ABOUT THE SPEAKER
Joe Kowan - Musician and graphic designer
By day he's a graphic designer, and by night Joe Kowan is a quirky folk singer-songwriter.

Why you should listen

Joe Kowan is a Boston-based musician and graphic designer who has been struggling with stage fright since he first started writing songs at age 27. Despite his adorably expressed fears, he charms audiences with his own style of quirky folk and acoustic hip-hop, by turns poignant, salacious and comical. In 2009 he released the gangsta' arts and crafts video for his original song “Crafty,” and in 2011 he was a finalist in the USA Songwriting Competition.

Kowan is a senior graphic designer on State Street Global Marketing’s Brand Strategy team. With a BFA in sculpture and design, his work explores diverse areas of design including scenic, print, environmental design and wayfinding.

More profile about the speaker
Joe Kowan | Speaker | TED.com
TED@State Street Boston

Joe Kowan: How I beat stage fright

Joe Kowan: Kako sam pobijedio tremu

Filmed:
2,585,266 views

Istančan osjećaj straha je dobro služio ljudima kao mladim vrstama da bi izbjegli zvjeri s kojima smo se takmičili. Ali to je manje divno kada se osjećaj straha unutar tijela aktivira ispred 20 fanova folk muzike tokom otvorenog mikrofona utorkom uvečer. Dlanovi se znoje, ruke se tresu, vid se magli, a mozak govori BJEŽI: to je trema. U ovom šarmantnom harmoničnom malom govoru, Joe Kowan govori kako je pobijedio tremu.
- Musician and graphic designer
By day he's a graphic designer, and by night Joe Kowan is a quirky folk singer-songwriter. Full bio

Double-click the English transcript below to play the video.

00:12
JoeJoe KowanKowan: I have stagestage frightstrah.
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Joe Kowan: Imam tremu.
00:14
I've always had stagestage frightstrah,
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Uvijek sam imao tremu,
00:15
and not just a little bitbit,
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ne samo malkice,
00:17
it's a bigveliki bitbit.
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već puno.
00:19
And it didn't even matterstvar untildo I was 27.
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Sve do 27 godine to nije bilo važno.
00:21
That's when I startedzapočet writingpisanje songspjesme, and even then
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Tada sam počeo pisati pjesme. Čak i tada
00:24
I only playedigrao them for myselfja.
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svirao sam ih samo za sebe.
00:26
Just knowingznajući my roommatescimera were in the
sameisto housekuća madenapravljen me uncomfortableneudobno.
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Činjenica da su moji cimeri
u istoj kući činila me je nervoznim.
00:30
But after a couplepar of yearsgodine,
just writingpisanje songspjesme wasn'tnije enoughdosta.
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Ali nakon 2 godine, samo
pisanje pjesama nije bilo dovoljno.
00:32
I had all these storiespriče and ideasideje,
and I wanted to sharepodeliti them with people,
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Imao sam priče i
ideje koje sam želio podijeliti,
00:35
but physiologicallyFiziološki, I couldn'tnije mogao do it.
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ali nisam mogao psihološki.
00:39
I had this irrationaliracionalan fearstrah.
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Imao sam iracionalni strah.
00:42
But the more I wrotenapisao je, and the more I practicedprakticira,
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Ali što sam više pisao i vježbao
to sam više želio da nastupam.
00:44
the more I wanted to performizvoditi.
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00:45
So on the weeksedmicu of my 30thth birthdayrođendan,
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U sedmici na moj 30-ti rođendan,
00:47
I decidedodlučio I was going to go to this locallokalno openotvoren micmikrofon,
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odlučio sam da odem
na lokalni otvoreni mikrofon,
00:50
and put this fearstrah behindiza me.
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i da ostavim ovaj strah iza sebe.
00:52
Well, when I got there, it was packedupakovan.
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Kada sam došao, bilo je krcato.
00:55
There were like 20 people there.
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Bilo je oko 20 ljudi.
00:57
(LaughterSmijeh)
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(Smijeh)
00:58
And they all lookedpogledao angryljuti.
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I svi su izgledali ljuti.
01:01
But I tookuzela a deepduboko breathdah, and I signedpotpisan up to playigraj,
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Ali duboko sam udahnuo, i prijavio se,
01:05
and I feltosećao se prettylepo good.
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i dobro sam se osjećao.
01:06
Prettylijep good, untildo about 10 minutesminuta before my turnokrenite,
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Sve do nekih 10 minuta prije mog nastupa,
01:09
when my wholecjelina bodytelo rebelledpobunili, and
this waveval of anxietyanksioznost just washedoprati over me.
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kada se moje cijelo tijelo pobunilo
i kada me je zapljusnuo val nervoze.
01:15
Now, when you experienceiskustvo fearstrah,
your sympatheticsaosećajno nervousnervozan systemsistem kicksslatkiš in.
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Kada iskusite strah, vaš
simpatički nervni sistem se aktivira.
01:18
So you have a rushžurba of adrenalineadrenalin,
your heartsrce ratestopa increasespovećava,
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Adrenalin navali, srce ubrzano kuca,
01:21
your breathingdisanje getsdobiva fasterbrže.
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disanje postane ubrazno.
01:23
NextSljedeći your non-essentialne-suštinski systemssistema startpočnite
to shutzatvoriti down, like digestionprobavu. (LaughterSmijeh)
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Zatim vaši nevažni sistemi
počinju da se gase, kao probava.
01:29
So your mouthusta getsdobiva drysuho, and bloodkrv is routedPreusmjeren
away from your extremitiesekstremiteta,
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Usta postanu suha,
krv zaobilazi vaše udove,
01:32
so your fingersprsti don't work anymoreviše.
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tako da vaši prsti više ne rade.
01:35
Your pupilsučenici dilaterastegnuti, your musclesmišići contractugovor,
your SpideySpidey sensesmisao tinglesOsjećam trnce,
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Vaše zjenice se rašire, mišići se
grče, osjećate da nešto nije u redu,
01:38
basicallyu suštini your wholecjelina bodytelo is trigger-happyokidač-srećan.
(LaughterSmijeh)
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u suštini, vaše cijelo tijelo
je spremno da puca. (Smijeh)
01:43
That conditionstanje is not conducivepogodno
to performingizvođenje folknarodne musicmuzika.
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Takvo stanje nije pogodno
za izvođenje folk muzike.
01:48
(LaughterSmijeh)
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(Smijeh)
01:49
I mean, your nervousnervozan systemsistem is an idiotidiot.
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Vaš nervni sistem je idiot.
01:52
Really? Two hundredsto thousandhiljadu yearsgodine of humančovjek evolutionevolucija, and it still can't tell the differencerazlika
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Stvarno? 2000 godina ljudske evolucije
i ono i dalje ne može da razlikuje
01:56
betweenizmeđu a sabersablja toothzub tigertigar and 20 folksingersfolksingers
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sabljozubog tigra od 20 folk pjevača
01:58
on a TuesdayUtorak night openotvoren micmikrofon?
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na otvorenom mikrofonu utorkom navečer?
02:00
(LaughterSmijeh)
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(Smijeh)
02:02
I have never been more terrifiedužasnuti -- untildo now.
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Nikad nisam bio više
prestravljen nego sada.
02:06
(LaughterSmijeh and cheersklicati)
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(Smijeh i pljesak)
02:15
So then it was my turnokrenite,
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Došao je red na mene,
02:17
and somehownekako, I get myselfja ontona
the stagestage, I startpočnite my songpjesma,
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i nekako sam se popeo
na binu i počeo svoju pjesmu,
02:20
I openotvoren my mouthusta to singpevati the first lineline,
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otvorio sam usta da otpjevam prvi stih,
02:23
and this completelypotpuno horribleužasno vibratovibracije --
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i potpuno užasan vibrato --
ono kada vam glas počinje
treperiti -- počinje izlaziti.
02:25
you know, when your voiceglas waverskoleba --
comesdolazi streamingstreaming out.
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02:27
And this is not the good kindkind of vibratovibracije,
like an operaopera singerpevačica has,
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Ovo nije dobra vrsta
vibrata, kao kod operskih pjevača,
02:30
this is my wholecjelina bodytelo just convulsingconvulsing with fearstrah.
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ovo je moje cijelo
tijelo koje se grči od straha.
02:33
I mean, it's a nightmarenoćna mora.
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To je noćna mora.
02:34
I'm embarrassedpostiđen, the audiencepublika
is clearlyjasno uncomfortableneudobno,
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Stid me je, a publici je očito neugodno,
02:37
they're focusedfokusiran on my discomfortnemir.
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fokusirali su se na moju nelagodu.
02:39
It was so badloše.
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To je bilo tako loše.
02:43
But that was my first realstvarno experienceiskustvo
as a solosolo singer-songwriterpjevač, tekstopisac.
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To je bilo moje prvo pravo iskustvo
kao samostalni pjevač i kantautor.
02:47
And something good did happenda se desi --
I had the tiniestnajmanji little glimpsepogled
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Ali nešto dobro se
ipak desilo -- vidio sam tračak
02:50
of that audiencepublika connectionveza that I was hopingnadajući se for.
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povezanosti sa
publikom kojem sam se nadao.
02:52
And I wanted more. But I knewznao je
I had to get pastprošlost this nervousnessnervoza.
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Želio sam više. Ali znao sam
da moram prevazići ovu nervozu.
02:56
That night I promisedObećao myselfja:
I would go back everysvaki weeksedmicu
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Te noći obećao sam
sebi: Vraćat ću se svake sedmice
03:00
untildo I wasn'tnije nervousnervozan anymoreviše.
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dok više ne budem nervozan.
03:02
And I did. I wentotišao back everysvaki singlesingl weeksedmicu,
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I tako sam uradio.
Vraćao sam se svake sedmice,
03:04
and sure enoughdosta, weeksedmicu after weeksedmicu,
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i zaista, sedmicu za sedmicu,
03:08
it didn't get any better. The sameisto
thing happeneddogodilo se everysvaki weeksedmicu. (LaughterSmijeh)
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ništa nije bilo bolje. Svake
sedmice dešavalo se isto. (Smijeh)
Nisam se mogao boriti protiv toga.
03:12
I couldn'tnije mogao shaketrese it.
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03:14
And that's when I had an epiphanyepifan.
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I tu tom trenutku
imao sam otkrovenje.
03:16
And I rememberzapamtite it really well, because I
don't have a lot of epiphaniesepifanije. (LaughterSmijeh)
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Sjećam se dobro jer nemam
puno takvih iskustava. (Smijeh)
03:22
All I had to do was writepisati a songpjesma
that exploitsiskorištavati my nervousnessnervoza.
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Sve što sam trebao uraditi
jeste napisati pjesmu o svojoj nervozi.
To se čini vjerodostojno
samo kada imam tremu,
03:26
That only seemsizgleda authenticautentičan when I have stagestage frightstrah,
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03:28
and the more nervousnervozan I was,
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i što sam nervozniji,
03:29
the better the songpjesma would be. EasyLako.
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to će pjesma biti bolja. Jednostavno.
03:32
So I startedzapočet writingpisanje a songpjesma about havingimati stagestage frightstrah.
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Tako sam počeo pisati pjesmu o tremi.
03:36
First, fessingfessing up to the problemproblem,
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Prvo, priznati problem,
fizička ispoljavanja, kako bi se osjećao,
03:39
the physicalfizički manifestationsmanifestacije, how I would feel,
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03:40
how the listenerslušatelj mightMožda feel.
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kako bi se slušalac osjećao.
03:42
And then accountingRačunovodstvo for things like my shakynesiguran voiceglas,
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Zatim objasniti stvari
kako što je drhtajući glas,
03:44
and I knewznao je I would be singingpjevati about a
half-octavepola oktave higherviše than normalnormalno,
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i znao sam da ću pjevati
za pola oktave više nego obično,
03:47
because I was nervousnervozan.
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zato što sam nervozan.
03:49
By havingimati a songpjesma that explainedobjašnjeno
what was happeningdešava se to me,
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Pjevajući pjesmu koja
objašnjava šta mi se dešava
u tom trenutku,
03:53
while it was happeningdešava se,
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dalo je publici
priliku da razmisli o tome.
03:54
that gavedala the audiencepublika permissiondozvolu to think about it.
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03:56
They didn't have to feel badloše
for me because I was nervousnervozan,
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Nisu morali me sažaljevati zbog nervoze.
Oni su to mogli
iskusiti zajedno sa mnom,
03:59
they could experienceiskustvo that with me,
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04:00
and we were all one bigveliki happysrećan, nervousnervozan,
uncomfortableneudobno familyporodica. (LaughterSmijeh)
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i svi smo bili jedna velika sretna,
nervozna porodica. (Smijeh)
04:06
By thinkingrazmišljanje about my audiencepublika,
by embracingprihvatanje and exploitingiskorištavanje my problemproblem,
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Razmišljajući o svojoj publici,
suočavajući i iskorištavajući moj problem,
04:10
I was ablesposoban to take something
that was blockingblokiranje my progressnapredak,
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ja sam mogao uzeti nešto
što sprečava moj napredak
04:13
and turnokrenite it into something that
was essentialesencijalno for my successuspeh.
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i pretovoriti ga u nešto što
je neophodno za moj uspjeh.
04:17
And havingimati the stagestage frightstrah songpjesma let
me get pastprošlost that biggestnajveći issueproblem
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Zbog pjesme o tremi na
bini prevazišao sam najveći problem
odmah na početku izvedbe.
04:20
right in the beginningpočetak of a performanceperformance.
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04:22
And then I could movekretati se on,
and playigraj the restodmor of my songspjesme
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Mogao sam nastaviti
svirati ostatak svojih pjesama
04:24
with just a little bitbit more easelako.
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sa malo većom lakoćom.
04:27
And eventuallyna kraju, over time, I didn't
have to playigraj the stagestage frightstrah songpjesma at all.
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Vremenom više nisam
morao svirati tu pjesmu.
04:33
ExceptOsim for when I was really
nervousnervozan, like now. (LaughterSmijeh)
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Osim kada sam stvarno
nervozan, kao sada. (Smijeh)
04:40
Would it be okay if I playedigrao the
stagestage frightstrah songpjesma for you?
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Je li uredu da odsviram
pjesmu o tremi za vas?
04:43
(ApplausePljesak)
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(Aplauz)
04:52
Can I have a sipgutljaj of watervoda?
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Mogu li dobiti vode?
04:55
(MusicGlazba)
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(Muzika)
05:00
Thank you.
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Hvala.
05:07
♫ I'm not jokingšali, you know, ♫
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♫ Ne šalim se, znate, ♫
05:10
♫ this stagestage frightstrah is realstvarno. ♫
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♫ ova trema je stvarna. ♫
05:15
♫ And if I'm up here tremblingdrhtanje and singingpjevati, ♫
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♫ Ako se ovdje tresem i pjevam, ♫
05:19
♫ well, you'llti ćeš know how I feel. ♫
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♫ znate kako se osjećam. ♫
05:23
♫ And the mistakegreška I'd be makingstvaranje, ♫
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♫ Greške koje pravim, ♫
05:27
♫ the tremolotremolo causedizazvano by my wholecjelina bodytelo shakingtresenje. ♫
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♫ treperav zvuk zbog mog
cijelog tijela što se trese. ♫
05:31
♫ As you sitsedite there feelingosećanje embarrassedpostiđen for me, ♫
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♫ Dok vi sjedite tu i
stidite se zbog mene, ♫
05:34
♫ well, you don't have to be. ♫
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♫ pa, ne morate. ♫
05:37
♫ Well, maybe just a little bitbit. ♫
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♫ Dobro, možda samo malo. ♫
05:40
(LaughterSmijeh)
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(Smijeh)
05:41
♫ And maybe I'll try to imaginezamislite
you all withoutbez clothesodeća. ♫
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♫ Možda ću vas zamisliti bez odjeće. ♫
05:49
♫ But singingpjevati in frontfront of all nakedgola strangersstranci
scaresplaši se me more than anyonebilo ko knowszna. ♫
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♫ Ali pjevanje ispred nagih
stranaca plaši me više. ♫
05:57
♫ Not to discussdiskutovati this at lengthdužine, ♫
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♫ Da ne pričam nadugo, ♫
06:01
♫ but my bodytelo imageslika was never my strengthsnaga. ♫
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♫ ali moje tijelo nikada
nije bila moja jača strana. ♫
06:06
♫ So franklyiskreno, I wishželim that you all would get dressedobučen, ♫
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♫ Iskreno, volio bih da se svi obučete, ♫
06:10
♫ I mean, you're not even really nakedgola. ♫
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♫ mislim, niste zapravo nagi. ♫
06:15
♫ And I'm the one with the problemproblem. ♫
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♫ Ja sam onaj koji ima problem. ♫
06:18
♫ And you tell me, don't worrybrinite
so much, you'llti ćeš be great. ♫
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♫ Recite mi, ne brini
puno, bićeš odličan. ♫
06:25
♫ But I'm the one livingživi with me ♫
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♫ Ali ja sam taj koji živi sa sobom ♫
06:28
♫ and I know how I get. ♫
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♫ znam kakav budem. ♫
06:30
♫ Your advicesavet is gentlenježan but latekasno. ♫
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♫ Vaš savjet je
velikodušan, ali je zakasnio. ♫
06:35
♫ If not just a bitbit patronizingzaštitnički. ♫
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♫ Ako ne malo snishodljiv. ♫
06:38
♫ And that sarcasticsarkastičan toneton doesn't
help me when I singpevati. ♫
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♫ A taj sarkastični ton
mi ne pomaže kada pjevam. ♫
06:43
♫ But we shouldn'tne bi trebalo talk about
these things right now, ♫
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♫ Ali nećemo o tome sada, ♫
06:47
♫ really, I'm up on stagestage, and
you're in the crowdgomilu. HiBok. ♫
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♫ stvarno, ja sam na bini,
a vi ste u publici. Zdravo. ♫
06:54
♫ And I'm not makingstvaranje funzabava of
unnurturedunnurtured, irrrationalirrrational fearstrah, ♫
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♫ Ne ismijavam njegovan,
racionalan strah, ♫
07:03
♫ and if I wasn'tnije readyspreman to facelice this, ♫
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♫ da nisam spreman da se suočim s ovim, ♫
07:06
♫ I sure as helldođavola wouldn'tne bi be here. ♫
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♫ ne bih bio ovdje. ♫
07:10
♫ But if I beltpojas one noteBilješka out clearlyjasno, ♫
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♫ Ali ako jasno zapjevam jednu notu, ♫
07:15
you'llti ćeš know I'm recoveringoporavak slowlypolako but surelysigurno. ♫
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♫ znajte da se lagano ali
sigurno oporavljam. ♫
07:20
♫ And maybe nextsledeći weeksedmicu, I'll setset my guitargitara ringin'zvoni
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♫ Sljedeće sedmice moja
gitara će možda početi svirati, ♫
07:24
♫ my voiceglas clearjasno as watervoda, and everyonesvi singin'Pjevajmo. ♫
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♫ moj glas će biti jasan,
a svi će pjevati. ♫
07:28
♫ But probablyvjerovatno I'll just get up and startpočnite groovin'-Daj, ♫
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♫ Vjerovatno ću ustati i početi plesati, ♫
07:32
♫ my vocalvokalni cordsužeta movin'Idemo brzo, ♫
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♫ a moje glasnice će biti, ♫
07:35
♫ at speedsbrzine slightlyblago fasterbrže than soundzvuk. ♫
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♫ malo brže od zvuka. ♫
07:48
(ApplausePljesak)
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(Aplauz)
Translated by Samra Cebiric
Reviewed by Adisa Ejubovic

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ABOUT THE SPEAKER
Joe Kowan - Musician and graphic designer
By day he's a graphic designer, and by night Joe Kowan is a quirky folk singer-songwriter.

Why you should listen

Joe Kowan is a Boston-based musician and graphic designer who has been struggling with stage fright since he first started writing songs at age 27. Despite his adorably expressed fears, he charms audiences with his own style of quirky folk and acoustic hip-hop, by turns poignant, salacious and comical. In 2009 he released the gangsta' arts and crafts video for his original song “Crafty,” and in 2011 he was a finalist in the USA Songwriting Competition.

Kowan is a senior graphic designer on State Street Global Marketing’s Brand Strategy team. With a BFA in sculpture and design, his work explores diverse areas of design including scenic, print, environmental design and wayfinding.

More profile about the speaker
Joe Kowan | Speaker | TED.com