ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Paul Rucker: Kako je moja majka inspirirala moj pristup violončelu

Filmed:
387,890 views

Multidisciplinarni umjetnik i član TED Fellow programa, Paul Rucker, razvio je svoj stil sviranja violončela; između žica stavi štapiće, koristi instrument kao bubanj i eksperimentira tehnologijom kao papučicom za ponavljanje. Naizmjenično svira i prepričava svoja iskustva te na taj način dijeli s drugima svoju inspiraciju -- i zasigurno ne svira istog starog Bacha.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(CelloČelo musicglazba)
0
1568
3033
(Glazba na violončelu)
01:03
(MusicGlazba endskrajevi)
1
51012
4880
(Glazba završava)
01:09
On the flightlet here,
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Na letu ovamo,
01:13
I was remindedpodsjetio about my mommama.
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prisjetio sam se svoje majke.
Sam sam naučio svirati violončelo,
nikada nisam pohađao satove.
01:15
I'm a self-taughtsam svoj majstor cellistviolončelist,
I've never had a lessonlekcija.
4
63437
2632
01:18
I studiedstudirao doubledvostruko bassBas gitara, but I just
pickedizabran up the celločelo and startedpočeo playingigranje
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Učio sam kontrabas, ali violončelo
sam sam uzeo i počeo svirati
jer ga obožavam.
01:21
because I love doing it.
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01:22
But my mommama was an inspirationinspiracija to me.
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Ali moja mama je bila moja inspiracija.
01:24
I did not realizeostvariti she was an inspirationinspiracija,
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Nisam to shvaćao,
01:26
because she got her musicglazba degreestupanj
throughkroz a mail-orderNarudžba pošte coursenaravno,
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jer je ona svoju glazbenu diplomu
dobila preko dopisnog tečaja,
01:30
the US SchoolŠkola of MusicGlazba.
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78958
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Američka Škole Glazbe.
01:32
While raisingpodizanje two kidsdjeca,
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Odgajala je dvoje djece,
01:34
she receivedprimljen a lessonlekcija a weektjedan in the mailpošta,
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primala lekciju poštom jednom tjedno
01:37
and practicedprakticira.
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i vježbala.
01:39
And at the endkraj of a couplepar of yearsgodina,
she put on a recitalRecital.
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Nakon par godina, priredila je recital.
Ovog mjeseca ću navršiti 50 godina
i toliko dugo mi je trebalo da shvatim
01:42
And I'll be 50 this monthmjesec,
and it tookuzeo me that long to realizeostvariti
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01:46
that she was that bigvelika of an inspirationinspiracija.
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da je ona bila tolika inspiracija.
01:49
I'm just going to keep --
yeah, thanksHvala, mommama.
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Nastavit ću -- da, hvala, mama.
01:52
(ApplausePljesak)
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(Pljesak)
01:58
She's alsotakođer one of the mostnajviše
extraordinaryizvanredan people I know,
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Ona je također jedna od
najposebnijih osoba koje znam,
02:01
beyondIznad beingbiće a wonderfulpredivan musicianglazbenik.
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uz to što je odlična glazbenica.
02:03
I want to playigrati a little bitbit for mommama
and your momsmame as well, actuallyzapravo.
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Želim odsvirati nešto za moju mamu
i, zapravo, također za vaše majke.
02:07
(CelloČelo musicglazba)
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2752
(Glazba na violončelu)
02:22
(MusicGlazba endskrajevi)
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2076
(Glazba završava)
02:24
You know, when you normallynormalno
hearčuti a celločelo, you think of this.
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Znate, kad inače čujete violončelo,
pomislite na ovo.
02:27
(PlaysIgra BachBach CelloČelo SuiteApartman No.1)
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(Svira Bachovu prvu suitu za violončelo)
02:29
We're not going to do that todaydanas.
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Nećemo to danas raditi.
(Smijeh i pljesak)
02:31
(LaughterSmijeh and applausepljesak)
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02:35
(DrumsBubnjevi)
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(Bubnjevi)
02:41
(CelloČelo)
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(Violončelo)
02:46
Hey!
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Hej!
02:48
(LoopedPetlju samplesuzorci of onstagena pozornici soundszvukovi)
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(Ponavljajući zvuci)
03:05
(CelloČelo musicglazba and loopedLoop samplesuzorci)
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(Glazba na violončelu i snimljeni zvuci)
03:54
(MusicGlazba endskrajevi)
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2000
(Glazba završava)
03:57
(ApplausePljesak and cheersklicati)
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(Pljesak i ovacije)
Translated by Nikolina Daka
Reviewed by Ivan Stamenkovic

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ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com