ABOUT THE SPEAKER
eL Seed - Artist
French-Tunisian artist eL Seed blends the historic art of Arabic calligraphy with graffti to portray messages of beauty, poetry and peace across all continents.

Why you should listen

Born in Paris to Tunisian parents, eL Seed travels the world, making art in Paris, New York, Jeddah, Melbourne, Gabes, Doha and beyond. His goal: to create dialogue and promote tolerance as well as change global perceptions of what Arabic means. In 2012, for instance, he painted a message of unity on a 47-meter-high minaret on the Jara mosque in Gabes, Tunisia. This piece and others can be found in his book, Lost Walls: Graffiti Road Trip through Tunisia

Most recently he created a sprawling mural in the Manshiyat Naser neighborhood of Cairo that spans 50 buildings and can only be viewed from a local mountaintop. Intending to honor the historic garbage collectors of the Manshiyat Naser neighborhood, the piece reads, "Anyone who wants to see the sunlight clearly needs to wipe his eye first."

More profile about the speaker
eL Seed | Speaker | TED.com
TED2015

eL Seed: Street art with a message of hope and peace

eL Seed: Arte de rúa cunha mensaxe de paz e esperanza

Filmed:
1,581,298 views

Nacido en Francia, fillo de pais tunisianos, a eL Seed encántalle facer malabares entre múltiples culturas, linguas e identidades. Tamén na súa obra, que introduce poesía árabe nun estilo inspirado na arte urbana e o graffiti. Nesta apaixonada charla, o artista, que tamén é Membro TED, describe a súa ambición central: crear arte tan fermosa que non requira tradución.
- Artist
French-Tunisian artist eL Seed blends the historic art of Arabic calligraphy with graffti to portray messages of beauty, poetry and peace across all continents. Full bio

Double-click the English transcript below to play the video.

00:12
In 2012, when I painted
the minaret of Jara Mosque
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En 2012, cando pintei o minarete
da mesquita de Jara
00:17
in my hometown of Gabés,
in the south of Tunisia,
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na miña cidade natal de Gabés,
ao sur de Tunisia,
00:19
I never thought that graffiti would bring
so much attention to a city.
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nunca imaxinei que o graffiti puidese
atraer tanta atención a unha cidade.
00:25
At the beginning, I was just looking
for a wall in my hometown,
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Ao principio, só buscaba un muro
na miña cidade,
00:29
and it happened that the minaret
was built in '94.
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e o minarete construírase no 94.
00:33
And for 18 years, those 57 meters
of concrete stayed grey.
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E durante 18 anos, eses 57 metros de
formigón permaneceron grises.
00:38
When I met the imam for the first time,
and I told him what I wanted to do,
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Cando coñecín o imán por primeira vez,
e lle dixen o que quería facer,
respondeu: "Grazas a Deus
que apareciches por fin",
00:42
he was like, "Thank God you finally came,"
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00:44
and he told me that for years
he was waiting for somebody
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e contoume que levaba anos esperando
que chegara alguén
00:47
to do something on it.
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que fixese algo con el.
00:49
The most amazing thing about this imam
is that he didn't ask me anything --
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O máis sorprendente deste imán
foi que non me pediu nada,
00:53
neither a sketch,
or what I was going to write.
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nin un bosquexo nin o que ía escribir.
00:57
In every work that I create,
I write messages
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En cada traballo que creo,
escribo mensaxes
01:00
with my style of calligraffiti --
a mix of calligraphy and graffiti.
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con meu estilo de "caligraffiti", unha
mestura de caligrafía e graffiti.
01:05
I use quotes or poetry.
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Uso citas ou poesía.
01:08
For the minaret, I thought that
the most relevant message
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Para o minarete, pensei
que a mensaxe máis relevante
01:10
to be put on a mosque
should come from the Quran,
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para unha mesquita
debería proceder do Corán,
01:13
so I picked this verse:
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así que escollín esta estrofa:
01:15
"Oh humankind, we have created you
from a male and a female,
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"Oh, humanos, creámosvos
dun home e dunha muller,
01:18
and made you people and tribe,
so you may know each other."
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e fixémosvos pobos e tribos
para que vos puiderades coñecer."
01:21
It was a universal call for peace,
tolerance, and acceptance
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Era unha chamada universal á paz,
á tolerancia e á aceptación,
01:25
coming from the side that we don't usually
portray in a good way in the media.
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partindo de que non acostumamos ter
unha boa imaxe nos medios.
01:29
I was amazed to see how the local
community reacted to the painting,
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Sorprendeume ver como reaccionou
a comunidade local perante a pintura,
01:33
and how it made them proud to see
the minaret getting so much attention
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e o orgullo que sentían ao ver
que o minarete recibía tanta atención
01:37
from international press
all around the world.
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da prensa internacional do mundo enteiro.
01:41
For the imam, it was not
just the painting;
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Para o imán, non era só unha pintura;
01:43
it was really deeper than that.
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era más profundo que iso.
01:45
He hoped that this minaret would become
a monument for the city,
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Esperaba que este minarete fose
un monumento para a cidade,
01:48
and attract people
to this forgotten place of Tunisia.
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e atraese xente
a este lugar esquecido de Tunisia.
01:52
The universality of the message,
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A universalidade da mensaxe,
01:54
the political context
of Tunisia at this time,
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o contexto político de Tunisia
nese momento,
01:57
and the fact that I was writing
Quran in a graffiti way
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o feito de que estaba escribindo
o Corán en estilo de graffiti
02:00
were not insignificant.
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non carecían de significado.
02:02
It reunited the community.
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Reuniu a comunidade.
02:05
Bringing people, future generations,
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Reunir xente, futuras xeracións,
02:08
together through Arabic calligraphy
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a través da caligrafía árabe
02:11
is what I do.
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é o que fago.
02:13
Writing messages is
the essence of my artwork.
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Escribir mensaxes é a esencia
do meu traballo.
02:16
What is funny, actually, is that
even Arabic-speaking people
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O que é gracioso é que
incluso a xente que fala árabe
02:20
really need to focus a lot
to decipher what I'm writing.
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precisa concentrarse moito para
descifrar o que estou a escribir.
02:24
You don't need to know
the meaning to feel the piece.
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Non fai falla coñecer o significado
para sentir a peza.
02:28
I think that Arabic script touches
your soul before it reaches your eyes.
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Creo que a grafía árabe toca a alma
antes de chegar aos ollos.
02:31
There is a beauty in it
that you don't need to translate.
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Hai beleza nela que non precisa tradución.
02:35
Arabic script speaks to anyone, I believe;
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A grafía árabe fálalles a todos, creo;
02:37
to you, to you, to you, to anybody,
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a ti, a ti, a ti, a todo o mundo,
02:41
and then when you get the meaning,
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e cando entendes o significado,
02:43
you feel connected to it.
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sénteste conectado con ela.
02:45
I always make sure to write messages
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Sempre me aseguro de escribir mensaxes
02:47
that are relevant to the place
where I'm painting,
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que sexan relevantes
para o lugar onde pinto,
02:50
but messages that have
a universal dimension,
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pero que sexan mensaxes
cunha dimensión universal,
02:53
so anybody around the world
can connect to it.
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para que o mundo enteiro
poida conectar con elas.
02:56
I was born and raised in France, in Paris,
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Nacín e crieime en Francia, en París,
02:59
and I started learning how to write
and read Arabic when I was 18.
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e comecei a aprender a ler e escribir
árabe aos 18 anos.
03:03
Today I only write messages in Arabic.
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Hoxe só escribo mensaxes en árabe.
03:07
One of the reasons
this is so important to me,
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Unha das razóns polas que isto
é tan importante para min
03:10
is because of all the reaction that
I've experienced all around the world.
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é por todas as reaccións
que recibín polo mundo.
03:15
In Rio de Janeiro, I translated
this Portuguese poem
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No Río de Xaneiro, traducín
este poema portugués
03:19
from Gabriela Tôrres Barbosa,
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de Gabriela Tôrres Barbosa,
03:21
who was giving an homage
to the poor people of the favela,
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que é unha homenaxe
á xente pobre da favela,
03:24
and then I painted it on the rooftop.
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e despois pinteino nunha terraza.
03:27
The local community were really
intrigued by what I was doing,
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A comunidade local estaba intrigada
co que estaba a facer,
03:30
but as soon as I gave them
the meaning of the calligraphy,
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mais tan axiña como lles dei
o significado da caligrafía,
03:33
they thanked me, as they felt
connected to the piece.
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agradecéronmo porque
se sentiron conectados coa peza.
03:38
In South Africa, in Cape Town,
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En Suráfrica, en Cidade do Cabo,
03:40
the local community of Philippi
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a comunidade local de Philippi
03:43
offered me the only
concrete wall of the slum.
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ofreceume o único muro
de formigón do suburbio.
03:46
It was a school, and I wrote on it
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Era unha escola e escribín nela
03:49
a quote from Nelson Mandela,
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unha cita de Nelson Mandela,
03:50
saying, "[in Arabic],"
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que dicía: [en árabe],
03:53
which means, "It seems
impossible until it's done."
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que significa
"Parece imposible ata que se fai."
03:56
Then this guy came to me and said,
"Man, why you don't write in English?"
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Un día, achegóuseme un tipo e díxome:
"Por que non escribes en inglés?"
04:00
and I replied to him, "I would consider
your concern legit if you asked me
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e eu respondinlle: "Consideraría lexítima
a túa preocupación se me preguntases
04:04
why I didn't write in Zulu."
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por que non escribo en zulú".
04:06
In Paris, once, there was this event,
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Unha vez, nun acto en París
04:09
and someone gave his wall to be painted.
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alguén ofreceu o seu muro para pintalo.
04:14
And when he saw I was painting in Arabic,
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Cando viu que eu estaba a pintar en árabe,
04:16
he got so mad -- actually, hysterical --
and he asked for the wall to be erased.
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toleou, --de feito, púxose histérico--
e pediu que se borrase a parede.
04:20
I was mad and disappointed.
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Eu estaba enfadado e decepcionado.
04:22
But a week later, the organizer
of the event asked me to come back,
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Mais, unha semana despois, o organizador
do acto pediume que regresara,
04:26
and he told me that there was a wall
right in front of this guy's house.
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e díxome que había un muro
xusto en fronte da casa dese tipo.
04:30
So, this guy --
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Así que, ese tipo...
04:31
(Laughter)
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(Risas)
04:33
like, was forced to see it every day.
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ía ter que velo á forza todos os días.
04:35
At the beginning, I was going
to write, "[In Arabic],"
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Ao comezo, ía escribir: [en árabe],
04:38
which means, "In your face," but --
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que significa "Na túa cara", pero...
04:40
(Laughter)
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(Risas)
04:42
I decided to be smarter
and I wrote, "[In Arabic],"
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Decidín ser máis elegante
e escribín "[en árabe]",
que significa
"Abre o teu corazón."
04:46
which means, "Open your heart."
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04:49
I'm really proud of my culture,
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Estou moi orgulloso da miña cultura,
04:52
and I'm trying to be an ambassador
of it through my artwork.
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e tento ser un embaixador
a través da miña arte.
04:57
And I hope that I can break
the stereotypes we all know,
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Espero poder romper os estereotipos
que todos coñecemos,
05:02
with the beauty of Arabic script.
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coa beleza da grafía árabe.
05:05
Today, I don't write the translation
of the message anymore on the wall.
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Hoxe en día, xa non escribo
a tradución da mensaxe no muro.
05:11
I don't want the poetry
of the calligraphy to be broken,
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Non quero romper a poesía da caligrafía.
05:14
as it's art and you can appreciate it
without knowing the meaning,
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e como é arte podes apreciala
sen coñecer o significado,
05:18
as you can enjoy any music
from other countries.
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igual que podes gozar
da música doutros países.
05:21
Some people see that
as a rejection or a closed door,
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Hai xente que o ve como
un rexeitamento ou unha porta pechada,
05:25
but for me, it's more an invitation --
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mais, para min, é máis unha invitación
05:27
to my language,
to my culture, and to my art.
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á miña lingua, á miña cultura,
á miña arte.
05:31
Thank you.
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Grazas.
(Aplausos)
05:32
(Applause)
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Translated by Miriam Castro Huerga
Reviewed by Carme Paz

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ABOUT THE SPEAKER
eL Seed - Artist
French-Tunisian artist eL Seed blends the historic art of Arabic calligraphy with graffti to portray messages of beauty, poetry and peace across all continents.

Why you should listen

Born in Paris to Tunisian parents, eL Seed travels the world, making art in Paris, New York, Jeddah, Melbourne, Gabes, Doha and beyond. His goal: to create dialogue and promote tolerance as well as change global perceptions of what Arabic means. In 2012, for instance, he painted a message of unity on a 47-meter-high minaret on the Jara mosque in Gabes, Tunisia. This piece and others can be found in his book, Lost Walls: Graffiti Road Trip through Tunisia

Most recently he created a sprawling mural in the Manshiyat Naser neighborhood of Cairo that spans 50 buildings and can only be viewed from a local mountaintop. Intending to honor the historic garbage collectors of the Manshiyat Naser neighborhood, the piece reads, "Anyone who wants to see the sunlight clearly needs to wipe his eye first."

More profile about the speaker
eL Seed | Speaker | TED.com