ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Paul Rucker: Jak mama wpłynęła na moje podejście do wiolonczeli

Filmed:
387,890 views

Multidyscyplinarny artysta i stypedysta TED Paul Rucker stworzył własny styl wiolonczelowy - wkłada drewniane pałeczki między struny, gra na instrumencie jak na bębnie i eksperymentuje z elektroniką, np. używając looperów. Manewrując między refleksyjnym opowiadaniem a występem scenicznym, Rucker inspiruje, a jego wersja Bacha z pewnością odbiega od tradycyjnej.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(CelloWiolonczela musicmuzyka)
0
1568
3033
(Muzyka wiolonczelowa)
01:03
(MusicMuzyka endskończy się)
1
51012
4880
(Muzyka ustaje)
01:09
On the flightlot here,
2
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2378
Kiedy tutaj leciałem,
01:13
I was remindedprzypomniał about my mommama.
3
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1722
przypomniała mi się moja mama.
01:15
I'm a self-taughtsamoukiem cellistwiolonczelista,
I've never had a lessonlekcja.
4
63437
2632
Jestem wiolonczelistą-samoukiem.
Nie pobierałem lekcji.
01:18
I studiedbadane doublepodwójnie bassgitara basowa, but I just
pickeddoborowy up the cellowiolonczela and startedRozpoczęty playinggra
5
66093
3576
Uczyłem się gry na kontrabasie,
ale sięgnąłem po wiolonczelę,
ponieważ właśnie to kocham.
01:21
because I love doing it.
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1190
01:22
But my mommama was an inspirationInspiracja to me.
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1786
Ale to mama była dla mnie inspiracją.
01:24
I did not realizerealizować she was an inspirationInspiracja,
8
72717
2064
Nie zdawałem sobie z tego sprawy,
01:26
because she got her musicmuzyka degreestopień
throughprzez a mail-orderzamówienie pocztowe coursekurs,
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74805
4129
ponieważ dyplom zdobyła korespondencyjnie
z Amerykańskiej Szkoły Muzycznej.
01:30
the US SchoolSzkoła of MusicMuzyka.
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1468
01:32
While raisingwychowywanie two kidsdzieciaki,
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Wychowując dwójkę dzieci,
01:34
she receivedOdebrane a lessonlekcja a weektydzień in the mailPoczta,
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raz w tygodniu otrzymywała pocztą lekcję
01:37
and practicedpraktykowane.
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i ćwiczyła.
01:39
And at the endkoniec of a couplepara of yearslat,
she put on a recitalMotyw.
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Po kilku latach przygotowała recital.
01:42
And I'll be 50 this monthmiesiąc,
and it tookwziął me that long to realizerealizować
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W tym miesiącu skończę 50 lat
potrzebowałem tyle czasu,
żeby zrozumieć,
01:46
that she was that bigduży of an inspirationInspiracja.
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1920
jak wielką była dla mnie inspiracją.
01:49
I'm just going to keep --
yeah, thanksdzięki, mommama.
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Dzięki, mamo.
01:52
(ApplauseAplauz)
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(Brawa)
01:58
She's alsorównież one of the mostwiększość
extraordinaryniezwykły people I know,
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Jest też jedną z najbardziej
niezwykłych osób, jakie znam,
02:01
beyondpoza beingistota a wonderfulwspaniale musicianmuzyk.
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poza tym, że jest wspaniałym muzykiem.
02:03
I want to playgrać a little bitkawałek for mommama
and your momsmamusie as well, actuallytak właściwie.
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Chcę zagrać dla mojej mamy
i dla waszych mam.
02:07
(CelloWiolonczela musicmuzyka)
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115968
2752
(Muzyka wiolonczelowa)
02:22
(MusicMuzyka endskończy się)
23
130066
2076
(Muzyka ustaje)
02:24
You know, when you normallynormalnie
hearsłyszeć a cellowiolonczela, you think of this.
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Zwykle słysząc wiolonczelę, myślisz o tym.
02:27
(PlaysGra BachBach CelloWiolonczela SuiteApartament typu Suite No.1)
25
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2524
(Bach, Suita wiolonczelowa Nr.1)
02:29
We're not going to do that todaydzisiaj.
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Nie dzisiaj.
(Śmiech i brawa)
02:31
(LaughterŚmiech and applauseoklaski)
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3083
02:35
(DrumsPerkusja)
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(Bębny)
02:41
(CelloWiolonczela)
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2000
(Wiolonczela)
02:46
Hey!
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1150
Hej!
02:48
(LoopedZapętlony samplespróbki of onstagena scenie soundsDźwięki)
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2400
(Zapętlone próbki dźwięków)
03:05
(CelloWiolonczela musicmuzyka and loopedzapętlone samplespróbki)
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1975
(Muzyka wiolonczelowa i zapętlone próbki)
03:54
(MusicMuzyka endskończy się)
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222911
2000
(Muzyka ustaje)
03:57
(ApplauseAplauz and cheersokrzyki)
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(Brawa i wiwaty)
Translated by Katarzyna Kijowska
Reviewed by Małgorzata Ciborska

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ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com