forgács
Reviewed by Peter Pallós

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ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com