ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Paul Rucker: Wie meine Mutter meinen Zugang zum Cello inspirierte

Filmed:
387,890 views

Der multidisziplinäre Künstler und TED Fellow Paul Rucker hat seinen eigenen Cellostil entwickelt; er legt Essstäbchen zwischen die Saiten, nutzt das Instrument als eine Trommel und experimentiert mit Elektronik, wie dem Loop Pedal. Rucker erzählt uns von seiner Inspiration durch eine Mischung aus reflexivem Geschichtenerzählen und Performance -- und spielt definitiv nicht den üblichen Bach.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(CelloCello musicMusik-)
0
1568
3033
(Cellomusik)
(Musik endet)
01:03
(MusicMusik endsendet)
1
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4880
01:09
On the flightFlug here,
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Auf dem Flug hierher,
01:13
I was remindederinnert about my momMama.
3
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1722
wurde ich an meine Mutter erinnert.
Ich bin ein autodidaktischer Cellist,
ich hatte nie Unterricht.
01:15
I'm a self-taughtAutodidakt cellistCellist,
I've never had a lessonLektion.
4
63437
2632
Ich habe Kontrabass gelernt,
01:18
I studiedstudiert doubledoppelt bassBass, but I just
pickedabgeholt up the celloCello and startedhat angefangen playingspielen
5
66093
3576
aber ich habe einfach angefangen,
Cello zu spielen, weil ich es liebe.
01:21
because I love doing it.
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1190
01:22
But my momMama was an inspirationInspiration to me.
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Aber meine Mutter inspirierte mich.
01:24
I did not realizerealisieren she was an inspirationInspiration,
8
72717
2064
Ich merkte nicht,
dass sie mich inspirierte,
01:26
because she got her musicMusik- degreeGrad
throughdurch a mail-orderVersandhandel courseKurs,
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74805
4129
weil sie ihren Musikabschluss
durch einen Fernkurs erlangt hatte,
01:30
the US SchoolSchule of MusicMusik.
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an der US School of Music.
01:32
While raisingAnhebung two kidsKinder,
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Während sie zwei Kinder großzog,
01:34
she receivedempfangen a lessonLektion a weekWoche in the mailPost,
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82863
3103
erhielt sie pro Woche
eine Lektion in der Post
01:37
and practicedpraktiziert.
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1151
und übte.
01:39
And at the endEnde of a couplePaar of yearsJahre,
she put on a recitalErwägungsgrund.
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Nach ein paar Jahren
hatte sie eine Aufführung.
01:42
And I'll be 50 this monthMonat,
and it tookdauerte me that long to realizerealisieren
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Ich werde diesen Monat 50 und ich habe
so lange gebraucht, um zu verstehen,
dass sie eine so große
Inspiration für mich war.
01:46
that she was that biggroß of an inspirationInspiration.
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1920
01:49
I'm just going to keep --
yeah, thanksVielen Dank, momMama.
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Ich werde einfach weitermachen --
ja, danke, Mama.
01:52
(ApplauseApplaus)
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(Applaus)
01:58
She's alsoebenfalls one of the mostdie meisten
extraordinaryaußergewöhnlich people I know,
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Abgesehen von einer wundervollen Musikerin
ist sie eine der außergewöhnlichsten
Personen, die ich kenne.
02:01
beyonddarüber hinaus beingSein a wonderfulwunderbar musicianMusiker.
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02:03
I want to playspielen a little bitBit for momMama
and your momsMütter as well, actuallytatsächlich.
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Ich möchte ein bisschen für meine Mutter
spielen, und auch für Ihre Mütter.
02:07
(CelloCello musicMusik-)
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(Cellomusik)
02:22
(MusicMusik endsendet)
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2076
(Musik endet)
02:24
You know, when you normallynormalerweise
hearhören a celloCello, you think of this.
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Wissen Sie, wenn man ein Cello hört,
denkt man meist an das.
02:27
(PlaysSpielt BachBach CelloCello SuiteSuite No.1)
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(Spielt Bachs Suite 1 für Violoncello)
02:29
We're not going to do that todayheute.
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Das werden wir heute nicht tun.
(Lachen und Applaus)
02:31
(LaughterLachen and applauseBeifall)
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3083
02:35
(DrumsSchlagzeug)
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(Trommeln)
02:41
(CelloCello)
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(Cello)
02:46
Hey!
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Hey!
02:48
(LoopedGeloopt samplesProben of onstageauf der Bühne soundsGeräusche)
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(Loop-Mitschnitte von Bühnensounds)
03:05
(CelloCello musicMusik- and loopedgeschlungen samplesProben)
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1975
(Cellomusik und Mitschnitte)
03:54
(MusicMusik endsendet)
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2000
(Musik endet)
03:57
(ApplauseApplaus and cheersCheers)
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(Applaus und Jubel)
Reviewed by Andreas Herzog

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ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com