ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com
TED2018

Paul Rucker: How my mom inspired my approach to the cello

Paul Rucker: Cómo mi mamá inspiró mi acercamiento al chelo

Filmed:
387,890 views

El artista multidisciplinar y compañero de TED Paul Rucker ha desarrollado su propio estilo de cello. Pone palillos entre sus cuerdas, usa el instrumento como un tambor y experimenta con componentes electrónicos como pedales de bucle. Moviéndose entre la narrativa reflexiva y el rendimiento, Rucker comparte su inspiración y definitivamente no toca como el antiguo Bach.
- Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US. Full bio

Double-click the English transcript below to play the video.

00:13
(CelloViolonchelo musicmúsica)
0
1568
3033
(Música de violonchelo)
01:03
(MusicMúsica endstermina)
1
51012
4880
(Termina la música)
01:09
On the flightvuelo here,
2
57373
2378
En el vuelo aquí,
01:13
I was remindedrecordado about my mommamá.
3
61071
1722
recordé a mi mamá.
01:15
I'm a self-taughtautodidacta cellistvioloncelista,
I've never had a lessonlección.
4
63437
2632
Soy chelista autodidacta,
nunca me han dado clase.
Estudié contrabajo, pero simplemente
tomé el chelo y comencé a tocar.
01:18
I studiedestudió doubledoble bassbajo, but I just
pickedescogido up the celloviolonchelo and startedempezado playingjugando
5
66093
3576
porque me encanta hacerlo.
01:21
because I love doing it.
6
69693
1190
Pero mi mamá fue
una inspiración para mí.
01:22
But my mommamá was an inspirationinspiración to me.
7
70907
1786
01:24
I did not realizedarse cuenta de she was an inspirationinspiración,
8
72717
2064
No me di cuenta de que
ella era una inspiración,
01:26
because she got her musicmúsica degreela licenciatura
throughmediante a mail-orderpedido por correo coursecurso,
9
74805
4129
porque ella obtuvo su título de música
por un curso por correo,
01:30
the US SchoolColegio of MusicMúsica.
10
78958
1468
en escuela de música de EE. UU.
01:32
While raisinglevantamiento two kidsniños,
11
80450
1571
Mientras criaba a dos hijos,
01:34
she receivedrecibido a lessonlección a weeksemana in the mailcorreo,
12
82863
3103
ella recibía una lección
semanalmente por correo,
01:37
and practicedexperto.
13
85990
1151
y practicaba.
01:39
And at the endfin of a couplePareja of yearsaños,
she put on a recitalRecital.
14
87165
3562
Y al cabo de un par de años,
presentó un recital.
01:42
And I'll be 50 this monthmes,
and it tooktomó me that long to realizedarse cuenta de
15
90751
4023
Y cumpliré 50 este mes y me tomó
mucho tiempo en darme cuenta
01:46
that she was that biggrande of an inspirationinspiración.
16
94799
1920
de que ella era esa gran inspiración.
01:49
I'm just going to keep --
yeah, thanksGracias, mommamá.
17
97357
2330
Solo voy a seguir ... sí, gracias, mamá.
(Aplausos)
01:52
(ApplauseAplausos)
18
100060
6188
También es una de las personas
más extraordinarias que conozco.
01:58
She's alsoademás one of the mostmás
extraordinaryextraordinario people I know,
19
106532
2660
02:01
beyondmás allá beingsiendo a wonderfulmaravilloso musicianmúsico.
20
109217
2268
más allá de ser una música maravillosa.
02:03
I want to playjugar a little bitpoco for mommamá
and your momsmadres as well, actuallyactualmente.
21
111913
3309
Quiero tocar algo para mi mamá
y también sus mamás.
02:07
(CelloViolonchelo musicmúsica)
22
115968
2752
(Música de violonchelo)
02:22
(MusicMúsica endstermina)
23
130066
2076
(Termina la música)
Cuando normalmente uno escucha
un violonchelo, uno piensa en esto.
02:24
You know, when you normallynormalmente
hearoír a celloviolonchelo, you think of this.
24
132307
2889
02:27
(PlaysObras de teatro BachLlevar una vida de soltero CelloViolonchelo SuiteSuite No.1)
25
135221
2524
(Toca la Suite No. 1 de Cello de Bach)
02:29
We're not going to do that todayhoy.
26
137770
2201
Hoy no haremos eso.
02:31
(LaughterRisa and applauseaplausos)
27
139996
3083
(Risas y aplausos)
02:35
(DrumsTambores)
28
143328
2976
(Tambores)
02:41
(CelloViolonchelo)
29
149684
2000
(Violonchelo)
02:46
Hey!
30
154489
1150
¡Eh!
02:48
(LoopedBucle samplesmuestras of onstageen el escenario soundssonidos)
31
156076
2400
(Muestras en bucle
de sonidos en el escenario)
03:05
(CelloViolonchelo musicmúsica and loopedserpenteado samplesmuestras)
32
173282
1975
(Música para violonchelo
y muestras en bucle)
03:54
(MusicMúsica endstermina)
33
222911
2000
(Termina la música)
03:57
(ApplauseAplausos and cheersaclamaciones)
34
225805
6961
(Aplausos y vítores)

▲Back to top

ABOUT THE SPEAKER
Paul Rucker - Visual artist, cellist
Paul Rucker creates art that explores issues related to mass incarceration, racially-motivated violence, police brutality and the continuing impact of slavery in the US.

Why you should listen

Paul Rucker is a visual artist, composer, and musician who often combines media, integrating live performance, sound, original compositions and visual art. His work is the product of a rich interactive process, through which he investigates community impacts, human rights issues, historical research and basic human emotions surrounding particular subject matter. Much of his current work focuses on the Prison Industrial Complex and the many issues accompanying incarceration in its relationship to slavery. He has presented performances and visual art exhibitions across the country and has collaborated with educational institutions to address the issue of mass incarceration. Presentations have taken place in schools, active prisons and also inactive prisons such as Alcatraz.

His largest installation to date, REWIND, garnered praise from Baltimore Magazine awarding Rucker "Best Artist 2015." Additionally, REWIND received "Best Solo Show 2015" and "#1 Art Show of 2015" from Baltimore City Paper, reviews by The Huffington Post, Artnet News, Washington Post, The Root and The Real News Network. Rucker has received numerous grants, awards and residencies for visual art and music. He is a 2012 Creative Capital Grantee in visual art as well as a 2014 and 2018 MAP (Multi-Arts Production) Fund Grantee for performance. In 2015 he received a prestigious Joan Mitchell Painters & Sculptors Grant as well as the Mary Sawyer Baker Award. In 2016 Paul received the Rauschenberg Artist as Activist fellowship and the Smithsonian Artist Research Fellowship, for which he is the first artist in residence at the new National Museum of African American Culture.

Residencies include MacDowell Colony, Blue Mountain Center, Ucross Foundation, Art OMI, Banff Centre, Pilchuck Glass School, Rauschenberg Residency, Joan Mitchell Residency, Hemera Artist Retreat, Air Serembe, Creative Alliance and the Rockefeller Foundation Study Center in Bellagio, Italy.  In 2013-2015, he was the Robert W. Deutsch Foundation Artist in Residence and Research Fellow at the Maryland Institute College of Art. He was most recently awarded a 2017 John Simon Guggenheim Fellowship, a 2018 TED Fellowship and the 2018 Arts Innovator Award from the Dale and Leslie Chihuly Foundation and Artist Trust. Rucker is an iCubed Visiting Arts Fellow embedded at the Institute for Contemporary Art at Virginia Commonwealth University.

Rucker's latest work, Storm in the Time of Shelter, an installation of 52 custom Ku Klux Klan robes and related artifacts, is featured in the exhibition "Declaration," on view at the new Institute for Contemporary Art at Virginia Commonwealth University in Richmond, Virginia through September 9, 2018.

More profile about the speaker
Paul Rucker | Speaker | TED.com