ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Paul Rucker: Comment ma mère a inspiré mon approche du violoncelle

Filmed:
387,890 views

Paul Rucker, artiste pluridisciplinaire et TED Fellow, a développé son propre style de violoncelle ; il met des baguettes entre ses cordes, utilise l'instrument comme un tambour et expérimente avec l'électronique, par exemple avec sa pédale de boucle musicale (live looping). Rucker partage son inspiration en alternant la narration réfléchie et la performance... et il ne joue certainement pas ce bon vieux Bach.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(CelloVioloncelle musicla musique)
0
1568
3033
(Musique de violoncelle)
01:03
(MusicMusique endsprend fin)
1
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(Fin de la musique)
01:09
On the flightvol here,
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Dans l'avion, en venant ici,
01:13
I was remindedrappelé about my mommaman.
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je me suis souvenu de ma mère.
Je suis violoncelliste autodidacte,
je n'ai jamais eu de cours.
01:15
I'm a self-taughtauto-didacte cellistvioloncelliste,
I've never had a lessonleçon.
4
63437
2632
J'ai étudié la contrebasse,
01:18
I studiedétudié doubledouble bassBass, but I just
pickedchoisi up the cellovioloncelle and startedcommencé playingen jouant
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mais j'ai juste pris
le violoncelle et commencé à en jouer
01:21
because I love doing it.
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parce que j'adore ça.
01:22
But my mommaman was an inspirationinspiration to me.
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Mais ma mère m'a inspiré.
01:24
I did not realizeprendre conscience de she was an inspirationinspiration,
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Je n'ai pas réalisé qu'elle était
ma source d'inspiration,
01:26
because she got her musicla musique degreedegré
throughpar a mail-ordercommande par correspondance coursecours,
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car elle a obtenu son diplôme en musique
grâce à un cours par correspondance
de l'US School of Music.
01:30
the US SchoolÉcole of MusicMusique.
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01:32
While raisingélevage two kidsdes gamins,
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Tout en élevant deux enfants,
01:34
she receivedreçu a lessonleçon a weekla semaine in the mailcourrier,
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elle recevait par courrier
une leçon par semaine
et elle s'entraînait.
01:37
and practicedpratiqué.
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01:39
And at the endfin of a couplecouple of yearsannées,
she put on a recitalConsidérant.
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Et après quelques années,
elle a donné un récital.
J'aurai 50 ans ce mois-ci, et il m'a fallu
tout ce temps pour me rendre compte
01:42
And I'll be 50 this monthmois,
and it tooka pris me that long to realizeprendre conscience de
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qu'elle était une source
d'inspiration si importante.
01:46
that she was that biggros of an inspirationinspiration.
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01:49
I'm just going to keep --
yeah, thanksMerci, mommaman.
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Je vais juste continuer...
ouais, merci, maman.
01:52
(ApplauseApplaudissements)
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(Applaudissements)
C'est aussi l'une des personnes
les plus remarquables que je connaisse,
01:58
She's alsoaussi one of the mostles plus
extraordinaryextraordinaire people I know,
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02:01
beyondau-delà beingétant a wonderfulformidable musicianmusicien.
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en plus d'être
une musicienne exceptionnelle.
02:03
I want to playjouer a little bitbit for mommaman
and your momsmamans as well, actuallyréellement.
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En fait, je veux jouer un peu pour
ma maman et pour vos mamans aussi.
02:07
(CelloVioloncelle musicla musique)
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(Musique de violoncelle)
02:22
(MusicMusique endsprend fin)
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(Fin de la musique)
02:24
You know, when you normallynormalement
hearentendre a cellovioloncelle, you think of this.
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Alors, quand on entend normalement
un violoncelle, on pense à ça.
02:27
(PlaysJoue BachBach CelloVioloncelle SuiteSuite No.1)
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(Suite pour violoncelle no.1 de Bach)
02:29
We're not going to do that todayaujourd'hui.
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On ne va pas faire ça aujourd'hui.
02:31
(LaughterRires and applauseapplaudissements)
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(Rires et applaudissements)
(Tambour)
02:35
(DrumsBatterie)
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02:41
(CelloVioloncelle)
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(Violoncelle)
02:46
Hey!
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Hé !
02:48
(LoopedBoucle sampleséchantillons of onstagesur scène soundsdes sons)
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(Samples des sons répétés en boucle)
03:05
(CelloVioloncelle musicla musique and loopeden boucle sampleséchantillons)
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(Musique de violoncelle
et samples répétés)
03:54
(MusicMusique endsprend fin)
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(Fin de la musique)
03:57
(ApplauseApplaudissements and cheersa bientôt)
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(Cris et applaudissements)
Translated by Paige Knights
Reviewed by Pierre-Louis Gaudy

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ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com