TEDGlobal 2017
Touria El Glaoui: Inside Africa's thriving art scene
图雷亚·尔·格鲁伊: 走进非洲蓬勃发展的艺术
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艺术收藏机构的策展人图雷亚·尔·格鲁伊有一个任务，她要向观众展示非洲国家以及那里的流亡者生机勃勃的新兴艺术。这种艺术很美，很鼓舞人心，也很令人兴奋。她分享了一些讲述着有关非洲人身份和历史的动人故事的当代艺术作品——它们来自塞加内尔的摄影师奥马尔·维克托·迪奥普，摩洛哥的艺术家哈桑·哈加，以及津巴布韦的画家库泽那依-维奥莉特·哈瓦米。“通过艺术，我们能够确确实实地重新拾回对自己行为的控制感和信心。”图雷亚·尔·格鲁伊说到，“通过艺术，我们可以确确实实地讲述我们自己的故事。”
Touria El Glaoui - Art fair curator
To showcase vital new art from African nations and the diaspora, Touria El Glaoui founded the powerhouse 1-54 Contemporary African Art Fair. Full bio
To showcase vital new art from African nations and the diaspora, Touria El Glaoui founded the powerhouse 1-54 Contemporary African Art Fair. Full bio
Double-click the English transcript below to play the video.
00:12
Let's talk about how the narrative
of Africa is being told,
of Africa is being told,
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让我们来谈谈对非洲的故事
是怎么被诉说的，
是怎么被诉说的，
00:16
and who is doing the telling.
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还有是谁在告诉我们。
00:19
I want to share with you
the selection of work
the selection of work
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我想和你们分享一些经过精心挑选的
00:21
by contemporary artists
from Africa and its diaspora.
from Africa and its diaspora.
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来自非洲以及散落在非洲之外的
当代艺术家的作品。
当代艺术家的作品。
00:26
I love this art.
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我热爱这种艺术。
00:27
I find it beautiful
and inspiring and thrilling,
and inspiring and thrilling,
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我发现它很美，很鼓舞人心，
也很令人兴奋，
也很令人兴奋，
00:31
and I really hope I am able
to pique your interest.
to pique your interest.
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并且我很希望我能够引起你们的兴趣。
00:34
I want to share something about myself
and why art matters to me.
and why art matters to me.
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我想先与你们分享一些关于我的事情，
以及为什么艺术对于我来说如此重要。
以及为什么艺术对于我来说如此重要。
00:38
I'm the daughter of an artist,
so that means that growing up,
so that means that growing up,
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我是一个画家的女儿，
所以这也就意味着在我长大的过程中，
所以这也就意味着在我长大的过程中，
00:41
I had the chance to see my father
do artwork in his studio.
do artwork in his studio.
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我有机会看着我的父亲在画室里创作。
00:45
My home was surrounded by art,
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我家是被艺术环绕的，
我也很早接受艺术方面的教育，
00:47
and I had an early art education,
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总是在暑假时被拽到博物馆和艺术展。
00:49
being dragged to museums and exhibitions
over the summer holidays.
over the summer holidays.
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00:54
What I did not understand,
really, at the time,
really, at the time,
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我当时并不太懂的，其实，
是这些经历很早地给了我
00:56
is that this also gave me
an early understanding
an early understanding
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为什么艺术很重要的理解。
00:58
about why art is important,
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应该怎么看它，
01:01
how to look at it,
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怎么理解它，更重要的是怎么去爱它。
01:03
how to understand it,
but also how to love it.
but also how to love it.
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01:06
So art matters to me on a personal level,
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所以艺术在个人层面对我来说极其重要，
01:09
and not only because it's beautiful
and inspiring and thrilling,
and inspiring and thrilling,
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并且不仅仅因为它很美，
很鼓舞人心，很令人兴奋，
很鼓舞人心，很令人兴奋，
01:13
but because art tells powerful stories.
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而且是因为它给我讲述着动人的故事。
01:16
All these artists have stories to tell you
about what it means to be African,
about what it means to be African,
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所有这些艺术家都有很多故事，
去告诉你身为一个非洲人意味着什么，
去告诉你身为一个非洲人意味着什么，
那些故事不仅告诉你并向你提及
我们非洲人的身份，
我们非洲人的身份，
01:21
stories that tell you and touches
about our African identity,
about our African identity,
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而且告诉你作为非洲人我们是谁，
01:25
but also stories that tell us
about who we are as Africans,
about who we are as Africans,
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01:29
but also stories that tell us
about our complex history.
about our complex history.
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告诉你非洲人错综复杂的历史。
01:35
So how can art tell you powerful stories?
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那么艺术怎么能给你讲动人的故事呢？
我想与你们分享这个系列的作品
01:39
I want to share with you this series
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01:41
by Senegalese artist Omar Victor Diop.
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它们是塞内加尔的摄影师奥
马尔 · 维克多 · 迪奥普的作品。
马尔 · 维克多 · 迪奥普的作品。
01:44
This is a series of self-portraits,
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这是一系列的自拍像，
这位艺术家在这一特定的系列中
01:47
and the artist in this particular series
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主要关注的是在艺术史上
01:48
is focusing on the representation
of Africans in art history
of Africans in art history
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15到19世纪间对非洲黑人描绘。
01:53
between the 15th to the 19th century.
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01:56
I want to show you how, with one image,
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我想让你们知道，仅仅用一张图片，
迪奥普是不仅在政治的被代表程度上，
01:59
Diop is able to touch
on our African identity,
on our African identity,
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02:02
on the politics of representation,
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而且也在社会价值体系的层面上，
提及我们非洲黑人的身份的。
02:05
but also on our social value system.
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02:07
In this particular self-portrait,
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在这一幅自拍像中，
02:10
Diop is actually referencing
another portrait by Anne-Louis Girodet.
another portrait by Anne-Louis Girodet.
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迪奥普其实是在引用一幅
安妮·路易·吉洛·德的画像。
安妮·路易·吉洛·德的画像。
02:15
This picture is doing a portrait
of Jean-Baptiste Belley.
of Jean-Baptiste Belley.
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这幅画在描绘让·巴普蒂斯·贝利，
02:19
Jean-Baptiste Belley
was a native of Senegal,
was a native of Senegal,
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他是一个塞内加尔的当地人，
02:22
a former slave of Haiti,
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也曾是一个海地的奴隶，
02:25
but during his lifetime, he also
was elected to represent the colony
was elected to represent the colony
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但在他的有生之年里，
他也在法国大革命的第三政府时期
他也在法国大革命的第三政府时期
被选举为殖民地的代表，
02:30
at the third government
of the French Revolution,
of the French Revolution,
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02:33
and he advocated strongly
for the abolition of slavery.
for the abolition of slavery.
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并且他强烈地支持奴隶制的废除。
02:37
What is very smart
and clever about Diop here
and clever about Diop here
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迪奥普在这一点上的做法很聪明，
因为他回归了历史。
02:40
is that he's going back to history.
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02:42
He's reclaiming this figure
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他在通过重现这件漂亮的皇家蓝色制服，
02:44
by restaging this beautiful
royal blue uniform,
royal blue uniform,
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以及这个人物的姿势，
02:48
where he is restaging also the pose,
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去重新塑造这个历史人物。
02:51
and he's doing that
to actually underline the issues
to actually underline the issues
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并且他那么做其实也是在强调
02:54
that are still impacting
individuals of color today.
individuals of color today.
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那件直到现在还在
影响着非白人人种的事件。
影响着非白人人种的事件。
02:57
There was nothing special
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其实这幅有关政治的画
02:59
about this very typical
political portrait of the time,
political portrait of the time,
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是那个时期十分典型的，
并没有什么特别。
03:02
except that for the first time,
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除了这是历史上第一次
03:04
an individual of color,
in that case, Jean-Baptiste Belley,
in that case, Jean-Baptiste Belley,
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一个非白人个体，在这里也就是
让·巴普蒂斯·贝利
让·巴普蒂斯·贝利
03:07
was actually named
and acknowledged in a painting.
and acknowledged in a painting.
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真正地在一幅画里面被提及并得到承认。
03:12
What Diop is adding to this picture
is this crucial element,
is this crucial element,
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迪奥普还在这幅画里面
添加了一个重要的元素，
添加了一个重要的元素，
03:16
which is the football under his arm,
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也就是手臂里的足球，
03:18
and by doing that,
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这么做，
03:19
Diop is actually touching
at our hero worship culture
at our hero worship culture
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迪奥普其实是在暗示我们对
非洲足球明星的
非洲足球明星的
英雄崇拜心理，
03:23
of African football stars,
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03:25
who unfortunately, despite their fame,
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但很不幸的是，除了名气，
03:28
their immense talent,
and their royalty status,
and their royalty status,
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过人的天赋，以及忠诚的地位以外，
03:30
they are still invisible.
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这些足球明星们还是被忽视的群体。
03:33
Diop is asking us to dig deeper,
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迪奥普在引导我们理解得更深，
03:35
to go beyond history
and what has been written,
and what has been written,
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并超越历史和一切被记载下来的东西，
03:38
and, basically, see how it still
influences and impacts us in the present.
influences and impacts us in the present.
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去看它是怎么影响着
像我们一样的当代人的。
像我们一样的当代人的。
03:42
I want to share
this other beautiful series
this other beautiful series
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我还想分享另一个系列的出色作品，
03:45
called "Kesh Angels,"
by artist Hassan Hajjaj.
by artist Hassan Hajjaj.
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它是艺术家哈桑·哈加的 “Kesh Angels“。
03:48
So in this particular series,
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在这一系列中，
03:50
the artist is really pushing
on the boundaries
on the boundaries
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这位艺术家其实是在挑战模式化观念
03:52
of stereotype and cliché.
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和陈词滥调的界限。
03:54
Hassan Hajjaj is a friend,
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他是一位朋友，
03:57
and honestly, I admire him dearly,
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说实话，我非常地欣赏他，
03:58
but this particular series is talking
to me directly as a Muslim woman.
to me directly as a Muslim woman.
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这个系列的作品其实在从一个
穆斯林女子的角度直接向我传达信息。
穆斯林女子的角度直接向我传达信息。
04:03
I experience this all the time,
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我总是能体会到
04:06
where, you know, people
have a lot of expectations,
have a lot of expectations,
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人们有很多的期待，
04:08
religious ones and cultural ones,
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无论是信仰上的还是文化上的，
04:10
but what I love about this artist
is that he's putting all this on its head.
is that he's putting all this on its head.
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但最让我喜欢的关于这位艺术家的，
其实是他总是把这一点铭记在脑海里。
其实是他总是把这一点铭记在脑海里。
04:14
He's actually challenging
every representation
every representation
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他总是在挑战对穆斯林和阿拉伯女子
04:18
of Muslim, Arabic women that there is.
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存在的所有描绘。
04:21
Hassan Hajjaj is a child of the diaspora.
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哈桑·哈加是一个移民者的孩子。
04:24
He grew up in Morocco
amongst bright logo goods,
amongst bright logo goods,
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他在摩洛哥颜色鲜艳的名牌中长大，
04:28
you know, counterfeit originals
being sold at the souks.
being sold at the souks.
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你知道的，那些其实是当地市场上
卖的伪造品。
卖的伪造品。
04:31
So to see those symbols
representing in his work
representing in his work
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所以，当看到这些标志都
被他在作品中描绘出来，
被他在作品中描绘出来，
04:35
a celebration of the global culture,
a critic of the global urban culture,
a critic of the global urban culture,
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作为一种对世界文化的赞扬，
和对全球城市文化的批判，
和对全球城市文化的批判，
04:39
is no surprise,
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并不令人吃惊。
04:41
but really at the heart of his work
is his desire of a nuanced representation.
is his desire of a nuanced representation.
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但真正作为他作品的核心的，
是他通过细节来传达信息的欲望。
是他通过细节来传达信息的欲望。
04:46
He wants us to interrupt ourselves
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他想让我们打断我们自己，
04:48
and all the perception that we might have
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并打破对他人，
对文化，对环境的可能有的全部理解。
04:50
on people, on a culture,
and on environment.
and on environment.
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04:53
And for example,
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举个例子，
04:55
this particular picture,
your common association would be,
your common association would be,
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那这幅画来说，你们通常的联想到的会是
04:59
you know, certain street brand for
a certain Western distinctive consumer.
a certain Western distinctive consumer.
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一个针对西方某些指定消费群体的品牌。
05:03
Well, he mashes it all up,
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但他现在把它全部混起来，
05:05
where he is daring to imagine
a female biker culture
a female biker culture
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他敢于想象一个女性骑车者的文化，
05:10
where actually Chanel or Louis Vuitton
is designing the djellaba,
is designing the djellaba,
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在这里面香奈儿和路易威登
设计了阿拉伯人穿的袍子，
设计了阿拉伯人穿的袍子，
05:14
and Nike, the babouche,
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耐克设计了阿拉伯风格的凉鞋，
05:16
and this is actually the standard uniform.
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而这其实是标准的穿戴方法。
05:19
What I love about the women
in "Kesh Angels"
in "Kesh Angels"
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最让我喜欢的有关于"Kesh Angels"
里的女子的一点是
里的女子的一点是
05:23
is that they are able to hold your gaze.
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她们都可以可以吸引我们的目光。
05:25
We are completely
participating in the image,
participating in the image,
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让我们完全沉浸在这幅画中，
05:28
but they are the one inviting us in,
and on their own terms.
and on their own terms.
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并且她们是在用她们自己的方式
来邀请我们走进这幅画。
来邀请我们走进这幅画。
05:32
Hassan Hajjaj's "Kesh Angels"
or "Project Diaspora" by Omar Victor Diop
or "Project Diaspora" by Omar Victor Diop
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哈桑·哈加的 "Kesh Angels" 和
迪奥普的"散落项目"
迪奥普的"散落项目"
05:37
offer me two strong examples
why art is so instrumental.
why art is so instrumental.
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为我提供了两个很好的例子，
说明为什么艺术是如此的有用
说明为什么艺术是如此的有用
05:41
It is instrumental as it really
inspires us to ask questions,
inspires us to ask questions,
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艺术的重要作用不但在于它鼓励我们发问，
05:45
but it is also instrumental
because it ignites change.
because it ignites change.
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更在于它能引起改变。
05:48
Seeing diversity in race and ethnicity
in contemporary art
in contemporary art
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观察当代艺术中种族和民族的多样性
05:52
is the only way that we'll see
changes in the art industry,
changes in the art industry,
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是我们能够见证艺术行业变化
以及非洲和西方准则关系的唯一方法。
05:56
but also for the relations between Africa
and the Western canon.
and the Western canon.
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06:01
How we will participate in all this
is really up to us.
is really up to us.
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如何参与到这一过程中
完全取决于我们自己。
完全取决于我们自己。
06:05
There's a lot of progress to be made,
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还有很多的进步等着我们去实现，
06:07
and honestly, we still need
to support stronger voices,
to support stronger voices,
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说实话，我们仍需要支持
那些强有力的声音，
那些强有力的声音，
06:10
as they are the ones shaking things up
and bringing new perspective.
and bringing new perspective.
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因为他们可以把事物重组，
并带来新的观点。
并带来新的观点。
06:13
I want to share
this beautiful old painting
this beautiful old painting
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我想分享这一幅出色的旧画，
06:16
by younger emerging artist
Kudzanai-Violet Hwami.
Kudzanai-Violet Hwami.
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它是更为年轻的新兴艺术家
库泽那依-维奥莉特·哈瓦米的作品。
库泽那依-维奥莉特·哈瓦米的作品。
06:20
For me, when I see her work,
it really represents freedom.
it really represents freedom.
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对于我来说，当我看到她的画时，
它的确代表着自由。
06:25
Hwami has fantastic takes
on what it means to be an African
on what it means to be an African
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哈瓦米在作为非洲人和在非洲生活
意味着什么这两个问题上
意味着什么这两个问题上
06:29
and an African life.
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有着独到的见解。
06:31
She has lived in three
different countries:
different countries:
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她在这三个不同的国家生活过：
06:33
Zimbabwe, South Africa and Britain,
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津巴布韦，南非，还有英国。
06:36
and therefore has been influenced
by a multitude of layers
by a multitude of layers
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因此，她受到过社会上和文化上
多个不同层面的影响，
06:39
of communities and cultures,
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06:41
from LGBT to eco to Xhosa
to emo to British cultures.
to emo to British cultures.
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从 LGBT 群体到生态环境，
从非洲的 Xhosa 种族
从非洲的 Xhosa 种族
到 emo摇滚乐， 再到英伦文化。
06:47
And as she says herself, the beauty
of being a child of the diaspora
of being a child of the diaspora
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正如她经常说的，作为一个移居者的孩子，
最令人赞叹的能力
最令人赞叹的能力
06:51
is really being able to reinvent ourselves
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是可以重新塑造自我
06:53
and what it means to be African.
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并重新定义作为一个非洲人意味着什么。
06:56
I want to leave you
with this powerful piece
with this powerful piece
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我想在最后向你们展示这幅
06:59
by South African artist Lawrence Lemaoana.
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南非艺术家劳伦斯·乐麦那的
动人的作品。
动人的作品。
07:03
Lawrence Lemaoana also criticized
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乐麦那也批判了
07:05
the influence of the media
on our moral consciousness,
on our moral consciousness,
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媒体对我们道德认知的影响，
07:09
and he's doing that by using those fabrics
like banners in political demonstrations,
like banners in political demonstrations,
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并且他通过利用政治游行中的横幅等材料
来做到这一点，
来做到这一点，
07:14
where he's asking us
to reclaim our voices.
to reclaim our voices.
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在这里他在呼吁我们重新
找到我们的声音。
找到我们的声音。
07:17
I believe in the transformative
power of art,
power of art,
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我相信艺术带来改变的力量，
07:21
as it is our only way to paint
a nuanced image of Africa,
a nuanced image of Africa,
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因为它是我们通过细致的图像
去描绘非洲人
去描绘非洲人
07:25
but also its diaspora,
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以及那里的移居者的唯一方法。
07:27
one that will be painted by its artists
and its cultural producers
and its cultural producers
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它将会被那里的艺术家和文化行业工作者
07:32
with their radical but also very unique
view of seeing the world
view of seeing the world
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用他们看待世界和他们在这世界上的角色
的一种激进但又独一无二的方式来描绘。
07:36
and their place in it.
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07:38
It is really through art
that we can regain
that we can regain
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通过艺术，我们能够确确实实地
07:41
our sense of agency and empowerment.
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重新拾回对自己行为的控制感和信心。
07:45
It is through art that we can
really tell our own story.
really tell our own story.
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通过艺术，我们可以确确实实地
讲述我们自己的故事。
讲述我们自己的故事。
07:49
So like Lawrence Lemaoana says,
the power is ours.
the power is ours.
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所以，就像劳伦斯·乐麦那所说的，
力量是我们的。
力量是我们的。
07:53
Thank you.
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谢谢。
07:54
(Applause)
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（掌声）
ABOUT THE SPEAKER
Touria El Glaoui - Art fair curatorTo showcase vital new art from African nations and the diaspora, Touria El Glaoui founded the powerhouse 1-54 Contemporary African Art Fair.
Why you should listen
Touria El Glaoui is the founding director of the 1-54 Contemporary African Art Fair, which takes place in London and New York every year and, in 2018, launches in Marrakech. The fair highlights work from artists and galleries across Africa and the diaspora, bringing visibility in global art markets to vital upcoming visions.
El Glaoui began her career in the banking industry before founding 1-54 in 2013. Parallel to her career, she has organized and co-curated exhibitions of the work of her father, the Moroccan artist Hassan El Glaoui, in London and Morocco.
Touria El Glaoui | Speaker | TED.com